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"The Cyanide Canary" is the riveting true story of a horrific crime -- of a brave young man left for dead, an unscrupulous business mogul, and the relentless EPA investigator who fought to overcome injustice.

On a crisp summer morning in Soda Springs, Idaho, twenty-year-old Scott Dominguez kissed his fiance e goodbye and went to work for Allan Elias, the owner of Evergreen Resources, an enterprise Dominguez thought was in the business of producing fertilizer from mining waste. A former high school wrestler blessed with Tom Cruise-like good looks, Dominguez seemed to have unlimited potential, but by eleven o'clock that morning he was fighting for his life, pulled unconscious from a cyanide-laced storage tank and not expected to live through the night.

In Seattle, Special Agent Joseph Hilldorfer of the Environmental Protection Agency was given the job of finding out what happened to Dominguez and why. Initially Hilldorfer did not want the case, still frustrated by an intense two-year investigation that concluded with corporate polluters walking out of a federal courthouse free. But as he learned more, Hilldorfer, the son of a Pittsburgh cop with a blue-collar work ethic, was touched by Scott's suffering and outraged at Elias's callous disregard for his employees' well-being.

Hilldorfer and his partner, Special Agent Bob Wojnicz, joined forces with seasoned Boise Assistant U.S. Attorney George Breitsameter and an indefatigable, brilliant young attorney from the Department of Justice's Environmental Crimes Section named David Uhlmann. Together they would uncover the horrifying truths and build the criminal case against Elias.

A former New York whiz kid and Arizona realestateand business mogul, Elias owned businesses that had polluted Idaho with hazardous waste for nearly a decade. Yet Elias never spent a single day in jail, openly boasted of beating the environmental quality regulations, and avoided any significant fines. Would this case be any different?

Hilldorfer, Uhlmann, and the government trial team embarked on an epic courtroom battle that would stretch them to the limits. What began as a struggle for justice for one young man became a fight by the EPA for its very ability to enforce the nation's environmental laws and to bring environmental polluters to justice. In the balance was whether Allan Elias would ever spend a day in jail.

Gripping, powerful, and compulsively readable, "The Cyanide Canary" is a major achievement in the classic tradition of "A Civil Action," a book that unfolds like fiction yet is alarmingly true.

• Sales Rank: #430722 in Books
• Published on: 2004-09-14
• Original language: English
• Number of items: 1
• Dimensions: 1.16" h x 6.26" w x 9.24" l,
• Binding: Hardcover
• 352 pages

From Publishers Weekly
The title refers to the cyanide in a tank that left Scott Dominguez, a worker at an Idaho plant, brain-damaged after an accident in 1996. As in a good thriller, the accident takes place in the first few pages, and the rest of the book is devoted to the legal case that followed. Dugoni, a freelance writer, and Hilldorfer, one of the Environmental Protection Agency investigators in the case, leave no doubt about who the bad guy is in this story: he’s the plant’s owner, Allan Elias, who had a long history of skirting the law in environmental matters. Using the memories of Hilldorfer and others involved in prosecuting the case, the authors build their story. They drive the narrative well in the book’s first half (they’re particularly strong in portraying the personalities of both the investigators and the witnesses in the case), but the story loses momentum when the case comes to the courtroom. The trial is depicted blow-by-blow, and, until the verdict is given, some of the outrage of the earlier pages is lost amid the minutiae of the legal system. Still, this book successfully fleshes out the excitement and the difficulty of prosecuting environmental criminals in the U.S.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* At the core of this enthralling legal drama is a 250-gallon storage tank containing cyanide. On August 26, 1996, a 20-year-old worker at a fertilizer plant in Soda Springs, Idaho, was ordered to clean the tank, which he and other workers believed contained only dirt and water. The worker, who was told he needed no safety equipment for the job, was overcome by fumes and emerged severely brain damaged. Hilldorfer, an environmental-crime specialist for the EPA, and writer Dugoni retrace the EPA's effort to uncover what led to the accident and to bring the responsible parties to justice. Before Hilldorfer's campaign, environmental crimes were largely ignored or, when brought to trial, resulted only in pro-forma wrist slaps. This account engages the reader, evoking both outrage over worker safety and suspense over the outcome of the trial. The authors combine accounts of Hilldorfer's own experiences (he appears as a character in the book) with interviews, sworn trial testimony, court transcripts, and newspaper articles to tell a fully rounded, gripping story of how environmental crime is prosecuted in the real world. The title of the book is especially apt: it refers both to the old miners' practice of bringing canaries into mines as early warning systems of poisonous gases and to the fate of the brain-damaged worker, whose plight may yet save others. Connie Fletcher
Copyright © American Library Association. All rights reserved

Review
Ann Rule, author of "Green River, Running Red" and "Heart Full of Lies"

An engrossing true account of a horrific crime that affects every one of us, this book is as compelling as any brilliantly written murder mystery. You will pull for the "good guys" and be stunned by the conscienceless avarice of "the poisoner." This is a roller-coaster ride of a book where you won't know if the ending will be just or a travesty of fat cats who despoil and move on, leaving permanently damaged victims behind. Powerful and heartbreaking, it is a must-read for every American who cares about our environment, and especially for those who won't smell a deadly waft of bitter almonds until it is far too late.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Legal thriller... And so much more!
By Dr. Priscilla A. Glidden
Fantastic story that I could not put down. Told quite objectively and very well documented, it somehow managed to fill its pages with emotional content as well, making one feel that you were there....in the courtroom, in Scott,s family home, and in the field. An amazing cast of folks from all walks of life are kept well sorted and described until you feel you know them (i.e. Stay with it thru the first few chapters). Twists and turns throughout. But most of all, this legal thriller provides deep insight into the history of a key case that illustrates the challenges faced by the US government agencies and courts that cope with one of the most difficult issues of our time: environmental crimes.

0 of 0 people found the following review helpful.
It makes you want to reach in and strangle Eliason ...
By Amazon Customer
It makes you want to reach in and strangle Eliason Allen. Living in this area gives a whole new perspective of the people involved that still live here.

0 of 0 people found the following review helpful.
Four Stars
By michael d. nesse
Read this book and decide whether or not government regulations on mining and other industries are necessary.

See all 148 customer reviews...

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The first edition of W. B. Yeats's The Tower appeared in bookstores in London on Valentine's Day, 1928. His English publisher printed just 2,000 copies of this slender volume of twenty-one poems, priced at six shillings. The book was immediately embraced by book buyers and critics alike, and it quickly became a bestseller.
Subsequent versions of the volume made various changes throughout, but this Scribner facsimile edition reproduces exactly that seminal first edition as it reached its earliest audience in 1928, adding an introduction and notes by esteemed Yeats scholar Richard J. Finneran.
Written between 1912 and 1927, these poems ("Sailing to Byzantium," "Leda and the Swan," and "Among School Children" among them) are today considered some of the best and most famous in the entire Yeats canon. As Virginia Woolf declared in her unsigned review of this collection, "Mr. Yeats has never written more exactly and more passionately."

• Sales Rank: #830648 in Books
• Model: 940349
• Published on: 2004-01-20
• Released on: 2004-01-20
• Original language: English
• Number of items: 1
• Dimensions: 7.50" h x .50" w x 5.13" l, .36 pounds
• Binding: Paperback
• 160 pages

About the Author
William Butler Yeats is generally considered to be Ireland’s greatest poet, living or dead, and one of the most important literary figures of the twentieth century. He was awarded the Nobel Prize in Literature in 1923.

