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Four stories to read in the book!
Four new songs to sing on the CD inside the book!
You can enjoy Bed, Bed, Bed anytime and anywhere but it is especially good for bedtime, especially good to read out loud, and it's especially good to share.

Four stories to read in the book!
Four new songs to sing on the CD inside the book!
You can enjoy Bed, Bed, Bed anytime and anywhere but it is especially good for bedtime, especially good to read out loud, and it's especially good to share.

• Sales Rank: #702750 in Books
• Brand: Simon & Schuster
• Model: 940363
• Published on: 2003-11-03
• Released on: 2003-11-03
• Original language: English
• Number of items: 1
• Dimensions: 7.00" h x .50" w x 7.00" l, .72 pounds
• Binding: Hardcover
• 48 pages

Amazon.com Review
Parents and kids looking for a break from the ordinary will appreciate this imaginative collection of stories and songs from quirk-rock kings They Might Be Giants. Fresh on the heels of their highly successful children's record No!, Bed, Bed, Bed features four brief stories written by the Giants and illustrated with surreal panache by Marcel Dzama along with a CD featuring all four stories in song version. "Impossible" explores the possibility of turning into fantastical animals like Octofish and Octofee or growing violet hair that flows down the stairs. Kids will find the silly animals and warped reality delightful and will love singer John Linnell's spacey conspiratorial tone. "Happy Doesn’t Have to Have an Ending" tells the story of a hippie kitten "on a secret mission to make a valentine for everyone on earth," who wants everyone to dance and be happy. "Idlewild" slows things down with a softer, sleepier beat and a story about a dreamy trip to the carnival. But the Giants save the best story for last; "Bed Bed Bed Bed Bed" is a well-reasoned and catchy argument for slumber. "I did so many things today, there’s nothing left to do", sings guest vocalist Kimya Dawson (in a slower, different version than the one on "No!"). While the story features familiar bedtime milestones, Dzama’s illustrations lend the proceedings a compellingly skewed vision in which kids eat three meals in the company of bears and go to bed accompanied by their pet octopus and a tuxedoed rabbit. While the lyrics flow nicely in the songs, they can sometimes be a bit clunky on the page. But even then, the stories and Dzama’s illustrations are more imaginative and memorable than most children’s books today. --John Moe

About the Author
They Might Be Giants (aka "TMBG") is an American alternative music group from Brooklyn, NY. The group was founded by John Flansburgh and John Linnell, who released their first album in 1986. Throughout their 25+ year career, the band has racked up several charting albums and singles, as well as two Grammy awards--one in 2002 for their song "Boss Of Me," (the theme song for "Malcolm in the Middle")and the other in 2009 fortheir children's album"Here Come The 123s". They continue to record alternative albums while branching out into the realm of children's music, and have sold over 4 million records in total.

Marcel Dzama was born in Winnipeg, Canada in 1974, where he later founded the Royal Art Lodge, and where he still lives and works. Last year his work appeared in Paris, Stockholm, London, Dusseldorf, Toronto and New York. It has also been published by Simon & Schuster, Penguin Books, Soft Skull Press and McSweeneyis Books.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Love it to have, but not to read.
By morecoffeeplease
I am an embarrassingly huge, long-time TMBG fan with a little kid who is a recent convert, so I bought a few copies of Bed, Bed, Bed in advance of release. I think Marcel Dzama's illustrations are gorgeous and the songs are fun, but now that I have looked at it once, I feel like it is more something to have than to read. The book is done extraordinarily well, so I am pleased to own it. I almost wish, though, that rather than going for elegance, TMBG had taken the route of the NO! disk and website and made the book zany, over-the-top fun (pop-ups, flaps, dials, push sounds...whatever). Even if that had made it a bit more expensive, I think it would have been truer to the Giants' experience and would have made it nightly reading at our house. I hope the guys go for it again in the future. I'll be first in line.

0 of 0 people found the following review helpful.
My only complaint is that I wish I would've been ...
By Tamiko Teshima
My only complaint is that I wish I would've been able to look through this first before I bought it! Some of the pictures are a little intense for some kiddos.

5 of 5 people found the following review helpful.
Nice to have, but not a must.
By Jen Lee
This book makes awkward reading, especially to a 4-year old who doesn't know TMBG. It's just song lyrics, which don't have much meaning to a child, and don't flow very well for reading. The CD makes it a little easier, because at least my son can look at the pictures, but it's still not ideal. I love TMBG, and I have for many years, so this book/CD is a nice addition to my collection. However, I bought it for my son, who listened to it for the first few weeks, but after that hasn't picked it up again.

See all 41 customer reviews...

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At the beginning of the twentieth century, H. G. Wells predicted that statistical thinking would be as necessary for citizenship in a technological world as the ability to read and write. But in the twenty-first century, we are often overwhelmed by a baffling array of percentages and probabilities as we try to navigate in a world dominated by statistics.

Cognitive scientist Gerd Gigerenzer says that because we haven't learned statistical thinking, we don't understand risk and uncertainty. In order to assess risk -- everything from the risk of an automobile accident to the certainty or uncertainty of some common medical screening tests -- we need a basic understanding of statistics.

Astonishingly, doctors and lawyers don't understand risk any better than anyone else. Gigerenzer reports a study in which doctors were told the results of breast cancer screenings and then were asked to explain the risks of contracting breast cancer to a woman who received a positive result from a screening. The actual risk was small because the test gives many false positives. But nearly every physician in the study overstated the risk. Yet many people will have to make important health decisions based on such information and the interpretation of that information by their doctors.

Gigerenzer explains that a major obstacle to our understanding of numbers is that we live with an illusion of certainty. Many of us believe that HIV tests, DNA fingerprinting, and the growing number of genetic tests are absolutely certain. But even DNA evidence can produce spurious matches. We cling to our illusion of certainty because the medical industry, insurance companies, investment advisers, and election campaigns have become purveyors of certainty, marketing it like a commodity.

To avoid confusion, says Gigerenzer, we should rely on more understandable representations of risk, such as absolute risks. For example, it is said that a mammography screening reduces the risk of breast cancer by 25 percent. But in absolute risks, that means that out of every 1,000 women who do not participate in screening, 4 will die; while out of 1,000 women who do, 3 will die. A 25 percent risk reduction sounds much more significant than a benefit that 1 out of 1,000 women will reap.

This eye-opening book explains how we can overcome our ignorance of numbers and better understand the risks we may be taking with our money, our health, and our lives.

