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A Walking Guide: A Novel, by Alan S. Cowell
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Joe Shelby -- a brilliant and daring combat reporter for a big magazine he refers to as "the comic" -- is an Englishman who is at home only in the world's trouble spots -- Chechnya, Rwanda, Gaza -- where he is face-to-face with murder, starvation, war crimes and the sound of bullets whistling past his ears. Now, after a life of triumphs, he must confront challenges he never imagined: lost love, incurable illness and failure both in his work and on his beloved high mountains.
His partner is glamorous French photographer and former fashion model Faria Duclos: beautiful, cool, sexy and wildly intoxicated by taking incredible risks as she puts her life in jeopardy to capture with her battered Leica camera both war's killers and their victims -- a woman high on danger who, in her own way, loves Joe.
Eva Kimberly is a privileged white Kenyan about to marry her childhood sweetheart, Jeremy Davenport, when Joe and Faria explode into her life at a fancy lawn party given by her wealthy father.
At once the story of a complex love triangle and a novel about risk taking and politics, Alan Cowell's A Walking Guide uses an ostensibly simple mountain climbing expedition to explore the more complex inner struggles of its main character, Joe Shelby. On one level it is the story of a fit young war correspondent, fresh from the conflicts of the Middle East and Africa, coming to terms with a diagnosis of terminal disease that could cripple and kill him even as he walks high in the mountains. And as he walks, he is challenged to draw on reserves of courage far greater than those required by combat reporting. Confronted with hard trails and worsening weather in the rugged hills of the English Lake District, he must decide whether to pursue his goal -- England's highest peak -- or abandon the attempt. He presses on, with perilous consequences.
A Walking Guide is also the story of tangled emotions involving two women whose relationships with Joe Shelby offer competing definitions of love as passion and trusting companionship. Shelby veers between photographer Duclos and "white African" entrepreneur Eva Kimberly, finding ultimately that his illness makes crucial choices for him. Finally, A Walking Guide is the story of a man adrift from his roots, seeking to find identity after a life bridging the Atlantic and living in the danger spots of the world.
This novel brings Cowell into the rarefied company of such writers as Graham Greene and John le Carr#&233;, in a book that brilliantly dissects the convergence of love, risk and danger.
- Sales Rank: #5525894 in Books
- Brand: Brand: Simon n Schuster
- Published on: 2003-08-26
- Format: Deckle Edge
- Original language: English
- Number of items: 1
- Dimensions: 1.00" h x 6.61" w x 9.57" l,
- Binding: Hardcover
- 288 pages
- Used Book in Good Condition
From Publishers Weekly
British journalist Cowell (Killing the Wizards), an international correspondent for Reuters and the New York Times, weaves a lush if gloomy tale of love and betrayal set in England and Africa. Joe Shelby, a seasoned war correspondent, has embarked on the hiking expedition of his lifetime: scaling Scafell Pike, England's highest mountain. Several hurdles stand in Joe's way, the most serious being motor neuron disease, a crippling ailment that has left one of his arms debilitated and his muscles slowly turning to mush. He has promised his beautiful Kenyan girlfriend, Eva Kimberley, to return in three days, but she is troubled by shadows of the past. While Joe ambles up the mountain, the couple's history plays out in flashbacks. Joe first met Eva in Kenya, where he wooed her away from Jeremy Davenport, a photo safari guide. But Jeremy didn't mind losing Eva, since he had his sights set on Joe's French war-photographer friend, Faria Duclos, a tough-as-nails ex-model. Joe's mountaineering odyssey is recounted in excruciating detail as he speaks into a tape recorder, capturing every misstep and chronicling his increasingly deteriorating physical state ("little demons under my skin pulling at the muscle tissue"). Meanwhile, a snowstorm sweeps in off the Irish Sea, and Jeremy and Faria drift separately toward Scafell Pike. Cowell writes with urgency and elegance, and there's nary a word out of place in this striking debut. Though the self-absorbed protagonists are hard to like, their dogged pursuit of adventure and truth gives sharp-edged appeal to the narrative.
Copyright 2003 Reed Business Information, Inc.