Excerpt. © Reprinted by permission. All rights reserved.
Introduction

A last-minute shopper entering a London bookstore on Valentine's Day in 1928 with six shillings to spend on a gift for his or her beloved could hardly have made a better investment -- either poetically or financially -- than one of the 2,000 copies of a volume Macmillan & Co. had published that morning: The Tower by W. B. Yeats. Twenty-one poems in 104 pages; six pages of notes; olive green cloth with a design by T. Sturge Moore stamped in gold on front and spine, also reproduced on the dust jacket. No illustrations, no book club dividends: simply one of the seminal volumes of Modern Poetry, indeed of poetry in English as we know it. Doubtless not every lyric is a masterpiece, but how often have we been given between two covers such "monuments of magnificence" as "Sailing to Byzantium," "Leda and the Swan," and "Among School Children" -- not to mention "The Tower," "Meditations in Time of Civil War," "Nineteen Hundred and Nineteen," or "Two Songs from a Play"? "A thing never known again," indeed.

The gestation of The Tower was a long process. A draft of "The New Faces" was sent to Lady Gregory on 7 December 1912; a draft of "From 'Oedipus at Colonus'" was sent to Olivia Shakespear on 13 March 1927. Yeats began to publish the poems that would form The Tower in journals as early as March 1921 and in book form the following year: Seven Poems and a Fragment, an edition of only 500 copies by the Cuala Press, the private press run by his sisters. Two more Cuala Press volumes would follow -- The Cat and the Moon and Certain Poems (1924), again in a printing of only 500 copies; and October Blast (1927), one of the rarest of all Cuala publications, only 350 copies. The single poem in The Tower not previously published would be "Colonus' Praise." Finally, on 16 September 1927, Yeats submitted copy for the volume to Macmillan:

I send you...the manuscript of 'The Tower.' Feeling that it was exaggerated in certain directions I continually put off sending it, but I cannot delay any longer. If, when you have received the Manuscript, you think the book too small, or have any fault to find, please delay it for a few months.

Yeats went on to explain that he was writing a series of poems for a limited American edition (The Winding Stair, 1929) and that these could be added to The Tower in a year. Seldom has a Nobel Laureate been quite so diffident about his latest work.

Although the Cuala Press Michael Robartes and the Dancer (1921) had been included in Later Poems (1922), Macmillan had not published a major new volume of Yeats's poetry since The Wild Swans at Coole (1919). It is thus not surprising that the publisher gave little heed to Yeats's reservations about The Tower and instead put the book into production, with publication on 14 February 1928. The volume quickly sold out, and a second impression was issued in March. In July 1929 Macmillan published a third impression with some corrections. An edition by Macmillan, New York, appeared on 22 May 1928, with a second impression in January 1929.

As usual, Yeats treated The Tower as a unique work, not simply a collection of poems. The order of the poems was anything but chronological, either in terms of composition or of the events depicted. For instance, the second poem written and the first published, "All Souls' Night," was placed last. "Meditations in Time of Civil War," describing the violence in Ireland of 1922-23, precedes "Nineteen Hundred and Nineteen." A poem that concludes with the story of Christ, "Two Songs from a Play," is followed by one that describes the union of Leda and Zeus.

Yeats's interest in The Tower as a separate work of art extended to the physical book itself. Once the arrangements for the volume had been made with Macmillan, he enlisted his friend T. Sturge Moore, a writer and artist, to undertake the design, writing him on 23 May 1927:

I want you to design the cover -- design in gold -- and a frontispiece. The book is to be called The Tower, as a number of the poems were written at and about Ballylee Castle. The frontispiece I want is a drawing of the castle, something of the nature of a woodcut. If you consent I will send you a bundle of photographs. It is a most impressive building and what I want is an imaginative impression. Do what you like with cloud and bird, day and night, but leave the great walls as they are.

Moore immediately agreed. Yeats sent him some poems and photographs and made the further suggestion that "the Tower should not be too unlike the real object, or rather that it should suggest the real object. I like to think of that building as a permanent symbol of my work plainly visible to the passer-by. As you know, all my art theories depend upon just this -- rooting of mythology in the earth" (LTSM 114). Yeats approved of Moore's design of the Tower reflected in the adjacent stream, telling him, "It is interesting that you should have completed Tower symbolism by surrounding it with water" (LTSM 111). Unfortunately, because of some lost or misdirected correspondence, Moore failed to produce a frontispiece. But when Yeats received a copy of the volume, he wrote Moore from Rapallo on 23 February 1928, "Your cover for The Tower is a most rich, grave and beautiful design, admirably like the place..." (LTSM 123).

Yeats's earliest recorded comment on the book as a whole was made in a letter to Lady Gregory on 24 March 1928: "The Tower astonishes me by its bitterness." On 25 April 1928 he told Olivia Shakespear, "Re-reading The Tower I was astonished at its bitterness, and long to live out of Ireland that I may find some new vintage. Yet that bitterness gave the book its power and it is the best book I have written."

Although there was the odd dissenting voice, by and large the reviewers were in accord with Yeats's judgment on his achievement. Writing to Yeats less than two weeks after publication, Lennox Robinson commented that "'The Tower' seems to be getting wonderful notices, the Observer has it as a 'best seller'....and the Independent this morning is extraordinarily intelligent." Yeats himself told Lady Gregory on 1 April 1928 that "Tower is receiving great favour. Perhaps the reviewers know that I am so ill that I can be commended without future inconvenience....Even the Catholic Press is enthusiastic" (L 740). Likewise, he wrote Olivia Shakespear on 25 April 1928, "The Tower is a great success, two thousand copies in the first month, much the largest sale I have ever had..." (L 742). In an unsigned review in The Times Literary Supplement for 1 March 1928, for example, Austin Clarke found in The Tower "a freedom of the poetic elements, an imaginative and prosodic beauty that brings one the pure and impersonal joy of art"; he also praised "the delightful cover design of this book." Writing in The Criterion for September 1928, John Gould Fletcher offered The Tower as evidence that Yeats "corresponds, or will correspond, when the true literary history of our epoch is written, to what we moderns mean by a great poet." In The New Republic for 10 October 1928 Theodore Spencer noted that "on the whole, the poems in this book are among the finest Mr. Yeats has written" and that "many...will remain a permanent part of English poetry." In sum, the consensus of both the reviewers and most later critics and readers of Yeats's poetry is well represented by Virginia Woolf's judgment in an unsigned review in The Nation & Athenaeum for 21 April 1928: "Mr. Yeats has never written more exactly and more passionately."

Most other poets would have been more than content with such acclaim, and the story of The Tower would have ended. But Yeats as usual was not content, and over the next five years he would make significant changes to the volume, so much so that readers who know The Tower only from its final version will find this facsimile edition more than a little surprising.

For the 1929 third impression Yeats made only minor changes, some as small -- but telling -- as the addition of a hyphen in "moon-luminous" ("Meditations in Time of Civil War," III.10), some more significant, such as that to lines 5-6 of "Sailing to Byzantium." The text in 1928 is virtually unpronounceable:

Fish flesh or fowl, commend all summer long

Whatever is begotten born and dies.

One is tempted to think that both Yeats and the proofreader at Macmillan had nodded off, but in fact the exact same version had appeared a year earlier in October Blast, and on the proofs of that volume Yeats made a correction elsewhere in the first stanza of the poem but left these lines untouched. A second version appeared when the poem was used as the epigraph in Stories of Red Hanrahan and The Secret Rose (1927):

Fish, flesh or fowl, commend all summer long

Whatever is begotten born and dies.