• Sales Rank: #181915 in Books
• Brand: Brand: Simon n Schuster
• Published on: 2003-03-19
• Released on: 2003-03-19
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 1.10" w x 6.12" l, 1.06 pounds
• Binding: Paperback
• 320 pages

Features

• ISBN13: 9780743254236
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Amazon.com Review
In the tradition of Innumeracy by John Allen Paulos, German scientist Gerd Gigerenzer offers his own take on numerical illiteracy. "In Western countries, most children learn to read and write, but even in adulthood, many people do not know how to think with numbers," he writes. "I focus on the most important form of innumeracy in everyday life, statistical innumeracy--that is, the inability to reason about uncertainties and risk." The author wisely uses concrete examples from the real world to make his points, and he shows the devastating impact of this problem. In one example, he describes a surgeon who advised many of his patients to accept prophylactic mastectomies in order to dodge breast cancer. In a two-year period, this doctor convinced 90 "high-risk" women without cancer to sacrifice their breasts "in a heroic exchange for the certainty of saving their lives and protecting their loved ones from suffering and loss." But Gigerenzer shows that the vast majority of these women (84 of them, to be exact) would not have developed breast cancer at all. If the doctor or his patients had a better understanding of probabilities, they might have chosen a different course. Fans of Innumeracy will enjoy Calculated Risks, as will anyone who appreciates a good puzzle over numbers. --John Miller

From Publishers Weekly
If a woman aged 40 to 50 has breast cancer, nine times out of 10 it will show up on a mammogram. On the other hand, nine out of 10 suspicious mammograms turn out not to be cancer. Confused? So are many people who seek certainty through numbers, says Gigerenzer, a statistician and behavioral scientist. His book is a successful attempt to help innumerates (those who don't understand statistics), offering case studies of people who desperately need to understand statistics, including those working in AIDS counseling, DNA fingerprinting and domestic violence cases. Gigerenzer deftly intersperses math lessons explaining concepts like frequency and risk in layperson's terms with real-life stories involving doctors and detectives. One of his main themes is that even well-meaning, statistically astute professionals may be unable to communicate concepts such as statistical risk to innumerates. (He tells the true story of a psychiatrist who prescribes Prozac to a patient and warns him about potential side effects, saying, You have a 30 to 50 percent chance of developing a sexual problem. The patient worries that in anywhere from 30% to 50% of all his sexual encounters, he is going to have performance problems. But what the doctor really meant is that for every 10 people who take Prozac, three to five may experience sexual side effects, and many have no sexual side effects at all.) All innumerates buyers, sellers, students, professors, doctors, patients, lawyers and their clients, politicians, voters, writers and readers have something to learn from Gigerenzer's quirky yet understandable book.
Copyright 2002 Cahners Business Information, Inc.

From The New England Journal of Medicine
The father of modern science fiction, H.G. Wells, is reported to have predicted at the beginning of the 20th century that "statistical thinking will one day be as necessary for efficient citizenship as the ability to read and write." Calculated Risks was motivated by a cognitive scientist's interest in why most people appear to be unable to reason about uncertainties and risk, a limitation Gigerenzer refers to as "statistical innumeracy." Physicians are often aware of their innumeracy. What they may be less aware of is how simple adjustments in the way in which numerical information is presented and the development of intuitively understandable illustrations can help to shift "innumeracy into insight." One barrier to understanding numbers is our seeming inability to live with uncertainty. Using the familiar examples of screening for breast cancer, testing for the human immunodeficiency virus, and DNA fingerprinting, Gigerenzer points out our nearly universal tendency to create an "illusion of certainty." He describes three distinct forms of innumeracy, which he refers to as ignorance of risk (in which a person does not know, even approximately, how large a personally or professionally relevant risk is), miscommunication of risk (in which a person knows the risks but does not know how to communicate them effectively), and clouded thinking (in which a person knows the risks but draws incorrect inferences from the relevant statistical facts). For example, physicians often know the performance characteristics of a diagnostic test (e.g., mammography) and the prevalence of a disease (e.g., breast cancer), but they may not know how to infer from this information the likelihood that the disease is present in a patient with a positive test result (e.g., the risk of breast cancer in a woman with an abnormal mammogram). For each of the three distinct forms of innumeracy, there is a tool to facilitate improved thinking. Most of the book focuses on the presentation of "mind tools" that are easy to learn, remember, and apply in the effort to overcome innumeracy. These tools focus on ways to overcome the illusion of certainty, devices for communicating risk intelligibly, and the use of natural frequencies for drawing inferences from statistical information. An important consequence of innumeracy is that miscommunication of risk is often the rule rather than the exception. Three major types of risk that invite miscommunication are single-event probabilities, relative risks, and conditional probabilities. Unfortunately, all of these are standard ways to communicate information. Single-event probabilities can lead to miscommunication because people tend to fill in different reference classes. This type of miscommunication happens frequently with mundane statements such as those made in weather reports: hearing that "there is a 30 percent chance that it will rain tomorrow," some people think that it will rain 30 percent of the time, others that it will rain in 30 percent of the area, and still others that it will rain on 30 percent of the days that are like tomorrow. Although the third option is the intended message, approximately two thirds of the people will interpret this statement incorrectly. One of the most common means of describing clinical benefits in the world of medicine and public health is the relative risk reduction. Since relative risks are larger numbers than absolute risks, results presented in this manner appear to be greater than the same results presented as absolute risk reductions. Presenting benefits as absolute benefits or in terms of the number needed to treat to save one life are two simple examples of ways to make results more understandable. Finally, information in the form of conditional probabilities is often misinterpreted. Even highly educated professionals have difficulty making key inferences on the basis of probabilities. The statement "If a woman has breast cancer, the probability that she will test positive on a screening mammogram is 90 percent" is often confused with the statement "If a woman tests positive on a screening mammogram, the probability that she has breast cancer is 90 percent." Creative representation is an indispensable part of solving problems and of using different formats to represent probabilistic information. For example, changing risk representations from probabilities to natural frequencies can be enormously useful. Probabilities -- especially conditional probabilities -- tend to impede human inference, whereas natural frequencies demand less computation, are far more similar to the ways in which we experience numerical information in our daily lives, and appear to help both experts and laypeople. The representation does part of the reasoning, taking care of the multiplication the mind would have to perform if provided only with probabilities. Algebra, geometry, and calculus teach thinking in a world of certainty. Medical schools and law schools routinely teach some form of statistics but generally have not integrated formal education on reasoning on the basis of uncertain evidence into their curriculum. Gigerenzer, the director of the Center for Adaptive Behavior and Cognition at the Max Planck Institute for Human Development in Berlin, Germany, calls for an educational campaign aimed at teaching schoolchildren, undergraduate and graduate students, ordinary citizens, and professionals how to deal with risk. The topics he writes about are not new and have been the subject of a wealth of literature in recent years. The unique value of his book lies in the practical and simple tools it provides to help readers understand risks and communicate them effectively to others. These tools are easy to learn and should be mastered by every medical student, health care provider, and professional who is in the position of having to understand and explain to others choices involving risks and uncertainties. Sue Goldie, M.D., M.P.H.
Copyright © 2003 Massachusetts Medical Society. All rights reserved. The New England Journal of Medicine is a registered trademark of the MMS.

Most helpful customer reviews

21 of 21 people found the following review helpful.
Be an Informed Consumer in the Age of Numbers
By J. Williamsen
Gerd Gigerenzer has written several books dealing with "bounded rationality"--how humans use their brains to understand the world around them, make decisions, and determine the risks associated with a given course of action. This book is easily his most accessible. It is clear and easy to read, with most(but not all)the examples drawn from the field of personal health.
Gigerenzer provides the simple mental tools that allow anyone to make sense of the statistics that bombard us daily in the media. It is exactly his point that one does not need to be a rocket scientist (or professional statistician) to understand the numbers used by professionals, from personal physicians to DNA experts, that affect our lives and livelihoods.
If I could recommend only one book to address "numerical illiteracy," this would be it. You will learn some essential skills in a clearly informative and entertaining way.