Review
Allen Pizzey Correspondent, CBS News There are few works of fiction about war correspondents about which war correspondents can read, look heavenwards and exult: "Yes. Yes. You got it." Alan Cowell's A Walking Guide is such a book.
Filled with finely sketched scenes and believable characters, A Walking Guide is more than a well-crafted tour of what narrator Joe Shelby calls ÂŒa world where carnage and bloodlust freed us from petty considerations.' It is also a passage through another kind of hell, of a man facing a debilitating and potentially lethal illness more terrifying than any incoming fire. His attempt to come to terms with it and reconcile his love for two vastly different women is done on a journey that will leave the reader gasping at its insanity, audacity and beauty.
Taut, at times both tender and brutal, this is a walk whose guide has been there and back and will take you where few would want to go any way but vicariously. -- Review
About the Author
Alan S. Cowell was born in England and has been a foreign correspondent for Reuters and The New York Times for almost thirty years. He has covered conflicts in the Middle East and Africa and, in 1985, was awarded the prestigious George Polk Award for reporting in South Africa, whence he was expelled by the apartheid regime in 1987. He is married with three children and lives in London.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Contemplating The Final Transition
By Dr Lawrence Hauser
While reading Alan S. Cowell's deeply felt, exquisitely rendered first novel I found myself thinking repeatedly about literature that dominated a bygone era of existential discourse. Books by novelists such as Hemingway, Malcolm Lowry and, to a lesser extent, even the early work of the semi-surrealist writer Paul Bowles. I believe this association was occasioned by both the subject matter of A Walking Guide and its style of execution. As for the former, in this study of a daring, successful war correspondent at the end of his long career Cowell explores in contemporaneous narrative and action-filled flashback travel to exotic places, adventure deeply permeated by danger of a sort that pits the individual against inimical forces outside of his control (thus providing a test of just what one is made of), and the final travail of the male ego as it encounters and then is forced to confront the inroads of age and disability as they encroach upon youthful fantasies of omnipotence and immortality. Reinforcing the evocation of an erstwhile era, the writing itself seemed somewhat anachronistic stylistically, purposefully crafted in such a way as to revert the reader's sensibility to a simpler time than the one we currently inhabit; a time that precedes our post-modern age which is replete with technology and distraction from personal angst and the necessity to come to terms with inherent limitations of the self and, even more importantly, the body within which that self resides. Briefly, the plot of A Walking Guide concerns the desire of its protagonist, Joe Shelby, to provide himself with an outsized challenge on familiar terrain after having been diagnosed with motor neuron disease as he approaches fifty years of age. A tremendously virile individual up to this moment of his life, Joe is quickly losing the use of both his left arm and leg and has been told that the rest of his body will soon follow along a dreaded route of inevitable muscular failure.Terrified that he will be faced with immobility and dependence on others for subsistence, this proud, incredibly strong and willful man undertakes a final journey to relive the glory of the past. Of course, his decision to climb the highest peak in England alone, and in an already weakened state, places Joe in sufficient jeopardy to create 'passively' the conditions for a preemptive suicide so that he might avoid having to face the ultimate horror of being buried alive inside himself as his disease progresses. Cowell works systematically with a number of terribly difficult universal questions as his vulnerable protagonist struggles with destiny in a late summer freak snow storm on the mountain. Foremost amongst these questions are how exactly are we as sentient creatures to cope with the prospect of our own demise and, by extension, what is our responsibility (to ourselves and to others who figure significantly in our lives) for the form of our own death as we move along the inexorable trajectory to oblivion? Because the end of one's life requires that choices be made and actions taken no less than at any other point in a personal history. Not only as a way of shaping and finalizing a meaningful narrative of the self, but more critically, as a way of completing the crucial task of discharging one's final responsibilities to those whom we love.
1 of 1 people found the following review helpful.
Fabulous read
By Jenifer
What a fabulous, enjoyable read. Encompassing adventure, love, and betrayal. Betrayal in both body and in love. Very well written. Great flow. Page turner. I really enjoyed this book tremendously. So much fear and determination. Just great.
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