This is arguably worse, and one is again tempted to assume somnolence. However, on 10 September 1927 Yeats had written Macmillan, "I return the proof of the poem, which is now correct. Through vacillation over the punctuation of the first stanza I have made a blotted proof but I think it is clear." So it was not until the 1929 version of The Tower that we are offered what surely seems the inevitable version (even if grammarians would protest the comma after "fowl"):

Fish, flesh, or fowl, commend all summer long

Whatever is begotten, born, and dies.

Yeats's next opportunity to revise The Tower occurred in connection with the volume of Poems in the Edition de Luxe, a project that in the event would never see the light of day. Either when he submitted copy on 1 June 1931 or when he corrected two sets of proofs from June through September 1932, Yeats made only one change of note, but it is an important one: "From 'Oedipus at Colonus'" was removed from its placement after "The Three Monuments" and was now included as section XI of "A Man Young and Old." As the new conclusion to the sequence, the choral ode, with its celebration of "the silent kiss that ends short life or long" and its invocation of "a gay goodnight," ameliorates, or at least puts into a changed perspective, the "bitterness" of the original ending, in which the speaker lamented that "Being all alone I'd nurse a stone / And sing it lullaby."

With the Edition de Luxe in limbo, Yeats suggested to his publishers that they should bring out a regular edition of a Collected Poems, and they agreed. This provided another opportunity to revise The Tower, and Yeats did not fail to seize it. The most visible change of all was the removal of "The Gift of Harun Al-Rashid" to the "Narrative and Dramatic" section at the end of the book, where it became the final poem in the volume. In a letter of 30 March 1933, Macmillan had suggested such a two-part division for the new collection and had listed five candidates for the second section. Yeats quickly indicated that he was "delighted" with the proposal. "The Gift of Harun-Al-Rashid" had not been on Macmillan's list, but it was nevertheless absent from The Tower when the Collected Poems was published in London on 28 November 1933, in an edition of 2,040 copies. Whether this was based on a later suggestion by Macmillan or was Yeats's own idea is unknown. (My guess is the latter.) In any case, Yeats in effect replaced "The Gift of Harun Al-Rashid" with the inclusion of an entirely new poem, "Fragments": part I had been published in an essay in the Dublin Magazine for October-December 1931; part II was taken from a draft of the Introduction to The Resurrection. From a biographical perspective, "The Gift of Harun Al-Rashid" is a veiled tribute to the automatic writing and other activities by Mrs. W. B. Yeats that produced the materials for A Vision (1925). Its placement at the end of the Collected Poems was thus altogether appropriate. "Fragments" is a fanciful epitome of the longer poem, with Mrs. Yeats quite literally the "medium" who provided Yeats with the "truth" that A Vision would present:

I

Locke sank into a swoon;

The Garden died;

God took the spinning-jenny

Out of his side.

II

Where got I that truth?

Out of a medium's mouth,

Out of nothing it came,

Out of the forest loam,

Out of dark night where lay

The crowns of Nineveh. (P 217-18)

Yeats situated "Fragments" in a rather important position, between "Two Songs from a Play" and "Leda and the Swan," displacing "Wisdom" to follow "Colonus' Praise." He made two other major changes to The Tower: he added to "Two Songs from a Play" a fourth stanza, first published in Stories of Michael Robartes and His Friends (1932); and he deleted the first seventeen lines of "The Hero, the Girl, and the Fool," printing the final ten lines as "The Fool by the Roadside," the form used in A Vision (1925).

Yeats had one more opportunity to revise The Tower, in June 1937 when he submitted copy for another never-to-be-published project, the Scribner Edition; but for once he restrained himself. Thus from 1933 onward, The Tower was understood to be the form included in the Collected Poems. It is a fundamentally different volume from that first published. This present edition allows readers access to the original version, with unadorned texts and only the handful of Notes provided by Yeats. Perhaps it will also enable us to imagine how someone opening the pages of The Tower for the first time on Valentine's Day in 1928 would have received the masterful poems therein.

Copyright © 2004 by Simon & Schuster, Inc.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Mediocre quality of text
By Charles P. Leder
The text is of poor quality--so many typos that it's distracting. Same with the formatting. You get what you pay for!

3 of 3 people found the following review helpful.
One character per line makes this unreadable
By R. Thornhill
The format is such that there's one character per line. Literally unreadable. Sure, the price is cheap, but not even worth a free download in this format.

4 of 5 people found the following review helpful.
Buy the hard copy edition
By Amazon Customer
One of the most glorious collections of poetry ever. Don't spoil the experience by attempting to read it on a screen. The paperback is handsomely done, and these superb poems deserve your full attention. Presentation matters with poetry, especially poetry of this quality.

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For more than fifty years, Elizabeth Alexandra Mary Windsor -- who became Elizabeth II, Queen of England on February 6, 1952 -- has been loved and loathed, revered and feared, applauded and criticized by her people. Still she endures as a captivating figure in the world's most durable symbol of political authority: the British monarchy.
In Monarch, a meticulously detailed portrait of Elizabeth II as both a human being and an institution, bestselling author Robert Lacey brings the queen to life as never before: as baby "Lilibet" learning to wave to a crowd in the Royal Mews; as a child "ardently praying for a brother" so as to avoid her fate; as a young woman falling in love with and marrying her cousin Philip; and as the mother-in-law of the most complicated royal of all, Princess Diana.
Updated with new material to reflect the 2002 Golden Jubilee and the passing of the Queen Mum -- and featuring dozens of photographs, a family tree of the Hanoverian-Windsor-Mountbatten families, and a map that charts the location of royal castles -- Monarch is an engaging, critical, and celebratory account of Elizabeth's half-century reign that no reader of popular history should be without.

• Sales Rank: #2413624 in Books
• Published on: 2003-05-13
• Released on: 2003-05-13
• Original language: English
• Number of items: 1
• Dimensions: 8.44" h x 1.70" w x 5.50" l, 1.55 pounds
• Binding: Paperback
• 496 pages

From Publishers Weekly
As a child, Princess Elizabeth longed "to live in the country with lots of horses and dogs." That dream came to a crashing end when her uncle, King Edward VII, followed his heart instead of his head, giving up the throne for an American divorcee. The princess's fate was sealed: not only was she destined to become Queen of England, but as Lacey shows in this skillfully constructed biography, nearly every upheaval of her otherwise quiet and dutiful 50-year reign would be the direct consequence of impetuous relatives putting personal needs above royal responsibility. It's all here: the romantic debacles of Di, Fergie, Margaret, Ann, Charles and Andrew, as well as Prince Philip's unfailing ability to insert his foot in his mouth ("How nice to be in a country that is not ruled by its people," he said to Paraguayan dictator Alfredo Stroessner in 1969). Through it all, there have been two constants: the Queen is pragmatic and restrained, and the media is all over every mucky story. Lacey, veteran royal historian and biographer (The Queen Mother's Century, etc.), writes with the cooperation of the Palace, and his portrait is sympathetic, but he also offers an incisive analysis of the development of royal media coverage (which started with Queen Victoria and the invention of the camera) and the relationship between the two powerful entities, setting this apart from and far above the average by-the-numbers royal bio.
Copyright 2002 Cahners Business Information, Inc.