0 of 0 people found the following review helpful.
Dated but still great
By edincalifornia
Older 2002 version of the author's 2014 Risk Savy book that largely replaced this one. I thought I was buying the newer book until I realized there were two similar books with different titles.

4 of 5 people found the following review helpful.
A Work of Great importance
By Amazon Customer
This is an important work. It shows how to effectively reason about probabilities and risks and how to communicate them in a way that people can understand them. Many authors document the extent of statistical innumeracy among doctors and the general public. This book shows that this innumeracy is largely the result of ineffective forms of communicating probabilities and risks. The book has important implications about the teaching of statistics and should be read by all who want to improve their teaching of the subject. This book is also important for anybody who wants to improve their reasoning.

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• Published on: 2007
• Original language: English
• Dimensions: 1.57" h x 9.53" w x 6.50" l,
• Binding: Paperback
• 432 pages

Most helpful customer reviews

66 of 74 people found the following review helpful.
Outstanding with delicious plot twists
By Indy Reviewer
A one sentence summary of Ysabel sounds unnervingly like the rote formula of some very, very bad pulp fantasy: a vacationing 15 year old in the South of France comes of age as he gains magic powers, works with his family, and becomes a hero. But Guy Gavriel Kay is at the height of his own powers here, and breaks out by weaving a powerful tale of love and revenge as he slowly reveals the truth - some of which will unexpectedly delight longtime fans. In general, this is his best since Song for Arbonne. A couple of minor nitpicks, but a solid 5 stars.

First, the nitpicks. The beginning part of the boy-becoming-man plotline here isn't original and in fact makes the first part of the novel drag a bit, as Kay seems slightly out of his element in dealing with both the narrative of a fifteen year old and a modern setting. Maybe kids grow up quicker now, but protagonist Ned Marriner seems a bit too mature even before what Kay calls the last day of his childhood. Kay's attempts to integrate modern technology and society actually distract from plot advancement at times and in a few years will badly date this book, even if his ruminations on how technology has changed things can be interesting. And finally, there are some minor and a couple non minor characters that could have used more stage time.

However, once Ned becomes fully engaged in the bigger picture, the book takes off. Kay settles comfortably into meticulously researched history as to why certain things are transpiring - in this case an age old struggle of barbarians versus civilization in which neither has a monopoly on good - but really hits his stride with the exploration of love and revenge and their effect on innocent bystanders. The ensemble cast supporting Ned is generally well developed and very believable. Better yet are the plot twists and denouement; you don't know where he's taking you, and the ride to find out is marvelous. He's done the love triangle story several times before, but this version is well executed and worth 5 stars on its own.

For long time readers of Kay, the delicious bonus here is that the modern setting allows the reintroduction of several major elements from the Fionavar trilogy. I won't ruin the plot surprises by saying much more, but in some senses this is almost a sequel. Where this may be Kay's best writing (probably not his best novel, though, given some of the early miscues) is that he weaves this in so effortlessly that you might not initially notice, and unlike most similar efforts it's a not a requirement to have read the previous books to understand the plot or the characters and doesn't heavy-handedly ruin the main story. It just adds delicious levels of depth and occasionally inside humor to an already good tale.

Five stars. Might be 4 1/2 stars in comparison to Kay's other work, but that's too much nitpicking.

33 of 37 people found the following review helpful.
Disappointing to say the least
By Rania Quereshi
I've read all of GGK's novels. I own most of them and will happily admit that I re-read them at least once a year. Certain passages in the Sarantium Mosiac are etched in my mind - pieces of prose that truly transport me to another time and place, to another reality that I know and love.

I scarcely know where to begin my critique of Ysabel. So little of it made sense. The dialogues perhaps were what irked me most. I wondered, about a chapter in, if GGK had switched genres and had written this for teenagers. Where was the delicacy, subtlety and wit that he had perfected in the dialogues in the Sarantium Mosaic? That we saw the sweet beginnings of, in Lions?

About a third of the way into the book, what began to annoy me were the coy 'who-are-you', 'stay-out-of-this', 'best-if you-don't-know' conversations that Ned had, over and over. It did nothing to build suspense, added nothing to the plot and was quite frankly, clumsy all around.

I was also frustrated by the repeated history lectures that Kate constantly had to give. Now, I am a reader who is greedy for historical novels, which is why I revel in GGK's other novels. He has a gift of re-creating worlds within context of the rich historical past in Spain, Byzantium and France. Somehow this was sadly missing in Ysabel. Instead of recreating Provence's volatile past in a more evocative manner (flashbacks, perhaps? To allow us to get to know both the history and Ysabel herself?), all he's done is create know-it-all Kate, and rendering his hero to a nothing more than a stereotypical, ignorant North American teenage tourist. All in order to bring us, his readers, up to speed with Provencal history. Clumsy, clumsy narrative. In the end, the book simply smacked of being a dumbed down version of the Da Vinci Code, ie a North American guy flying by the seat of his pants, complete with a 'local' French sidekick, dealing with dark secrets from the past.

Finally, what saddened me was that none of the characters truly drew me in. It's unbelievable that the book is named after a character that we never truly spend anytime with and scarcely know. All the characters are one-dimensional, and none of them really do anything particularly noble, or even notable.

GGK is one of my all-time favourite authors and I'm very much in despair that he's come to this. All I can think of and certainly hope for, is that he had a fantastic family vacation with his wife and sons in Provence and whipped up this little homage to his family on his way home. And that given time and space, he will return to give us novels redolent with history; coloured with rich, complex characters, dialogues with danger and wit; and the achingly bittersweet twists in the plot that he creates with deft and finesse.

38 of 44 people found the following review helpful.
Captivating
By Kseniya Slavsky
This is a book that swallowed my weekend. I opened in on Saturday morning and put it down, finished, on Sunday night. I've missed Mr. Kay's work and this book happily joins its predecessors on my shelf.

I have read all of Guy Kay's novels and can, therefore, compare. This is very different fare from Lions, Tigana and Sarantium. Ysabel lacks that sweeping scope, the feeling of a story that will stay with you forever and characters that burn their way into you heart. Ysabel sweeps 2,500 years of history, but it is not an epic. It looks at that history from the outside. On the other hand, though I worship the three works above, I do not hesitate to admit they are not told as concisely as they might have been. Some parts drag and that takes away from the momentum of the phenomenal stories lines. Ysabel is all story; all motion. I was on the edge of my seat throughout. It is exciting, a little scary, completely engrossing. The true mark of Kay's talent and precision here is that he did not just shift from a character-driven story to a plot-driven one. Not at all. The characters are vivid. Their image is instantly before you. They are instantly complex. You do not like or dislike anyone absolutely, but take them as they are in all the shades of gray. A shameless honesty, there. There is no barrier to knowing them and getting into their heads. I cared for them all, even the more peripheral personages.

Beneath it all and all around is the history. I loved the history. The description of Provence as dripping with it is wonderful. Every inch of land is saturated with stories. All the stories are exciting and intriguing. All are worth telling. All are Real. You walk away from the book with a clear understanding that the 400-some pages of the book barely scratched the surface; that fifty more books could come out of that land and still not tell it all.

That is, perhaps, the general feeling the book left in me: motion, the promise of change, the guarantee of memory and an appreciation for the beauty of human nature, despite all we've done to each other over the centuries. I don't see myself re-reading Ysabel every year like I do Lions and Tigana, but it WAS wonderful. (Every other year, then!) My gratitude to Mr. Kay.

