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The Dark Tower (The Dark Tower, Book 7), by Stephen King
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Soon to be a major motion picture starring Matthew McConaughey and Idris Elba
Creating "true narrative magic" (The Washington Post) at every revelatory turn, Stephen King surpasses all expectation in the stunning final volume of his seven-part epic masterwork. Entwining stories and worlds from a vast and complex canvas, here is the conclusion readers have long awaited—breathtakingly imaginative, boldly visionary, and wholly entertaining.
Roland Deschain and his ka-tet have journeyed together and apart, scattered far and wide across multilayered worlds of wheres and whens. The destinies of Roland, Susannah, Jake, Father Callahan, Oy, and Eddie are bound in the Dark Tower itself, which now pulls them ever closer to their own endings and beginnings...and into a maelstrom of emotion, violence, and discovery.
- Sales Rank: #180921 in Books
- Brand: Brand: Scribner
- Published on: 2005-11-01
- Released on: 2005-11-01
- Original language: English
- Number of items: 1
- Dimensions: 8.37" h x 1.80" w x 5.50" l,
- Binding: Paperback
- 864 pages
- Used Book in Good Condition
Amazon.com Review
At one point in this final book of the Dark Tower series, the character Stephen King (added to the plot in Song of Susannah) looks back at the preceding pages and says "when this last book is published, the readers are going to be just wild." And he's not kidding.
After a journey through seven books and over 20 years, King's Constant Readers finally have the conclusion they've been both eagerly awaiting and silently dreading. The tension in the Dark Tower series has built steadily from the beginning and, like in the best of King's novels, explodes into a violent, heart-tugging climax as Roland and his ka-tet finally near their goal. The body count in The Dark Tower is high. The gunslingers come out shooting and face a host of enemies, including low men, mutants, vampires, Roland's hideous quasi-offspring Mordred, and the fearsome Crimson King himself. King pushes the gross-out factor at times--Roland's lesson on tanning (no, not sun tanning) is brutal--but the magic of the series remains strong and readers will feel the pull of the Tower as strongly as ever as the story draws to a close. During this sentimental journey, King ties up loose ends left hanging from the 15 non-series novels and stories that are deeply entwined in the fabric of Mid-World through characters like Randall Flagg (The Stand and others) or Father Callahan ('Salem's Lot). When it finally arrives, the long awaited conclusion will leave King's myriad fans satisfied but wishing there were still more to come.
In King's memoir On Writing, he tells of an old woman who wrote him after reading the early books in the Dark Tower series. She was dying, she said, and didn't expect to see the end of Roland's quest. Could King tell her? Does he reach the Tower? Does he save it? Sadly, King said he did not know himself, that the story was creating itself as it went along. Wherever that woman is now (the clearing at the end of the path, perhaps?), let's hope she has a copy of The Dark Tower. Surely she would agree it's been worth the wait. --Benjamin Reese
From Publishers Weekly
A pilgrimage that began with one lone man's quest to save multiple worlds from chaos and destruction unfolds into a tale of epic proportions. While King saw some criticism for the slow pace of 1982's The Gunslinger, the book that launched this series, The Drawing of the Three (Book II, 1987), reeled in readers with its fantastical allure. And those who have faithfully journeyed alongside Roland, Eddie, Susannah, Jake and Oy ever since will find their loyalty toward the series' creator richly rewarded.The tangled web of the tower's multiple worlds has manifested itself in many of King's other works— The Stand (1978), Insomnia (1994) and Hearts in Atlantis (1999), to name a few. As one character explains here, "From the spring of 1970, when he typed the line The man in black fled across the desert, and the gunslinger followed... very few of the things Stephen King wrote were 'just stories.' He may not believe that; we do." King, in fact, intertwines his own life story deeper and deeper into the tale of Roland and his surrogate family of gunslingers, and, in this final installment, playfully and seductively suggests that it might not be the author who drives the story, but rather the fictional characters that control the author.This philosophical exploration of free will and destiny may surprise those who have viewed King as a prolific pop-fiction dispenser. But a closer look at the brilliant complexity of his Dark Tower world should explain why this bestselling author has finally been recognized for his contribution to the contemporary literary canon. With the conclusion of this tale, ostensibly the last published work of his career, King has certainly reached the top of his game. And as for who or what resides at the top of the tower... The many readers dying to know will have to start at the beginning and work their way up. 12 color illus. by Michael Whelan.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
"I’ve told my tale all the way to the end," King writes in the coda, "and am satisfied." Most readers will be, too. Satisfied, but also sad that after 22 years, nearly 4,000 pages, and seven installments, this archetypal fantasy quest series has ended. As in Song of Susannah, Dark Tower’s predecessor, King pens stunning set pieces, invents cataclysmic battles, and touches on familiar themes of good vs. evil. His writing is as powerful as ever—just imagine a demonic Mordred devouring his mother. But if there’s unanimous admiration for King’s genius, there’s no consensus about Dark Tower. Some critics argue that each piece of the convoluted plot fits into King’s larger vision. Others call the work imperfect for this lofty ambition of a greater whole. Some view King’s insertion of himself as a character as brilliant while others fault it as pretentious. But King fans and novices alike will find Dark Tower a "fitting capstone to a uniquely American epic" (Washington Post). Just don’t start in the middle.