From Library Journal
Although Lacey discusses Queen Elizabeth II's formative years and family life, his 16th book is not so much a biography as an examination of "the diminishing boundaries of [the royal family's] personal privacy" in the 20th century. Significant events, such as King George VI's death, Charles's and Andrew's doomed marriages, and the queen's financial status, are considered in light of how they are treated by the media and viewed by the public. Also highlighted are Mass-Observation, a volunteer organization used to measure the public's response to the royal family, and the intrusive tabloid press. Prince Charles cites the media's aggressive role in his rushed (and unfortunate) choice of a bride, and Lacey shows that Diana's own on-again, off-again relationship with the paparazzi served only to emphasize her insecurities. Plodding in parts, Lacey's work reveals little that is new about the queen, but it is a mature and thoughtful discussion of the public's evolving relationship with the British royal family. Recommended only for large public libraries with a special collection on the British monarchy. Isabel Coates, Canada Customs & Revenue Agency, Ont.
Copyright 2002 Cahners Business Information, Inc.

From Booklist
Readers made curious by the increasing press coverage here in the U.S and abroad of the celebrations occurring this spring and summer to mark the Golden Jubilee of Britain's queen Elizabeth II will be satisfied by William Shawcross' Queen and Country [BKL Mr 1 02], which provides an excellent overview. This new book by Lacey, a best-selling royal biographer, will please readers wanting a more in-depth look at the reign of the queen. The author tells, as compellingly as if writing fiction, the story of a "private and straightforward woman" who is nevertheless one of the most widely recognized individuals in the world. Exhibiting from childhood "an unflurried capacity to accept her unusual lot in life," the future queen grew up serious and conscientious--and, as she often insists, not as an actress who puts on publicity stunts. She learned the performance of a no-nonsense monarch at the knee of her father, George VI, but just as her mother, the much-loved Queen Mother, brought a certain style to the royal family, so did Prince Philip when he married the future Elizabeth II. Her daughter-in-law Diana also injected new lifeblood into the family, and Lacey is particularly edifying in his look at what went on behind palace doors when the Princess of Wales died and the royal family had to react to the outpouring of public grief. Motherhood may be the queen's weak point; nevertheless, she will be remembered for maintaining the integrity of the crown. A lively, fluid biography certain to be much requested. Brad Hooper
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

24 of 25 people found the following review helpful.
Reliable information, reliable sources
By shirley lieb
This book about the reign of QEII, goes behind the scenes and makes you feel a part of history, all without the tabloid style information that appear in some papers. Mr. Lacey's research is meticulous and his sources are close enough to the monarch that we knew these people witnessed the events first hand.
The book does a very good job of describing the situation that developed at the time of the death of Diana. It was interesting to find out that the queen herself approved of all of the plans for the funeral, many in fact were her idea. While not diminishing the role of Prince Charles in the arrangements, the queen and her staff were largely responsible for that memorable day.
It was also interesting to find out that Diana's sons had distanced themselves from her that summer because of her romance with Dodi. And also that her brother in law Sir Robert Fellowes was not the villian he has often portrayed to be in other books, where his feelings for Diana were concerned.
The history leading up to the accession of QEII is always fascinating and is well handled here in the book. The scenarios surrounding the plans for the coronation and her wedding give a real inside look at the royal family.
After reading this book, I was a little disappointed in some members of the family and staff, liked other even more and found a great respect for the woman herself. While she can be stubborn and dig in when the chips fall against her, she can also quickly see the light and move with the tide. Most particularly in the flag flap at the time of Diana's death.
I give high marks to this book. There is so much interesting history in the book that is can be read again and again and still hold the reader's interest.
On a more picky note, I found several mistakes in the book. On page xi of the Royal Who's Who, Edward the VII is listed as being made Prince of Wales at Caernarfon Castle in 1911. That would be Edward the VIII, since Edward the VII was already dead in 1911. On page 36, we have a coach careering around an area instead of careening. Lastly on page 151, they have Prince Phillip at 26 in 1946 and on the next page, age 24 in the same year.
Nevertheless, this book should entertain and inform all people who follow the lives of the royal family. There is a nice mix of political fact and the freshness of looking at last behind the palace walls. This book stays in my collection as a wonderful testament to the woman we are all more than a little curious about. Whether she is wrong or right about certain things, she cetainly has staying power.

12 of 13 people found the following review helpful.
Life in A Royal Fishbowl
By Sunnye Tiedemann
I've often wondered just what the Queen of England does. With no real governmental power and, seemingly at least, nothing much to do, hers looked (to me on this side of the pond)like a totally useless life.
Lacey's book doesn't answer my questions but it does seem that although she may not have the power of the President of the United States, she wields a power of her own that is just as important to her people. This book, however, focuses more on the person and her life than on her job.
"Lillibet" dreamed of a quiet life with horses and dogs and what she got was life in the fishbowl of royalty with horses, dogs, Parliamentary boxes and public scrutiny. Luxury, yes, but luxury well earned in terms of personal sacrifice. Where others triumph and suffer the "trials and tribulations" of living in quiet peace, Queen Elizabeth experiences much the same under the unforgiving -- and often misunderstanding -- glare of fame. It is not an enviable position.
Robert Lacey has a number of impressive biographies in his repertoire (THE LIFE AND TIMES OF HENRY VIII, ROBERT, EARL OF ESSEX and SIR WALTER RALEIGH, to name a few) and his work is imminently readable. MONARCH, The Life and Reign of Elizabeth II is not only beautifully written and researched, it's downright fascinating in its portrayal of a woman touched by destiny and pride. I can't help but hope he'll follow this by an equally beautifully written and thoroughly researched book on what she does.

9 of 10 people found the following review helpful.
Boring Parts + Fascinating Passages = Decent Biography
By Allyn
Obviously, Robert Lacey is a dedicated biographer. His book is characterized by research, depth, and scope. What's more, he doesn't resort to cheap sensationalism to add a few more chapters. Yet somehow, "Monarch" is still one of those books that doesn't just capture you and leave you gushing about how wonderful it was.

Lacey begins his book by attempting to chronicle the development of the "modern" royal family, beginning with reign of Queen Victoria and providing glimpses into several other monarchs' rule. It would be true to say that these "foundations" help one understand the current queen. Occasionally, this extended history lesson was just plain fascinating, too, imparting nuggets of history that any royal buff delights in.

Unfortunately, the history lessons definitely became too textbook-ish at times, too. Lacey has an extremely unfortunate habit of seeming to bring up every single name, place, and government activity when talking about an event. This leaves the reader with an overly long and dull account of event that could have been summed up much more interestingly.

The same analysis, to a lesser extent, holds true for the queen's own story in this book. At times, Lacey fabulously describes people and events, knows just where to place a well-chosen quote, and makes one want to read about the queen's life forever (as in the opening chapters about the queen's dealings with Diana's funeral). Yet the "bogged-down-in-boring-detail" problem still surfaced in this part (the parts dealing with the Margaret-Townsend affair were dry and too long).

Lacey is certainly to be commended for his obvious knowledge about the queen, and it is also fortunate for readers that he is able to convey his respect for the queen while still offering up intelligent, constructive criticism. If you really must read everything about the British royal family or the queen, this is a solid offering, yet other readers would probably enjoy Carolly Erickson's masterfully written "Lillibet" much more.