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? PDF Ebook Hitler and the Vatican: Inside the Secret Archives That Reveal the New Story of the Nazis and the Church, by Peter Godman

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For years, the policies of the Catholic Church during the rise and terribly destructive rule of the Nazis have been controversial. Pope Pius XII has been attacked as "Hitler's Pope," an anti-Semitic enabler who refused to condemn Nazism, much less urge Catholics to resist the German regime. The Church has been accused of standing by while the Nazis steadily revealed their evil designs. Yet all such arguments have been based only on sketchy evidence. The Vatican has kept its internal workings secret and locked away from scrutiny.Until now. In February 2003, the Vatican opened its archives for the crucial years of the Nazi consolidation of power, up until 1939. Peter Godman, thanks to his long experience in Vatican sources and his reputation as an impartial, non-Catholic historian of the Church, was one of the first scholars to explore the new documents. The story they tell is revelatory and surprising and forces a major revision of the history of the 1930s. It is a story that reveals the innermost workings of the Vatican, an institution far more fractured than monolithic, one that allowed legalism to trump moral outrage.Godman's narrative is doubly shocking: At first, the Church planned to condemn Nazism as heretical, and drafted several variations of its charges in the mid-1930s. However, as Mussolini drew close to Hitler, and Pope Pius XI grew more concerned about communism than fascism, the charge was reduced to a denunciation only of bolshevism. The Church abandoned its moral attack on the Nazis and retreated to diplomacy, complaining about treaty violations and delivering weak protests while the horrors of religious persecution mounted. As Godman demonstrates, the policiesof Pius XII were all determined by his predecessor, Pius XI. The Church was misled not so much by "Hitler's Pope" as by a tragic miscalculation and a special relationship with the Italian government. Mussolini toyed with the Church, even proposing that Hitler be excommunicated. Yet in the end, when presented with further evidence of Nazi depredations, Pius XI could only comment, "Kindly God, who has allowed all this to happen at present, undoubtedly has His purpose."Reproducing the key Church documents in full and quoting verbatim conversations between Pius XI and his bishops, "Hitler and the Vatican" is the most extraordinary look inside the secretive Vatican ever written.

• Sales Rank: #2427423 in Books
• Brand: Brand: Free Press
• Published on: 2004-03-16
• Original language: English
• Number of items: 1
• Dimensions: 9.32" h x 1.05" w x 6.34" l,
• Binding: Hardcover
• 304 pages

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• Used Book in Good Condition

From Publishers Weekly
While he purports to defend the Vatican against "polemics" and "moralists," Godman's account of the Vatican's failure to oppose Hitler, based on recently released documents, is in some ways as damning as Goldhagen's A Moral Reckoning. He focuses on the 1930s and two men, Pope Pius XI and his secretary of state, Eugenio Pacelli, the future Pope Pius XII. Neither man comes off well, bound as they were by legalisms, propriety and an almost obsessive desire to maintain the facade of reciprocity embodied in the Vatican's Concordat with Nazi Germany. Both fully recognized that Nazism was incompatible with Christian doctrine, and therein lies the real tragedy of Godman's well-told tale. While Godman, a Vatican scholar and member of the Church's Committee for the Archives of the Holy Office, paints portraits of two tormented but indecisive men, other culprits are the ineffective papal delegate in Berlin, Cardinal Orsenigo, and the Austrian bishop Alois Hudal. This is also a study of the structural and institutional inertia of the Vatican. Caught between the dual threats of Nazism and Bolshevism, popes, German bishops and Vatican authorities failed to articulate a single, coherent, theologically sound and politically savvy condemnation of National Socialism. Like Pius XI's "hidden encyclical" denouncing racism, two highly specific condemnations of Nazism, drafted in 1935 and 1936, were never promulgated for diplomatic and political reasons. One can only read these documents (included as appendixes I and II) with a heartrending sense of what might have been.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Drawing on archival sources, many of which have only recently become available, Godman presents a thorough, evenhanded picture that challenges simple descriptions of Pius XII as "Hitler's Pope." Neither flattering nor sensational, Godman's is a complex portrait of a human institution, made up of persons with a variety of mixed motives, in a difficult political context. Godman shifts attention to the papacy of Pius XI and locates failure to clearly condemn National Socialism in a politics of caution, diplomacy, and anticommunism rather than sympathy. He depicts Austrian bishop Alois Hudal, a member of the Holy Office (known as the Inquisition, 1542-1908), as an appeaser and anti-Semite who became the Nazi Party's "court theologian." Eugenio Pacelli, the career diplomat who became Pius XII, is depicted as suffering "a martyrdom of patience." Convinced that the Vatican could have spoken earlier and more forcefully against the Nazi racism, Godman commendably focuses on a measured presentation of evidence that equips careful readers to make informed judgments about the period and meaningful conclusions about its significance today. Steven Schroeder
Copyright © American Library Association. All rights reserved

About the Author
Peter Godman is Professor of Medieval and Renaissance Latin at the University of Tubingen. He is the author of "From Poliziano to Machiavelli: Florentine Humanism in the High Renaissance" (Princeton) and "Poets and Emperors: Frankish Politics and Carolingian Poetry." He is the editor of "Alcuin: The Bishops, Kings, and Saints of York; Latin Poetry and the Classical Tradition: Essays in Medieval and Renaissance Literature; Poetry of the Carolingian Renaissance;" and "Charlemagne's Heir." His "The Saint as Censor: Robert Bellarmine between Inquisition and Index and Censorship and Heresy" will be published in 2000.

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7 of 8 people found the following review helpful.
Human, all to human
By Sceptique500
This book attempts to «to penetrate behind the scenes of what seemed a closed world [of the Vatican], to examine the thoughts and motives of the men who formulated policy at the head of the Church, and to consider both the actions they and the courses they chose not to follow» (pg. xv). In other words, to write history «wie es wirklich war», as it really was, to use Ranke's description of documentary history. Godman had access to the Vatican archives, and felt in a position to show the inner workings of a spiritual institution as it confronted the Nazi ideological and political threat.

Documentary history is a poor guide to 'thoughts and motives of the actors involved', so the outcome falls necessarily falls short of the author's ambition. After reading the book one is no closer to knowing why certain decisions were taken, and opportunities missed, than at the beginning. There are no 'smoking guns' in the Vatican Archives: positive evidence that Eugenio Pacelli (later Pius XII), was 'Hitler's Pope', or that the Vatican was a 'cove of anti-Semites'. The pattern that emerges, however, is one no less damning: it is pattern of administrative bungling, wishful thinking, procrastination, and in the end, ineptness. «Rotten compromises», to use Margalit's (On Compromise and Rotten Compromises) definition, were struck by the bucketful, or if one prefers: It was a clear case of Tuchman's March of Folly (The March of Folly: From Troy to Vietnam).

John Cornwell's accusation of Eugenio Pacelli centres around the fact that the Vatican signed a Concordat soon after Hitler, his hands still dripping blood, had grasped power in Germany. Surprisingly, Godman fails properly to explain what drove the Vatican's policy in the face of such obvious facts. That Pacelli's influential predecessor Gasparri, was in favour, or that Pius XI was «prepared to negotiate with the devil, if it were a question of saving souls» - showing a Churchillian consequentalist streak - is not good enough. The Pacelli that emerges from the book is one of an overly cautious bureaucrat, never fully using even the limited degrees of freedom he had at his disposal: correct, cautious, opportunist to a fault, his fault was «excess of prudence or lack of courage» (pg. 74) - yet he did take action in 1933. All other bungling was to flow from that action.