Copyright © 2004 Phillips & Nelson Media, Inc.
Most helpful customer reviews
345 of 398 people found the following review helpful.
Where are the stories from the individual issues, Marvel??
By D
As a huge Dark Tower fan I was ecstatic when I first heard news of this comic series and, even though the story itself is mostly a re-telling of Roland's flashback story from WIZARD AND GLASS, it was still very enjoyable. I wish that I had just stuck with buying the individual issues instead of the hardcover in addition.
What I loved most about the individual issues were the stories that Robin Furth wrote at the end of each issue which were really interesting and really helped flesh out some of the mythology previously established in the book series (Arthur Eld's backstory, the forging of Roland's guns, the creation of Maerlyn's Rainbow, Rhea's backstory, Jonas's backstory, , Roland's TRUE relationship to the Crimson King, etc.). I enjoyed the story enough that I felt warranted in buying the hardcover so I could read it in one convenient collection.
HOWEVER, Marvel, for some reason I cannot imagine (other than to save money by cutting down on the number of pages) DID NOT include these stories in the hardcover. There is a nice collection of sketches and alternate covers but not a single one of the stories from the issues. GODDAMN is that annoying. I pretty much had no reason to buy this hardcover, since, if I want to read any of those nifty back stories I now have to dig up the individual issues, so I might as well read those instead.
Way to drop the ball, Marvel.
From now on, before buying any Marvel comic collection I'll have to wait until somebody else I know gets it first to find out if I'm being gypped on material that should have been in there in the first place. I'm sure you'll release the SUPER DELUXE EDITION FAN COLLECTION when the second comic series begins in February, containing those stories that should have been in this one, following the film studios in double-dipping popular comic releases instead of just releasing the better collection in the first place. I really hope that when the hardcover collection for the second series comes out the sales are as terrible as the duping of your fans because they realized how you suckered them the first time around.
Thanks for nothing.
To anyone interested in reading the story do yourself a favor and buy the individual seven issues so you can get the stories in the end. If you're a fan of the DT books you won't regret getting them over this abysmal hardcover.
82 of 92 people found the following review helpful.
Very Mixed Feelings
By Particle Noun
Well, this is a difficult review to write. Like many reviewers here, I've been reading this series from its inception, since I was a young man (about Jakes age). It has remained one of my favorite series, and each new volume was awaited with a barely containable anticipation.
I agree with so many of the glowing reviews of this book.
And I agree with so many of the disappointed reviews of this book as well. I am completely conflicted.
However, what it boils down to is this: The story lost the breadth and scope that made it so epic for me in the early volumes. The Tower was the center of ALL WORLDS! An infinite number of universes hung in the balance. This wasn't your average quest story, this was a story about ALL quests, in ALL times. King Arthur, Lord of the Rings, The Chronicles of Narnia, The Tain, Ulysses, the Good the Bad and the Ugly...all of these epics found an echo here. Billions upon billions of existences were hanging in the balance between what we were lead to believe was an epic evil (one that found its way into many of Kings stories) and the Gunslinger and his Ka Tet. The wheels of fate worked to bring about the central struggle of all times and places to a boiling point that we could not even begin to conceive of. How could the stakes get any higher? In all honesty, how could any writer fill such a grand expectation? In the first book, Roland has a vision, given him by Flagg, of ascending through the universes to emerge in a single blade of grass at the foot of a rose. The scope of what was at stake was never more beautifully crafted than that section of the first book.
By the end of the tale, I can find no trace of that scope, that scale, those horrendous stakes. They are gone. The book narrowed its focus down to one man, and his personal Demon, the Tower. Now, taken as that, as the story of Roland's addiction, this is a great piece of work. But, taken as the conclusion to the tale to end all tales, the archetypal struggle to save existence itself, I find nothing satisfying at all. The last three books took the series down this different path, and it's not a path that satisfies the thirst he created in me all those years ago. Somehow the center of the very fabric of reality became a backdrop and prop in the story of a single man. Not even man in line with the infinite, or a man connected to the infinite...just the life of a single man.
And, like the others, I find the dispatch of the villains extremely poorly done. In a sense, we care about the villains as much as the heroes. They should play as much of a part in the universal archetypal struggle as they do in most myths, but here, they are reduced to afterthoughts, and poor afterthoughts at that. This was the most disappointing part to me. You will still read this book, if you read the series, but if, like me, you were hoping for the infinite to find its way back into the story, I advise you to narrow your focus...then you may find the book you were looking for.
74 of 86 people found the following review helpful.
The pros much outweigh the cons
By S. Boone
It looks like most reviewers have this pretty well covered, but I'd like to throw in my 2 cents, mostly because I've spent so much time reading these books and it just plain feels right.