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~ Ebook Free The Siren Queen: An Ursula Blanchard Mystery at Queen Elizabeth I's Court, by Fiona Buckley

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The year is 1569. Ursula Blanchard, illegitimate half sister to Queen Elizabeth I and sometime spy on the Queen's behalf, is happily married to wealthy Hugh Stannard and living quietly in the country. Ursula's thoughts are on domestic matters as she watches her daughter, Meg, grow up. Meg will soon be fourteen, so perhaps it is time to think of a betrothal.
When an invitation to visit arrives from the powerful Duke of Norfolk, Ursula and Hugh welcome the chance for Meg to meet an apparently worthy young man of the Duke's household, Edmund Dean. Is he a possible husband for Meg?
It's love at first sight, at least on Meg's part. Young Dean seems to admire Meg as well, and he's even more impressed with her promised dowry. Ursula, though, has her doubts. Does she see something cruel in the man's eyes?
Soon, more weighty matters demand Ursula's attention. Two men are dead under mysterious circumstances, and there may be a new plot to put Mary, Queen of Scots, on the English throne. A letter written in cipher may contain the information Ursula needs -- but can she decode the letter in time to save the half sister and Queen she loves? And what shattering personal discovery will the letter reveal?
Surrounded by treachery, Ursula wonders whom she can trust. Is the great Duke of Norfolk himself part of the plot against Queen Elizabeth? And what about the young man who would marry Meg?
With richly drawn characters and riveting historical accuracy, The Siren Queen sweeps us into a suspenseful and passionate re-creation of one of the most tumultuous and colorful eras of English history.

• Sales Rank: #2369484 in Books
• Published on: 2004-12-07
• Released on: 2004-12-07
• Original language: English
• Number of items: 1
• Dimensions: 8.44" h x 1.00" w x 5.50" l, .85 pounds
• Binding: Hardcover
• 288 pages

From Publishers Weekly
Starred Review. British author Buckley's excellent eighth Ursula Blanchard novel offers fine writing and deft plotting while vividly bringing the past to life. Where earlier volumes used historical mysteries that have sparked heated debate over the centuries, such as the sudden death of Lord Darnley, the husband of Mary, Queen of Scots, in 2003's The Fugitive Queen, this latest focuses on now obscure political intrigue involving an Italian banker, Roberto Ridolfi, in 1568. With threats to Elizabeth's throne looming, Blanchard, the queen's half-sister and occasional spy, uncovers suspicious correspondence pointing to a scheme to place Mary on the English throne. After the courier charged with delivering those messages turns up dead and a second murder soon follows, Blanchard, her husband and her loyal retinue seek evidence of motive and opportunity while alerting the beleaguered secretary of state, Lord Cecil, to the plot and working to forestall it. Experienced whodunit readers may identify the culprit more easily than they'd like, but the author's rare ability to effortlessly integrate fact and fiction and the cliffhanger ending will leave both old and new fans eagerly awaiting the next installment.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Ursula Blanchard, half sister to Queen Elizabeth I and occasional spy for the realm, returns in a new Elizabethan mystery steeped in intrigue and suspense. While paying a reluctant visit to the seemingly foolish duke of Norfolk to discuss the possibility of an early betrothal for her young daughter, Ursula learns that her host has been conducting an ill-considered correspondence with the incarcerated Mary, queen of Scots. Determined to leave the duke's estate before the impressionable Meg becomes even more besotted with the icy Edmund Dean, she is prevented from returning home by the brutal murders of a courier and a servant. As Ursula attempts to untangle a treasonous web of deceit and double-cross, she places her own life in danger in order to protect the queen and the sister she has pledged to love and serve in secrecy. Another authentically detailed historical whodunit from a master of the genre. Margaret Flanagan
Copyright © American Library Association. All rights reserved

Review
"[A] sixteenth-century mystery series as complicated and charming as an Elizabethan knot garden." -- "The Tampa Tribune"

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Chawna Cunningham
another winner in the ursula series that will keep u guessing

5 of 5 people found the following review helpful.
Intrigue abounds
By Tigerlily
This is the 8th book in the Ursula Blanchard series, which I have been reading since it began.

In this story, Ursula begins to plan a betrothal for her daughter, Meg. The suitor in question is a secretary of the Duke of Norfolk's, and the Duke himself has proposed the match. Ursula and her husband accept the invitation to travel to London, so they can scout out their prospective son in law to see if he is right for Meg.

Together with Fran and Roger Brockley, Gladys Morgan, Sybil Jester, and of course, Meg, they arrive in London and soon meet Edmund Dean, the suitor in question. Ursula takes an immediate dislike to him, but is not quite able to put her finger on just why. Meg, on the other hand, is smitten and is eager for the betrothal to take place, even though she is only 13. Ursula tries to gently discourage her daughter from pursuing Dean, citing that as of yet, she is still too young to consider marriage and she would prefer that Meg wait until she was 17. Nonetheless, Meg's attachment to Dean grows, and she sneaks off to spend time with him whenever she can.

Amidst of all this, the Duke tells Ursula of a private correspondence he has been having with Mary, Queen of Scots, who is currently deposed. The Duke is obviously in love with Mary, although they have never met, and he harbors hope of one day marrying her and becoming her consort. Norfolk is very outspoken in regards to his feelings, not realizing that Ursula does espionage for Queen Elizabeth and Sir William Cecil.

Then, murder strikes the household, and a courier who had been carrying the Duke's correspondence is the victim. Along with the Duke's letter to Mary, there was also a letter from an Italian banker, Roberto Ridolphi, as well as a letter in cipher, which hints at a plot to bring the Scots queen back to her throne.

Despite wanting to stay out of such things as court intrigue, Ursula is inexorably drawn into the mix yet again. She feels honor bound to Elizabeth and Cecil and can't in good conscience let what news she has learned go unshared. Therefore, Ursula becomes embroiled in trying to unravel this latest caper, while at the same time, trying to control her headstrong daughter.

And so, Ursula ends up staying in London as a guest of Ridolphi's, under the pretext of helping his wife become better accustomed to England, while teaching her the language. Ridolphi is a friend of Norfolk's, and a fellow conspirator in the plot to reinstate Mary.

To make matters worse, Ursula's willful charge, Gladys Morgan, wreaks havoc everywhere she goes. Gladys gets into fights with other servants, the town vicar, a gardener; everyone. And when she gets angry, she curses whomever she is angry with and wishes them ill. This eventually catches up with Gladys in an unpleasant manner, when she is accused of witchcraft yet again and is in danger of losing her life.

This book was good, even though I could figure out parts of it. If you've read the series, you know of Ursula's 2nd marriage to Matthew De La Roche. In this book, you learn more about him, when Ursula unwittingly uncovers information that could drastically affect her life. Sorry to be cryptic, but I won't give everything away!

Also in this book, Gladys has a shot at romance, with the topiary gardener, who is as old and ugly as she. It seems he likes to clip the hedges into rather suggestive looking shapes, much to the ire of Ridolphi, one of his employers. But, Gladys and he strike up a pseudo-relationship and bicker like a pair of children.

Like all Fiona Buckley novels, this one is full of its red herrings, and will keep you interested as you try to solve the crime along with Ursula.