The archival studies show clearly that - albeit at a leisurely pace - the Vatican's Holy Office did ruminate the issue of condemning Nazi ideology. After 'nudism' ('naturism' would have been the better word) had been disposed of, for this was the Holy Office's most pressing concern as Hitler rose to power, it got around to studying the ideological foundations of Nazism. It did a good job at that - behind hermetically sealed doors. But in the end it became the victim of its own ambition. By following insider counsel of perfection and trying to conflate Communism, Fascism, and Nazism in one swell ideological swoop of condemnation it failed to act altogether.

Godman tries to lay some of the blame for this bungling at Pius XI's door. In fits and starts, however, the man did try to confront Nazism, and in the end, on his death bed, he did publish «Mit brennender Sorge», the only Vatican uttering on the matter, just as in 1931 he had published «Non abbiamo bisogno» against Mussolini. And he did order a diplomatic intervention in favour of the Jews. It would have been Pacelli's job to build a policy on such occasional yet consistent prodding. He did not.

Godman casts out for a villain, and finds him in Alois Hudal, an Austrian titular bishop, whom at one point Hitler wanted to appoint «Court Theologian of the Nazi Party». Hudal if anyone, argues Godman, was the «appeaser», forever dreaming of cleansing the Nazi Party of its «radical left», and finding an accommodation with the «conservatives» to fight Communism. Hudal was a two-bit actor at the margin of the Vatican bureaucracy. If he did have some influence in the Holy Office in the beginning, Godman fails to show him on the bridge as the Vatican Ship ploughed through treacherous theological waters.

Hudal's fate unwittingly proves the case against the Vatican and Pacelli. Here was clear insubordination by a marginal figure, whose main role was to be the head of Santa Maria dell'Anima - the «German national church at Rome». The high sounding title belies the political irrelevance of the outfit. It was the place for German Catholics in Rome to gather and pray in their national language, and for the German Bishops to stay when in Rome. Godman never shows that the German Bishops ever bothered to involve Hudal in their dealings with the Vatican, or vice versa, that his titular superior, Cardinal Pacelli, ever employed him in a political role. Hudal after the war seems to have helped Eichmann escape, and was finally ousted from Anima in 1952 "under Allied pressure" (pg. 170).

Condemnation of Hudal's books, or even quiet removal from Anima, would have been unobtrusive signals that the Vatican was not trying to «appease» Hitler. Munich's Cardinal Faulhaber had accused him of «stabbing the German Bishops in the back», yet he failed to get this obnoxious busybody out of the way. Pius XI, whom Godman wants to be non-indicted co-conspirator in the Vatican's inaction before WWII, did suggest putting Hudal's book on the Index. Pacelli toned down the punishment to a short note in the Osservatore Romano, indicating that the book had not been previously authorised by the Church. Such was the prudence of Pacelli.

Pacelli's behaviour prior to WWII is a good indicator of his moral courage during the war. In its two thousand years of reign the Church had outlived all its opponents. Pacelli called it «persistent martyrdom of patience» - others may have a different opinion. As a strategy it certainly served the Church well, if at the price of moral leadership. Whatever Pius XII's «values» - to use a much overused term - he did agree to, or acquiesce in more than his share of «rotten compromises». That's a matter between him and God. Nothing, however, in Godman's book justifies him as saintly example to the world.

0 of 0 people found the following review helpful.
Catholics: the truth hurts!
By N. Ravitch
I certainly agree with other comments that stress the devastating nature of this expose. While the Vatican politicians were not as evil, insensitive, or anti-semitic as they have at times been portrayed, they had certain serious failing which were ultimately responsible for a church that did relatively little to succor the victims, Jewish and Polish, of the Nazi assault on civilization. There is no proof that the current de-christianization of much of Europe, Catholic Europe as well as the rest of Europe, is the direct result of the failed papacies of Pius XI and XII, but it is an argument worth pursuing. A Church believing in the alleged statement of Jesus that the Gates of Hell would not prevail over his church failed in the persons of these two popes to show this kind of faith. These popes lacked faith in fact and resorted to diplomacy. A famous Vatican official once said that Vatican diplomacy began with Simon Peter's denial that he knew Jesus in the courtyard of the High Priest as Jesus was being interrogated prior to being handed over to the Romans.

One great failing here is the unwillingness to state clearly that a church that taught the evil of the Jewish people for 1900 years was hardly in a position to persuade its followers, German or otherwise, that the Jews were to be succored and saved. Christian anti-semitism alone is sufficient explanation for the Nazi genocide and for the cooperation in this genocide of scores of Christians and Catholics in countries occupied by the Germans during WWII.

12 of 16 people found the following review helpful.
Good Book Overall, But Not The Most Comprehensive
By J.
John Cornwell sparked a massive controversy when he published "Hitler's Pope" in 1999, in which he criticized pope Pius XII and the Vatican for their conduct during Hitler's reign and the Holocaust. Ever since, a series of books have been written in defense of Pius XII and the Vatican, not only to exonerate, but to exalt the Papacy as heroic and courageous: for taking a stance against the Nazis and for saving hundreds of thousands of lives during the war.

Nevertheless, on one side of the fence you have your critics; James Carroll, Gary Wills, Daniel Goldhagen, Michael Phayer, and many others. And on the other side of the fence, you have your defenders; David Dalin, Ronald Rychlak, Margherita Marchione, and many others. Both sides claim to have the real story and the evidence to back it up. But when you have such conflicting views, who can you really trust? I suppose one could always read both sides of the argument, evaluate the evidence and form an objective opinion. But not everyone has the time to conduct so much research. Moreover, I'm sure that those faithful to Pius XII have very little interest in reading books like "Hitler's Pope." Likewise, critics of the Vatican can't be too thrilled about books like "Pope Pius XII: Architect for Peace," either.

Personally, I thought Susan Zuccotti's "Under His Very Windows" was one of the more balanced books on the subject. But even after reading Zuccotti's book, I still felt like I needed a bit more information, so I gave Godman's book a try. Although it's not as comprehensive as I would have liked it to be (the author does not write about the Vatican's conduct during WWII - a major disappointment), it is, however, fairly unbiased, and contains enough information to give the reader a better understanding of the relationship between the Vatican and The Third Reich during the 1930s.

The Vatican's relationship to The Third Reich, according to Godman's findings, was not as black and white as many critics and defenders tend to portray it. It was far more complex. To make his point, Godman illustrates the various religious, diplomatic and political dilemmas that faced the Vatican during the 30s. Although neither pope Pius XI nor Cardinal Eugenio Pacelli (who later became pope Pius XII in 1939) shared Nazism's radical views on race and religion, they nonetheless signed a treaty with The Third Reich in 1933 - mainly to ensure Catholicism's place in Germany - as they had done previously with other European countries. The individual who orchestrated this controversial treaty (Reichskonkordat) was Cardinal Pacelli.