I'll start by saying that this book is not perfect, and there were times when I was convinced that the story would end horribly. So why do I give it 5 stars? I feel that what was good or great about the book is enough for me to dismiss what annoyed me about it. As with most reviews, there will be many SPOILERS ahead, so go read the book first if you haven't.
I can cover what truly bothered me pretty quickly; King's importance in the plot and Flagg's death. Not that I need a 150 page battle between Roland and Flagg, but to be so easily dispatched by a child who would later prove to be absolutely no threat to Roland seems wrong. Was this really the best that Roland's lifelong enemy could do? I don't know, it just doesn't add up. As for King, I didn't like his part in the plot during Song of Susannah (narcissistic) and was hoping it would not dominate the final volume, which it doesn't. I will admit that it didn't turn out as bad as I feared (I half expected Stephen King to be in the top room of the Tower), and I do appreciate that it ties the story to reality through something other than the fictional Tet Corporation in NY. While this is nice, I could have done without King ever having been in the story.
Others were bothered by the quick deaths of Mordred and the Crimson King. I wasn't. Mordred may have been powerful, but he was still a child; and a sick, dying child at that. He had to make an ill-advised move out of desperation, and I think it was wonderful that Oy was able to die defending Roland. As for the Crimson King, while the battle may have been brief, it was still exciting and not without great word play between Roland and the CK.
Ok, so most of us want opinions and theories on the end, right? I will admit that I very much liked the ending from the get-go, but I have had to digest it for a few days before really knowing what to make of it. I suggest anyone else that has recently finished the book do the same. In doing so, I have realized that this ending has evoked a lot more emotion and thought from me than I expected, and clearly almost everyone else who has read this book has had the same experience, for better or worse. In my opinion, this alone is proof that the ending is very powerful.
So, let's just say it, we find out that Roland has been repeating his journey from the Mohaine Desert, where we first meet him in book I. Why is this a good ending? It puts the entire story in perspective. Roland, while heroic, has been cold hearted throughout the saga. He seems to be learning to love, particularly in the case of his adopted son Jake, as well as the rest of his ka-tet. Would we have ever guessed from the pages of "The Gunslinger" or even "The Drawing of the Three" that Roland would have such an emotional reaction to Susannah finally leaving him at the end of the story? Probably not. The world had moved on, a world that had been "full of love and light", and the gunslinger that we meet in book I is a hero, but can't be described as "full of love".
During this journey, Roland has accomplished his purpose according to prophecy, which is to save the Tower. I personally believe that he has probably accomplished this in the past journeys, but it doesn't really matter. The Tower, it seems, is more than just an anchor for existence; it is holy, and will judge those who enter it. When Roland arrives in the Mohaine once again, he is given the Horn of Eld. This can signify many things, but I believe that it signifies that he has pleased the Tower and this will be his final journey. King appends Browning's poem, which has Roland blowing the "slug horn" at the end of his journey. It could be that Browning's poem actually IS the final journey, meaning that the end of Roland's quest is actually right there for you to read about, or it could just be a vision of what his final journey will be like. I think it can go either way, the point is that we know that Roland will have peace, and soon.
Need proof? Let's look back to Jake's final death, a sad scene that will bring even the most cynical reader to tears in light of life's harsh truths. In this scene, Roland promises that he will sacrifice himself to save Stephen King rather than Jake, and his decision is made when he jumps from a moving vehicle to do just that. We all know how it turns out, but the point is that the gunslinger has changed since first letting Jake drop into the abyss in book I. I believe this, along with the care he gave to the rest of his ka-tet toward the end of the journey is what finally pleased the Tower, which awards him with the Horn of Eld. When Roland arrives at the Tower in Browning's poem, the spectators (roses in King's story) in the final stanza are "met to view the last of [him]". I think that King interprets the last of Roland as in the last time that he will arrive at the Tower. After all, King does state earlier in the book that there is "only one place for the poem", which is at the end, as the poem reveals Roland's final journey.
I don't want to make light of the sadness that comes with this ending, because it is certainly sad. The hope combined with sadness and the endless possibilities are what makes this ending so brilliant. I think I've covered the main point, but perhaps Roland has still more to learn and atone for on his final journey, and there are other things to consider. Did time rewind (which his watch rewinding as he approaches the tower and the re-installment of the Man in Black would suggest) or was he simply placed back in the desert? Will he meet Jake again on this journey? Has he learned enough to save Jake rather than palaver with Walter? Are Roland's enemies (Flagg, the CK, etc) so desperate to kill him because they are caught in his loop and aware of it? Could the Horn of Eld symbolize the line of Eld, meaning that Roland is to save Jake thereby restoring "love and light" into his world (and also ensuring that his son will continue in the line of Eld) before the Tower will let him rest? I could go on and on with these, and some of them may be reaching, but I think that if you believe that the Tower has finally begun to award his progress during his damnation then you can believe that he will be able to right all wrongs.
I will miss reading these books, I hope the rest of you take as much from it as I did. Long days and pleasant nights.
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