8 of 8 people found the following review helpful.
Riveting Historical Fiction
By SDRTX
Fiona Buckley has written another winning entry in the Ursula Blanchard series. The series takes place during the reign of Queen Elizabeth I. Ursula is the illegitimate half-sister of the Queen and has many times been in the middle of Court intrigue. At the start of the novel, Ursula is finally able to enjoy a more sedate life with her marriage to Hugh Stannard.. Her daughter, Meg, is soon fourteen and marriageable age. The Duke of Norfolk invite the Stannards to visit him and meet his secretary as a possible suitor for Meg. From almost the moment of arrival, Ursula's quiet life is over. Men are dying under mysterious circumstances, her host may be in on a plot to overthrow the Queen, and her old retainer is in jeopardy of being accused of witchcraft.

Both primary and secondary characters are vivid, compelling, and memorable. The plot is well paced and engrossing. It beautifully entwined historical fact with fiction. A must read if you like your detective fiction with a historical twist.

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Funny, sad, full of wonderful characters and the word-perfect dialogue of which he is the master, McMurtry brings the Thalia saga to an end with Duane confronting depression in the midst of plenty. Surrounded by his children, who all seem to be going through life crises involving sex, drugs, and violence; his wife, Karla, who is wrestling with her own demons; and friends like Sonny, who seem to be dying, Duane can't seem to make sense of his life anymore. He gradually makes his way through a protracted end-of-life crisis of which he is finally cured by reading Proust's Remembrance of Things Past, a combination of penance and prescription from Dr. Carmichael that somehow works.
Duane's Depressed is the work of a powerful, mature artist, with a deep understanding of the human condition, a profound ability to write about small-town life, and perhaps the surest touch of any American novelist for the tangled feelings that bind and separate men and women.

• Sales Rank: #578949 in Books
• Published on: 2003-04-07
• Released on: 2003-04-07
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x 1.30" w x 5.25" l, .79 pounds
• Binding: Paperback
• 432 pages

Amazon.com Review
At 62, ever-dependable oil man Duane Moore ditches his pickup and starts walking everywhere--deeply deviant behavior in one-stoplight Thalia, Texas. "It occurred to him one day--not in a flash, but through a process of seepage, a kind of gas leak into his consciousness--that most of his memories, from his first courtship to the lip of old age, involved the cabs of pickups," Larry McMurtry writes. Yet oddly enough, Duane's marriage, four children and nine grandchildren, his career highs and lows, all occurred when he was nowhere near his vehicle. Within days he has moved into his cabin on a hill, reacquired his dog, Shorty the Sixth ("an air of slight guilt was typical of all the Shortys"), and begun to think on these things. Of course, this brings on an additional problem: "He realized that for the first time in his life he had too much time to think; of course he had wanted more time to think, but that was probably because he hadn't realized how tricky thinking could be."

Luckily for readers, Duane's attempts to go off the grid are far from successful. Thus do we have the deep pleasures of his comical and complex encounters with his wife, Karla, and family, not to mention some of Thalia's singular citizens. As ever, McMurtry's dialogue and narration snaps and surprises. He makes his hero's solitude, and his increasing depression, infinitely intriguing. Will Duane's attempts to literally and figuratively cultivate his garden succeed? Will he forge his way through the three volumes of Proust that his attractive new psychiatrist has prescribed in lieu of Prozac? Will the catfish that has found its way into his waterbed survive? Answers to these and many other questions await you in Duane's Depressed, the final book of the marvelous trilogy McMurtry began with The Last Picture Show and Texasville. Let us pray that it turns into a quartet: we need far more of Duane and his family. For a start, his granddaughter Barbi--"a dark midge of a child"--merits a volume of her own. --Kerry Fried

From Publishers Weekly
Pulitzer Prize-winning author McMurtry (Lonesome Dove) offers the final volume in the trilogy that includes the memorable The Last Picture Show (1966) and Texasville (1987). Drawing inspiration from the small Texas town where he grew up, McMurtry limns a wryly comic and finely nuanced portrayal of oil-rich Duane Moore, 62, a leading citizen of small-town Thalia. Depressed for no obvious reason, Duane vexes and bewilders family and community alike when he suddenly parks his identity-defining pickup truck in his carport and starts hoofing it everywhere. His wife, Karla, their adult kids and the small mob of humorously foul-mouthed grandchildren living under his roof grow more confused as his unsettling behavior escalates, especially when he moves to a crude shack six miles out of town. After he turns the family oil business over to eldest son Dickie (newly out of an Arizona drug-rehab center), the delicate symbiosis of the eccentric little town threatens to break down. Duane's symptoms intensify as he consults a comely psychiatrist in Wichita Falls and buys a fancy bicycle. Sudden tragedy disrupts the hero's therapy just as he is starting to come out of his yearlong deep freeze and, with regret and befuddlement, take a long look at his life. Using barren landscapes and drab interiors to emphasize the subtle, potent drama of Duane's search for himself, McMurtry shines as he examines the issues of alienation, grief and the confrontation with personal mortality. Despite a curious distance imposed by limiting the third-person narration almost exclusively to Duane?which at times renders the voice essentially journalistic?this novel represents McMurtry at the top of his form. Literary Guild and Doubleday Book Club featured alternates. (Jan.) FYI: Scribner is reissuing The Last Picture Show and Texasville in trade paper editions to honor completion of the Thalia trilogy.
Copyright 1998 Reed Business Information, Inc.

From Library Journal
McMurtry is in fine form in this conclusion to a trilogy that began with The Last Picture Show (1966) and continued in Texasville (LJ 4/1/87). Now in his early sixties, Duane Moore is in the midst of a mid-life crisis. He first decides to do without a car and starts walking everywhere?a real shocker in Thalia, TX, where the notion of getting anywhere by foot is laughable. Duane also leaves home and moves to a one-room cabin and then proceeds to pretty much wash his hands of his (totally) dysfunctional adult children and their children. Karla, Duane's long-suffering wife, suspects that he is having an affair. Since Duane is as bewildered by what's happening to him as everyone else is, he finally agrees to see a psychiatrist. (His experiences with the psychiatrist include falling in love with her, reading Proust, and, in an extremely funny scene, attending a book discussion group.) McMurtry's characters are rendered lovingly, if outlandishly, and the pleasure of his easygoing style more than makes up for a plot that really doesn't hold together for a minute. The ending feels rushed, a shame because most of us wouldn't mind reading another hundred pages or so of this entertaining novel. Recommended for all public libraries.
-?Nancy Pearl, Washington Ctr. for the Book, Seattle
Copyright 1999 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great writing, McMurtry does a great job of taking ...
By JohnJ Weber
Great writing, McMurtry does a great job of taking The Last Picture Show and continuing the saga to modern times

0 of 0 people found the following review helpful.
... Larry McMurtry writes and will always give it a great review. He has never disappointed me
By Pam Smith
I will read whatever Larry McMurtry writes and will always give it a great review. He has never disappointed me.

0 of 0 people found the following review helpful.
"Duane's Depressed" Engages the reader from page one.
By A Customer
Even though "Duane's Depressed" is the final book in a three part trilogy, a reader shouldn't feel that he/she have to read the first two books before reading this fine novel. I read the first two novels a number of year's ago, so my memory of them is fuzzy at best, but I found that this book engaged me from page one. McMurtry has done a fine job of capturing the feelings of a person who is depressed. The book has enough twists, humor, and quirky characters to keep the reader entertained. I found I couldn't put the book down because I wanted to follow Duane's search for happiness. This book is a "must read!"

See all 98 customer reviews...

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Rock & roll has transformed American culture more profoundly than any other art form. During the 1960s, it defined a generation of young people as political and social idealists, helped end the Vietnam War, and ushered in the sexual revolution. In Dixie Lullaby, veteran music journalist Mark Kemp shows that rock also renewed the identity of a generation of white southerners who came of age in the decade after segregation -- the heyday of disco, Jimmy Carter, and Saturday Night Live.