But as much as Pius XI and Pacelli deemed Nazi beliefs heretical, their efforts to make that clear to the public was very lackluster. If anything, the concordat between the two parties appeared more like some kind of a Vatican approval, which the Nazis fully exploited. Two years later, however, after realizing that terms of their agreement had been violated, the Vatican decided to draft a condemnation, which was later twice modified to include fascism and communism as well. However, instead of releasing this condemnation straight to the public, the draft was put on the shelves. Yet, even as the Vatican became increasingly more and more anti-Nazi, so to speak, they never visibly demonstrated it to the public. It's as though they kept everything to themselves. If the Vatican feared speaking out against the Nazis, then why would they even consider explicitly condemning anti-Semitism, for example?

So the question is: why did the Vatican remain in silence? After all, they weren't so silent with communism. And why not excommunicate Hitler - and idea that even the fascist Mussolini proposed? Was their fear of communism really that much greater than Nazism? Did the Vatican see the Third Reich as a potential ally in fighting communism? Were there hopes that things would work out through diplomacy? Perhaps yes on all accounts, but to what degree? If the Vatican so opposed the Nazis, but yet continually resisted to explicitly condemn them, then how on earth were Christians suppose to know about the Vatican's stance, especially when many clergymen, like, Bishop Alois Hudal, openly supported the Nazis? In fact, after WWII, many of those same clergymen, like Hudal, organized escape routes known as "ratlines" for war criminals, providing them with necessary documents to escape to countries like Syria and Argentina.

Pius XI (not to be confused with Pius XII) stated that anti-Semitism was inadmissible, but with very little emphasis. So little, that the Vatican's newspaper, L'Osservatore Romano, didn't even bother publishing it. And what did his successor Pius XII do besides hiding in silence? Was silence forced upon them, or was it some kind of desperate diplomatic tactic? Whatever it was, it was not effective - not for anyone except for the Third Reich who took full advantage of it.

Perhaps then, we can understand the argument that Pius XII was "Hitler's Pope." His silence and lack of visible resistance against the Nazis made him Hitler's IDEAL pope: a pope that said too little and did too little. Yet at the same time, we can also understand the notion that Pius XII was an "Architect for Peace," that is: an overly cautious diplomat who did his best to avoid any kind of conflict that could potentially instigate further violence. Was this passiveness or optimism? Cowardice or heroism?

The one problem I found with this book is Godman's perplexing word association between Nazism and Neo-Paganism. Exactly what does the author mean when he calls Nazism a Neo-Pagan religion? Does he simply mean a new religion? Or literally a pagan religion? This doesn't make sense to me, considering the fact that The Third Reich emphasized on Positive Christianity. So where does this concept of Neo-Paganism come from? Roman Catholicism has many pagan elements within its religion, but no one calls it paganism. To me it seems like the author is trying to surreptitiously distance Nazism's affiliation to Christianity, which is uncalled for. Let's face it: no one in the Western World would attempt to distance Al-Qaeda's ties to Islam. Godman needs to elaborate on this whole neo-paganism etymology. Overall, however, this is a reasonable book. I just wish it was a bit more comprehensive.

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From one of the most successful and influential producers in the entertainment industry, the man responsible for classics such as ROOTS, THE THORN BIRDS and L. A. CONFIDENTIAL, comes a fascinating memoir of life at the very hub of Hollywood. David L. Wolper and television were born in 1928. Wolper's entrepreneurial talents were obvious from the start, when he sold homegrown radishes to his mother for a penny each and delivered sealed envelopes for the wise guys who hung around New York's Copacabana nightclub. Part salesman, part visionary, Wolper began his television career in 1949 by peddling programmes to the newly created broadcasting stations. In the four decades since his production company, Wolper Productions, has created thousands of hours of diverse programming, including the two highest rated mini-series of all-time, ROOTS and THE THORN BIRDS. He has also produced such spectacles as the opening and closing ceremonies of the 1984 Los Angeles Olympics and movies such as L. A. CONFIDENTIAL and WILLY WONKA AND THE CHOCOLATE FACTORY. Yet despite Wolper's numerous awards he has remained street-smart, wry and surprisingly down-to-earth. Told in a conversational, comfortable voice, PRODUCER is filled with funny and startling anecdotes about such diverse personalities as Sophia Loren, Elizabeth Taylor, Elvis Presley and John Lennon. The are also tales of other legendary filmmakers such as Orson Welles and Frederico Fellini. PRODUCER is the engaging and inspiring memoir of a true pioneer.

• Sales Rank: #2762445 in Books
• Published on: 2003-02-25
• Released on: 2003-02-25
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l,
• Binding: Hardcover
• 384 pages

From Publishers Weekly
Wolper is one of Hollywood's most successful film and television producers, with over half a century of career highlights that include winning multiple Emmys and an Oscar, and producing cult favorite Willy Wonka and the Chocolate Factory and the opening ceremonies of the 1984 Olympics. He's boastful about his accomplishments, but then, if you had brought the nation to a standstill for an entire week with Roots, would you keep quiet about it? After a quick recounting of his early career, Wolper gets right into the good stuff, beginning with a 1958 television program about the space race that jump-started his career as an independent television documentary producer; later, he introduced Jacques Cousteau to American audiences and created the first Biography series in 1965. He branched out into corporate films, produced work for both Democratic and Republican presidential candidates, and expanded his TV work to include historical recreations, first for documentaries and later for TV movies. Although he recalls most of the behind-the-scenes complications with good humor, Wolper is clearly still frustrated by television critics' questions about fictional distortions in his earliest docudramas and vigorously defends his commitment to accuracy, even going out of his way to mention that Oliver Stone's JFK "outraged" him. As the shows start piling up, Wolper's chronology occasionally blurs, but the overwhelming array of celebrity anecdotes will easily distract readers from his occasional missteps. Photos.
Copyright 2002 Reed Business Information, Inc.

From Library Journal
One of the earliest and most respected of Hollywood's independent television producers, Wolper (b. 1928) is forever linked to the miniseries Roots, based on Alex Haley's book. The epic not only established the miniseries as a prestigious medium and garnered big ratings but also proved a landmark in the history of American civil rights. With a refreshing lack of pretension and justifiable pride, Wolper relates how he and television matured together. Always a "hands-on" producer, he scorns today's Hollywood scene in which "getting a producing credit is only slightly more difficult than getting a library card." He recalls an early trial-and-error approach to producing documentaries, as well as the challenges, setbacks, and outright embarrassments (he admits to selling out when he made a thing called Do Blondes Have More Fun?). Anecdotes reveal famous people he has met along the way, including Jacques Cousteau and First Lady Betty Ford, and there are occasional moments of real-life drama when his producing duties put him in the center of world events, like the 1972 Munich Olympic Games massacre. Throughout, Wolper maintains a conversational and candid tone. This portrait of a vanishing breed in Hollywood is recommended for large public and academic film and TV history collections.
Stephen Rees, Levittown Regional Lib., PA
Copyright 2002 Reed Business Information, Inc.

From The New Yorker
In both good ways and bad, Wolper's book is a perfect specimen of the mogul memoir. The television pioneer responsible for such classics as "Roots," "The Thorn Birds," and "Welcome Back, Kotter," Wolper writes with a ghostwriter, who seems to have barely refurbished the dictated text. Amid the unfiltered egotism—the credit-taking and self-puffery—are unexpected finds, as when Wolper suddenly gossips about an illegitimate son of Elvis Presley or offers a shrewd assessment of the power of the early networks. While he dismisses ex-wives and families in a single sentence, Wolper finds time to tell us about the most well-endowed animal in the world (the water rhinoceros). Regrettably, the story lacks the campy excess of, say, Robert Evans's "The Kid Stays in the Picture": Wolper's tepid, fame-gilded life—he made a lot of money, not a lot of enemies—just isn't the stuff of high entertainment.
Copyright © 2005 The New Yorker

Most helpful customer reviews

3 of 4 people found the following review helpful.
interesting and enjoyable
By ricochet
Working through all the cd's of the audiobook was a marathon, but surprisingly addicting. I came away most impressed with David Wolper's determination. He has the courage to see things through even when facing tremendous obstacles. I found that inspiring.

3 of 6 people found the following review helpful.
Not the Great Book Others Claim
By Mediaman
This is referenced by other television authors as one of the greatest ever written about the TV industry--but it's not even close. You have to put up with an author's constant bragging and some misinformation. Mr. Wolper thinks very highly of himself--virtually everything he did he claims was the "first" or "part of television history," and early on he says his company was "one of the greatest incubators of talent in the history of the TV industry." Yet his boasting isn't supported by the facts and a number of details in the book are just plain wrong.

It's the story of an under-educated salesman with no background in the TV business who stumbled into making documentaries, which eventually led to producing some other successful series, events and mini-series. He states the facts in a somewhat dull manner and reveals little about the "whys" behind his decisions. He speeds through significant events (like his marriages and divorces) and gives too much detail on some insignificant things (like a show called "Divorce Hearing"). The book ends up being very much like his productions--filled with facts and minor details but missing an emotional connection to the audience.

The book, like his films, recreates history in a way that isn't quite accurate. He says one of his movies was the first to use American Indians to play native American roles, that he was the first to do "historical drama" (tell that to Cecil B. DeMille!) and that he was the first to put nature documentaries on prime time TV (about 20 years after Walt Disney actually did it!). He even at one point says, "I would pioneer a new television format, the miniseries" but then later recants with, "I may not actually be the father of the miniseries, but I can certainly claim to be a close relative." Either you did or you didn't--and, as in most of the things he says, he didn't.

You feel like he wants to leave this book as a rewrite of history so that future generations will see him as much more important than he really was. No doubt his company did some major work (Roots, Thorn Birds, Willie Wonka), but even those, in retrospect, look somewhat cheesy. There's no sense in this book that he understands that he wasn't the greatest producer in the history of the medium.

There are a couple interesting details. Get Christie Love was supposed to star Cicely Tyson but she quit two days before it started shooting. Quaker Oats financed Willie Wonka in order to introduce a new candy bar (which is why the movie title was changed from the book). And John Travolta insisted on staying on Welcome Back Kotter after his movie success, but he recorded all of his scenes over a two-month period.

At one point in the book the author actually admits that he staged some scenes of his "news" documentaries, and then heckles those who uphold journalistic standards which say you should never stage anything for a news piece! He isn't a true documentarian--he's just a showman trying to make a buck. He tries to make his "documentaries" news (by which there are professional standards that he didn't seem to follow) but they are really entertainment (which allowed him to gain from the creative history of others). Bottom line he was a salesman who really didn't know much about the business other than how to scramble to do anything to make a sale.

After awhile his self-praise gets so old. On just about every page there's another misleading claim or boast. He says he started the reality TV format (uh...no he didn't), he says at one point that he "changed history," a plane crash that killed his crew members was "the most devastating accident in the history of the entertainment industry, and he claimed he was "one of the top ten men who understood the women's movement."

I recommend the reader skim through the first hundred pages to get to some of the interesting, more modern, TV stories. The dry storytelling style and constant bragging otherwise makes for a long read.

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~ Get Free Ebook Cancer Fitness: Exercise Programs for Patients and Survivors, by Anna L. Schwartz

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Increase your survival odds by creating and following an exercise program that counteracts the side effects of your treatment, speeds your recovery, and reduces your risk of recurrence.
Most cancer patients and survivors think that "rest" will decrease their fatigue and speed their recovery. But in fact, rest can make patients weak and debilitated during treatment and may prolong hospitalization. Based on Dr. Anna Schwartz's research and her life's work as a nurse and a coach, Cancer Fitness offers cancer patients and survivors comprehensive advice and an easy step-by-step program to begin improving their physical and emotional health and reclaiming their lives beyond cancer.
Through exercise, patients will regain some control over their body, manage side effects more successfully, and increase their body's ability to heal. Cancer Fitness provides clear directions to safely start an exercise program, and the tools to make exercise a long-lasting lifestyle change to heal body and soul.

• Sales Rank: #789045 in Books
• Published on: 2004-07-06
• Released on: 2004-07-06
• Original language: English
• Number of items: 1
• Dimensions: 8.44" h x .80" w x 5.50" l, .88 pounds
• Binding: Paperback
• 304 pages

About the Author
Lance Armstrong is a seven-time winner of the Tour de France and fulltime cancer fighter. He oversees the Lance Armstrong Foundation, a nonprofit organization that assists cancer patients around the world with managing and surviving the disease. He won the first of his record-setting seven Tour de France wins after surviving a nearly fatal bout with testicular cancer. In 2008, he was named one of Time magazine’s 100 Most Influential People. He lives in Austin, Texas.

Excerpt. © Reprinted by permission. All rights reserved.
Introduction: X Marks the Spot: A Personal Perspective on Cancer and Exercise

February 13, 1988. The x-ray marked the spot -- non-Hodgkin's lymphoma. I heard the words and then couldn't take in the rest of what the doctor was telling me. As I gained a better understanding of what the diagnosis meant, I began to feel smaller and smaller as I pulled in with fright. My life was caving in, and I no longer felt like a free-spirited 24-year-old. I felt like the storm clouds had rushed in and were swirling around me and I was left blanketed in darkness. Alone, terrified, and confused, I was overwhelmed with decisions and emotion.

Like a horse with blinders on, I methodically plodded on through my final semester of nursing classes, the blinders blocking out what was happening to my life. Class met consistently at 8 A.M. and clinical assignment days began at 7 A.M. The regimen provided a distraction from the storm clouds, the only time the darkness from the clouds would lift to swirl above my head -- though remaining an ominous presence that was always with me.

In a deliberate effort to minimize my fears and cope with the diagnosis, I called my cancer the "little problem." If it was a "little problem" it couldn't be too serious, right? The little problem changed my outlook on everything. I developed an intensity, concentration, and passion to pursue excellence or at least do my best and to do what I truly felt was important. What a change for a University of Florida partying Gator! Before my diagnosis I was your typical college kid, floating through life without many worries, doing my work, not exactly focused or driven.

I was always curiously interested in pushing the limits and exploring new frontiers, and when I graduated from nursing school I wanted a job that was cutting-edge and research focused. Somehow I didn't realize, or perhaps it was denial, that when I accepted a position in a bone marrow transplant unit that all the patients would have cancer. This was a difficult discovery and realization for me during my first week of work, because so many of the patients' concerns were all too close to my own personal struggle. To make matters worse, we were treating a woman my age with lymphoma who everyone thought looked like my twin. We not only looked alike, but we had the same sense of humor and similar likes and dislikes. I couldn't cope with taking care of her, much less seeing her or hearing her status in daily reports. I would go home after an evening shift feeling overwhelmed by the intensity and emotion of the day. Although I had always been a natural athlete and competed in tennis, swimming, and running in college, I was overwhelmed with everything in my life and got fat, depressed, and hopelessly out of shape.