Growing up in North Carolina in the 1970s, Kemp experienced pain, confusion, and shame as a result of the South's residual civil rights battles. His elementary school was integrated in 1968, the year Kemp reached third grade; his aunts, uncles, and grandparents held outdated racist views that were typical of the time; his parents, however, believed blacks should be extended the same treatment as whites, but also counseled their children to respect their elder relatives. "I loved the land that surrounded me but hated the history that haunted that land," Kemp writes. When rock music, specifically southern rock, entered his life, he began to see a new way to identify himself, beyond the legacy of racism and stereotypes of southern small-mindedness that had marked his early childhood. Well into adulthood Kemp struggled with the self-loathing familiar to many white southerners. But the seeds of forgiveness were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs.

In the tradition of music historians such as Nick Tosches and Peter Guralnick, Kemp masterfully blends into his narrative the stories of southern rock bands --from heavy hitters such as the Allman Brothers Band, Lynyrd Skynyrd, and R.E.M. to influential but less-known groups such as Drive-By Truckers -- as well as the personal experiences of their fans. In dozens of interviews, he charts the course of southern rock & roll. Before civil rights, the popular music of the South was a small, often racially integrated world, but after Martin Luther King Jr.'s assassination, black musicians struck out on their own. Their white counterparts were left to their own devices, and thus southern rock was born: a mix of popular southern styles that arose when predominantly white rockers combined rural folk, country, and rockabilly with the blues and jazz of African-American culture. This down-home, flannel-wearing, ass-kicking brand of rock took the nation by storm in the 1970s. The music gave southern kids who emulated these musicians a newfound voice. Kemp and his peers now had something they could be proud of: southern rock united them and gave them a new identity that went beyond outside perceptions of the South as one big racist backwater.

Kemp offers a lyrical, thought-provoking, searingly intimate, and utterly original journey through the South of the 1960s, '70s, '80s, and '90s, viewed through the prism of rock & roll. With brilliant insight, he reveals the curative and unifying impact of rock on southerners who came of age under its influence in the chaotic years following desegregation. Dixie Lullaby fairly resonates with redemption.

• Sales Rank: #1794242 in Books
• Brand: Brand: Free Press
• Published on: 2004-08-24
• Released on: 2004-08-24
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.01" w x 6.00" l, 1.08 pounds
• Binding: Hardcover
• 320 pages

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From Publishers Weekly
Part memoir, part music history and part social history, Kemp's book cannot decide quite what it wants to be. On the one hand, Kemp tells the story of his own experience of racism in the South and the ways that Southern rock bands helped him move beyond Southern racial attitudes. On the other hand, he regales the reader with sparkling tales of the evolution of Southern rock from 1968 to 1992. Born in Asheboro, N.C., Kemp, a white Southerner, struggled to understand the mysterious ways of segregation. After Martin Luther King Jr.'s death, he observes, a number of Southern rock bands emerged—among them the Allman Brothers Band and Lynyrd Skynyrd—that challenged the racial views of the South. Drawing on interviews with several musicians and producers, including Phil Walden, Mac Rebennack (Dr. John), Warren Haynes and Jimmy Johnson, Kemp expertly examines the early years of Southern rock (1968–1973), the evolution of redneck rock (1974–1981) and the reconstruction of Southern rock (1982–1992) in bands like R.E.M., Jason and the Scorchers, Gov't Mule and Steve Earle. Kemp's anecdotal and affectionate remembrance of Southern rock provides a solid panoramic view of an important chapter in the history of rock and roll.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
In considering the role of his native South in rock-and-roll history, Kemp presents the ways black and white influences intertwined to spawn rock, which then affected how the South subsequently developed. With his bent toward atmospheric description, Kemp seems to aspire to a niche in the Greil Marcus-Dave Marsh sector of Rock-Crit Valhalla as he makes the case that his southern generation felt alienated from parents' traditional values and views of racial segregation. While Kemp's observations on the twin developments of southern rock as played by the likes of the Allman Brothers and Marshall Tucker bands and ostensibly nonracist, Christian Right-linked political conservatism are interesting, his take on rock history rather resembles the same old rock-crit bloviation piled higher and deeper. Behind the hyperbole lurks a may-be-significant look at the confluence of rock music and contemporary American reality. Coming from a guy who, as a youth, was suitably impressed with Funkadelic's classic album Maggot Brain, it couldn't be worthless, could it? Mike Tribby
Copyright © American Library Association. All rights reserved

Review
Dennis McNally, author of A Long Strange Trip: The Inside History of the Grateful Dead Mark Kemp was part of the generation of young white southerners for whom Allman Brothers-style southern rock was not just music, but, as he persuasively argues, a redemptive escape from racism. Dixie Lullaby is a compelling memoir of growing up in the post-civil rights era South from a young man whose life was truly "saved by rock & roll."

Dennis McNally author of A Long Strange Trip: The Inside History of the Grateful Dead Mark Kemp was part of the generation of young white southerners for whom Allman Brothers-style southern rock was not just music, but, as he persuasively argues, a redemptive escape from racism. Dixie Lullaby is a compelling memoir of growing up in the post-civil rights era South from a young man whose life was truly "saved by rock & roll."

Stephen J. Dubner author of Turbulent Souls and Confessions of a Hero-Worshiper Though surely too much of a southern gentleman to admit it, Mark Kemp is every bit as audacious as the musicians he writes about. The story he tells here encompasses everything that is important about modern life. And he tells it beautifully, the cultural criticism and memoir blended seamlessly. He will make you see the South anew.

Larry Brown author of The Rabbit Factory and Faye As a child of the South and the '60s, I know in my heart that Mark Kemp has told the truth about what growing up here and loving music was like. But you don't have to be a Southerner to get it. Anybody who's listened to rock & roll or voted for the last forty years or so ought to be delighted by this fascinating, well-written, and entertaining new book.

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3 of 3 people found the following review helpful.
People can you hear it? A song is in the Air!
By dougrhon
This book by music writer Mark Kemp is hard to categorize. It is part memoir, part cultural and social history and partly a history of popular music. The author manages to tie the various threads together into a cohesive whole and has written a fascinating book.

Kemp was born in South Carolina in 1960 and came to outside awareness just as the civil rights movement kicked into the highest gear and the old Jim Crow order of the South was breaking down. Kemp had the good fortune to be born to freethinking progressive parents who did not raise him in the atmosphere of invidious racism that characterized the life of so many other southerners of that time. The book really begins with the assassination of Martin Luther King in 1968. Prior to that event, white musicians backed many of the great black soul and rhythm and blues singers. After King was killed, many blacks felt they could no longer work with either white musicians or white owned music companies. As Kemp points out, the book is not about the fascinating story of black music in the south but of white music. In the year 2005, it is difficult for one who did not live through it, to appreciate what the reputation of the South was in 1969. Even its own young considered the South backwards and indeed, "redneck". As for music, white southern music meant either hillbilly boogie or country western. Southerners did not perform rock music in an indigenous style and those from the South who desired to make it in popular music left for either California or New York and dropped their Southern roots, usually in embarrassment.

This all changed when a man named Phil Walden, former manager for Otis Redding decided to start his own label, which became the fabled Capricorn Records. Rather than create a house band to back up studio owned singers, as with the Muscle Shoals studio, Walden decided to back a hot young guitarist from Florida named Duane Allman who had gained a reputation as a hot studio slide player and was looking to create his own band. Duane's band was originally supposed to be a power trio but ultimately consisted of six young men, one of them a black drummer, another his brother Gregg, a keyboardist and incredibly soulful blues singer. When Walden heard the debut of the "Allman Brothers Band" he knew he had found something special and backed the band out of his own pocket as they struggled to make it.

After describing the creation of the Allman Brothers Band, Kemp shifts back to his own story. In 1970, the ten years old author was dedicated to the blues sound of the Rolling Stones, having no idea that the Stone's sound was native to his own home region. When he hears the Allman Brothers Band in his sister's car, he, like thousands of other young Southerners, is instantly smitten. The Allmans' style was a unique blending of all native American sounds, with plenty of blues, soul, pure improvisational jazz and driving rock thrown into the mix. Not rednecks at all, the Allmans were more like southern hippies, singing "People Can you feel it? Love is everywhere!" Kemp claims that Gregg Allman sang with the sadness of the South. But Lynyrd Skynyrd rocked with righteous anger and extreme Southern pride. After the decline of the Allman's post-1973, came the rise of Southern "redneck rock" rockers, like Skynyrd and Molly Hatchett who made no apolgies for who they were or where they were from and who played a crunching brand of boogie rock, very different from that of the Allman Brothers Band. As the book continues, Kemp varies between a history of the music of the South and his own personal story in which he grows up, becomes a "head" in high school, rejects Southern music, moves north, develops a drug problem lands and loses his dream job at Rolling Stone and becomes ashamed of his Southern heritage. All the while he parallels this story with that of the musicians and the individuals he interviewed for this book including Charlie Daniels, Warren Haynes of the Allman Brothers Band and Gov't Mule and so many others. The book really covers a large period of cultural history, more than thirty years, and a lot about Kemp's own life in a relatively few pages. And yet the book holds together surprisingly well. It really is a great read and anyone reading it will learn a little about what it was like to grow up a rock and roll fan in the new South of the 1970's. I highly recommend it.

7 of 7 people found the following review helpful.
A Peach of a Book!
By B. Grier
Wow...I had withdrawal pangs after finishing this book! Kemp takes you on a sentimental tour of Southern rock music through scenery of the concurrent social and political events that affected the region and the nation. Just a small format change could have made it qualify as a music history textbook, yet somehow he has gracefully composed a harmony of history, memoir and good 'ole story tellin'. I learned things I never realized as a fan of many of the artists he discusses while I gained a deeper understanding of the events that rocked the country during my youth. The education was pure joy! His writing style is warm and inviting and keeps you fascinated with the stories as well as the chronology that could otherwise seem pedantic (I even read all the chapter notes!). Whether your youth lies in the 60's or 90's, you will find reading "Dixie Lullaby" a rich experience.

2 of 2 people found the following review helpful.
DIXIE LULLaBY "A Great Story of Music, Race & The New South"
By Gary Covington
THIS IS A VERY GOOD BOOK ABOUT GROWING UP IN THE SOUTH, BEFORE, DURING, AND AFTER THE CIVIL RIGHTS MOVEMENT, AND HOW THESE EVENTS DURING THIS PERIOD INFLUENCED SOUTHERN MUSIC AND NEW BEGINNINGS IN THE SOUTH!!! THIS STORY IS TOLD BY MARK KEMP (THE AUTHOR) BASED ON HIS EXPEIENCES. IT IS MY IMPRESSION THAT MARK HAS A DEEP LOVE FOR THE SOUTH AND SOUTHERN MUSIC, ESPECIALLY "SOUTHERN ROCK". THIS BOOK FOCUSES ON SOUTHERN ROCK AND THE PIONEER BANDS WHO MADE IT FAMOUS.

This book also focuses on some of the songs of the southern rock movement, such as the Allman Brothers Band's "Dreams", Lynyrd Skynyrd's "Poison Whiskey", and others.

Mark Kemp is a very good author, he has been an editor for the "Rolling Stone" Magazine, and he is a jouralist. He grew up in North Carolina. He knows members on the Southern Rock Bands that he writes about.

The Main Theme I get about this book is that after the Civil Rights movement in the South, things changed, music changed, and politics changed. One of the significant changes to come out of post civil rights movement era was "SOUTHERN ROCK". (CMT did a special show on the Southern Rock Revelution and it coroborated Mark's story).

"SOUTHERN ROCK" gave southerns something to be proud of. It displayed the south in a more positive way. During the "glory days" of Southern Rock (from about 1969 till 1977 when Lynyrd Skynyrd's plane went down), some of the BEST BANDS IN THE COUNTRY WERE FROM THE SOUTH!!! IT GAVE US SOUTHERNER'S SOMETHING TO FEEL GOOD ABOUT.

OVERALL, ITS A VERY GOOD BOOK ABOUT THE "SOUTHERN ROCK MOVEMENT" AND CHANGES THAT WERE MADE IN THE SOUTH, GIVING THE SOUTH A "NEW BEGINNING".
IT'S AN ENJOYABLE BOOK TO READ, AND SO I RECOMMEND IT!

This Book covers the stories of the legendary bands who lead this "Southern Rock" revolution: THE ALLMAN BROTHERS BAND, LYNYRD SKYNYRD, AND THE CHARLIE DANIELS BAND, AND OTHER SOUTHERN ROCK BANDS, SUCH AS WET WILLIE AND THE MARSHALL TUCKER BAND. THESE BANDS REPRESENTED THE SOUTH IN A NEW A POSITIVE WAY!

THIS BOOK COVERS HOW THIS MOVEMENT HELPED ELECT JIMMY CARTER AS PRESIDENT.

THERE ARE ALSO, TIDBITS OF OTHER INFORMATION IN THIS BOOK SUCH AS THE MOVIE "ALMOST FAMOUS" BY CAMERON CROWE. CAMERON CROWE TRAVELED WITH BOTH THE ALLMAN BROTHERS BAND AND LYNYRD SKYNYD, AND MOST OF THIS MOVIE IS BASED ON THESE TRAVELS. Also, Mark writes about how the "Rolling Stones" and "Elvis Costello" re-introduced southern music to southerners. He also covers the effect that the movie "Easy Rider" had on southern rock and southern culture. He also, discusses Charlie Daniel's songs "Uneasy Rider" and "Uneasy Rider - 1980's version". Charlie's song "Uneasy Rider" is about a "hippie" getting back at "intolerable" "rednecks". Mark really gets into this with Charlie Daniels. Charlie Daniels didn't like for "Southerner's" to be represented like the "rednecks" in the movie "Easy Rider", so that's why he wrote the song "uneasy rider", about a "hippie" getting back at some "intolerable" "rednecks". Charlie wanted the South to be presented in a more positive way. Southern rock songs like uneasy rider and others helped change southern culture, so that "main-stream" southerns became more tolerant of "outsiders" or people who were different. As far as tolerance goes, Charlie Daniels agrees with Mark on most things, but not on everything.

Anyway, this book gives a GOOD HISTORY OF THE SOUTHERN ROCK MOVEMENT from the viewpoint of a Southerner himself. He knows these band members, and tells his story. He also brings out some of the new southern rock bands that have emerged in recent years, such as "Drive By Truckers", the Blackcrowes, and others.

As I mentioned before, this is a good book to read, and I do recommend it!

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