I knew that I needed to do something; I needed to move! All my life, physical activity had always been freeing and centering for me. Bicycling had always appealed to me as the ideal form of sport -- you got exercise, could go places fast -- and a childhood dream had been to ride across the United States. So, at the urging of a friend, I started bicycling with the local group. Little did I know that Gainesville, Florida, was a winter training mecca for cyclists, and that I was riding with world-class cyclists. When I realized this, I was delighted, amazed, and incredibly motivated to pursue more time on the bike. I dived into bicycling with my newfound passion and enthusiasm and much to my surprise was achieving more than I ever imagined -- my depression was resolving, I was losing weight, and I was winning races. I pursued cycling with zeal, enthusiasm, and intensity. I was determined to begin following the race circuit and to have a more flexible work schedule. My nurse manager was wonderful, and we negotiated a work schedule that allowed me to travel to races, set up a coaching and training business, and train to set three world records.

After many months of emotional struggle, I succeeded in sorting out my illness from those of my patients and learned that my experience gave me a different perspective and way of helping my patients. I credit cycling for helping me overcome this forbidding emotional challenge. My time on the bike often required a lot of concentration to stay with

the group, but when I rode alone, I had hours to mull over the beauty and troubles of life. This time alone on the bike was like therapy. For me, exercise was therapy as I learned to sort out my cancer, my treatment, and who I was and what I wanted to do with the next year, three years, five years. And what if I had ten years? I learned from cycling the discipline and commitment that helped me not only get through cancer treatments but pursue my life passion of helping people to live beyond their cancer.

Over the next few years of work in the bone marrow transplant unit, I observed that some patients didn't seem to suffer as much as the others. The primary difference in these patients was that they got up and walked around their room or rode the stationary bicycle that typically sat in the corner of every room, most often being used as a clothes rack for raincoats or purses. The patients who followed their own exercise routine seemed physically and emotionally healthier. Often these patients were able to push their wheelchairs out of the hospital rather than being pushed out by someone else. As I observed the patients who were physically active, I realized that they seemed to be experiencing the same benefits that I had received from exercise. Exercise seemed to reduce their level of suffering, fatigue, weight gain, depression, and anxiety. Because I was so intrigued with this phenomenon, I decided to return to graduate school to pursue a degree that would give me the skills to become a researcher and conduct the studies necessary to investigate and, I hoped, confirm the link between exercise and cancer recovery.

I took a rather circuitous route to a doctoral degree in nursing, but along the way I learned that many health care providers were afraid to have cancer patients exercise and that little research had been done to study the effects of exercise on cancer patients. Building on my knowledge of exercise science (I earned a bachelor of science degree in this field at the University of Florida in 1985), it seemed logical that an exercise program could be developed that simply adapted exercise to fit the physical limitations of a patient with cancer. By now, I was an expert patient and oncology nurse, and I knew what needed to be done, but persuading a professor to support this research was no easy feat. So, I started trying to develop the knowledge that I needed, and along the way collected a number of academic degrees that, in hindsight, have been very helpful.

After some searching, I succeeded in finding a mentor who was supportive of my cancer and exercise research, and I began a wonderful new life combining my background in sports, and nursing and my fresh knowledge of research. The doctoral program allowed me to start formally testing my theory that exercise could reduce some of the side effects of cancer treatment. Ironically, my mentor, Lillian Nail, Ph.D., RN, FAAN, was a lymphoma and breast cancer survivor, but unlike me a certified couch potato. She brought a challenging perspective to developing this area of research and one that forced me to examine ways to make exercise during cancer treatment something that any patient could do. During my studies, I would take Lillian to the gym to exercise regularly. One of the many things she taught me was that some people need a hand, extra support, and guidance in learning to exercise and transitioning to become a regular exerciser. Coaching Lillian helped me develop insight into key elements that help people begin and stay with an exercise program.

My doctoral studies were interrupted in January 1995 by a recurrence. I was devastated and felt myself screaming inside, like the painting by Edvard Munch called The Scream, the familiar dreadful feeling of pulling in and shrinking as the dark storm clouds gathered. This time the clouds were darker and more ominous -- the greenish tint of clouds before a violent storm or tornado. Dispair, disbelief.

I struggled to pursue my work during chemotherapy and felt a huge obligation to exercise regularly since this was what I believed was the right thing to do and had helped me in the past. Besides, exercise was the tenet of my research. On the days following chemotherapy it felt impossibly hard to get up and move, but a walk or an attempt at a jog always made me feel better. I played tennis with IVs and PICC lines and felt stronger with every ball I hit, even if it went flying out of bounds. In 1997, I completed a Ph.D. in nursing at the University of Utah. Since that time I have been conducting research on cancer and exercise in newly diagnosed patients and in cancer survivors, always searching for ways to improve quality of life and reduce suffering.

Today, as I look back, I realize that I had no idea of the impact cancer would have on my life and my whole way of looking at the world. As distressing and horrible as the cancer experience was, I gained insight, strength, and the courage to pursue my dreams, which helped me to set three bicycling world records, win a national championship title, and become a leader in research on exercise for people with cancer. Although exercise is not customarily recommended or formally prescribed for cancer patients, I have learned through personal experience as a cancer patient, as an athlete, and now through careful scientific study with nonathletes that exercise can strengthen not only your body but also your soul.

My personal struggle with cancer, which includes recurrence and different courses of therapy, and my professional experience as an oncology nurse have given me a unique perspective to conduct research and teach others about managing their disease and healing. I hope the information in the following chapters will help you not only to begin an exercise program to strengthen your body and heal your soul but to realize your potential and live the fullest life possible.

There is strong scientific evidence that regular exercise is important during cancer treatment. Patients, young and old, thin and fat, fit and unfit who have participated in research studies provide consistent evidence that exercise is an important and all too often neglected part of the cancer treatment plan. Exercise can't make your cancer go away, but it certainly can help you look and feel better and have a better perspective and outlook on life.

Copyright © 2004 by Dr. Anna L. Schwartz

Most helpful customer reviews

0 of 0 people found the following review helpful.
Must read for cancer survivors!
By Amazon Customer
Unbelievably helpful! A must read for any cancer survivor. Information was clear and I felt like it was written for me.

9 of 10 people found the following review helpful.
Life Changing, Informative, funny and extremely helpful
By MEK
Cancer Fitness is the best book about living with cancer I've ever read. i picked it up to learn about exercise and then discovered it has way more information about how to manage side effects, live with cancer, be a healthy survivor and enjoy a full meaningful life. The exercise programs are easy to follow and there are programs for beginners and special instructions for athletic cancer survivors. The book is inspiring and motivating. Buy it, Read it and see how your life changes!

3 of 4 people found the following review helpful.
A must read for anyone with cancer
By Goldii Lock
This book kept me going through stage IV cancer treatment! A must read if you're facing treatment or know someone who is. This book gave me so many ideas about how to stay healthy. I literally followed all the advice in this book - AND thanks to this book I knew what to expect before it happened. Which was actually a blessing.

See all 7 customer reviews...

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