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Download PDF White Doves at Morning, by James Lee Burke

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White Doves at Morning, by James Lee Burke

White Doves at Morning, by James Lee Burke



White Doves at Morning, by James Lee Burke

Download PDF White Doves at Morning, by James Lee Burke

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White Doves at Morning, by James Lee Burke

For years, critics have acclaimed the power of James Lee Burke's writing, the luminosity of his prose, the psychological complexity of his characters, the richness of his landscapes. Over the course of twenty novels and one collection of short stories, he has developed a loyal and dedicated following among both critics and general readers. His thrillers, featuring either Louisiana cop Dave Robicheaux or Billy Bob Holland, a hardened Texas-based lawyer, have consistently appeared on national bestseller lists, making Burke one of America's most celebrated authors of crime fiction. Now, in a startling and brilliantly successful departure, Burke has written a historical novel -- an epic story of love, hate, and survival set against the tumultuous background of the Civil War and Reconstruction. At the center of the novel are James Lee Burke's own ancestors, Robert Perry, who comes from a slave-owning family of wealth and privilege, and Willie Burke, born of Irish immigrants, a poor boy who is as irreverent as he is brave and decent. Despite their personal and political conflicts with the issues of the time, both men join the Confederate Army, choosing to face ordeal by fire, yet determined not to back down in their commitment to their moral beliefs, to their friends, and to the abolitionist woman with whom both have become infatuated. One of the most compelling characters in the story, and the catalyst for much of its drama, is Flower Jamison, a beautiful young black slave befriended, at great risk to himself, by Willie and owned by -- and fathered by, although he will not admit it -- Ira Jamison. Owner of Angola Plantation, Ira Jamison is a true son of the Old South and alsoa ruthless businessman, who, after the war, returns to the plantation and re-energizes it by transforming it into a penal colony, which houses prisoners he rents out as laborers to replace the slaves who have been emancipated. Against all local law and customs, Flower learns from Willie to read and write, and receives the help and protection of Abigail Dowling, a Massachusetts abolitionist who had come south several years prior to help fight yellow fever and never left, and who has attracted the eye of both Willie and Robert Perry. These love affairs are not only fraught with danger, but compromised by the great and grim events of the Civil War and its aftermath. As in all of Burke's writings, "White Doves at Morning" is full of wonderful, colorful, unforgettable villains. Some, like Clay Hatcher, are pure "white trash" (considered the lowest of the low, they were despised by the white ruling class and feared by former slaves). From their ranks came the most notorious of the vigilante groups, such as the Ku Klux Klan, the White League and the Knights of the White Camellia. Most villainous of all, though, are the petty and mean-minded Todd McCain, owner of New Iberia's hardware store, and the diabolically evil Rufus Atkins, former overseer of Angola Plantation and the man Jamison has placed in charge of his convict labor crews. Rounding out this unforgettable cast of characters are Carrie LaRose, madam of New Iberia's house of ill repute, and her ship's-captain brother Jean-Jacques LaRose, Cajuns who assist Flower and Abigail in their struggle to help the blacks of the town. With battle scenes at Shiloh and in the Shenandoah Valley of Virginia that no reader will everforget, and set in a time of upheaval that affected all men and all women at all levels of society, "White Doves at Morning" is an epic worthy of America's most tragic conflict, as well as a book of substance, importance, and genuine originality, one that will undoubtedly come to be regarded as a masterpiece of historical fiction.

  • Sales Rank: #153022 in Books
  • Brand: Simon & Schuster
  • Published on: 2002-10-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.62" h x 1.04" w x 6.58" l,
  • Binding: Hardcover
  • 320 pages
Features
  • Great product!

From Publishers Weekly
Following the publication of his 11th Dave Robicheaux thriller, bestselling Burke (Bitterroot; Purple Cane Road) keeps the action in Louisiana, turning back the clock to the Civil War. Central to this brooding saga are hotheaded young idealist Willie Burke, son of a boardinghouse owner, and a beautiful slave girl named Flower Jamison. She is the illegitimate daughter of Ira Jamison, the callous owner of the infamous Angola Plantation. Flower's mother was murdered by a brutal overseer, Rufus Atkins, just after she gave birth, and Rufus has been a malevolent presence in Flower's life ever since. Secretly taught to read and write by Willie Burke, she now does laundry for the town brothel. Befriended by Abigail Dowling, a young Yankee abolitionist who is helping slaves escape the South, Flower clings to the hope that Jamison will acknowledge her as his daughter; meanwhile, Jamison has his eye on Abigail. The war gets into full swing, and Willie loses his best friend at Shiloh because of Jamison's cowardly dereliction. Wounded and left to die, Willie is saved by Abigail, who brings him home and nurses him back to health. Against her protests, he attempts to return to battle but is taken captive and-the war now over-escapes to confront racist vigilantes intent on shutting down Flower's school for ex-slaves. Burke has created a cast of strong, if somewhat stereotypical, characters; readers will warm to outspoken, irrepressible Willie as much as they deplore the evil Atkins. Although at times a bit forced, this moving morality play shows a different dimension of this gifted writer.
Copyright 2002 Reed Business Information, Inc.

From Library Journal
In a departure from his mystery novels featuring Dave Robicheaux and Billy Bob Holland, Burke describes New Iberia, LA, during the Civil War and Reconstruction. Young Willie Burke (an ancestor of the author) and two friends join the Confederate army despite their doubts about some aspects of the Cause, while in New Iberia Abigail Dowling, a nurse from Massachusetts, struggles to act on her abolitionist beliefs. Abigail befriends Flower, a young slave who has been secretly taught to read by Willie, and thus angers plantation owner Ira Jamison (Flower's owner and biological father) and his overseer. In lyrical and evocative prose, Burke depicts both the boredom and horror of army life and the injustices visited upon blacks and poor whites by the "haves" in Southern society. He starkly conveys the desperation felt by those who have no power or voice and vividly creates a sense of place and character. This novel parallels Paulette Jiles's successful Enemy Women in its literary quality and use of family stories for background, but diehard fans of Burke's mysteries may not be interested. Recommended for medium and large public libraries and where Civil War novels are popular.
--Ann Fleury, Tampa-Hillsborough Cty. P.L., FL
Copyright 2002 Reed Business Information, Inc.

From Booklist
Burke, best known as the whip-smart crime fiction writer who writes both the long-running Dave Robicheaux series and the newer Billy Bob Holland series, has a more ambitious reason for visiting the familiar turf of New Iberia, Louisiana: a Civil War epic. Drawing on his own family history as well as broader historical record, the author centers a constellation of characters around Willie Burke, a reluctant Confederate soldier who finds a skill for killing; Abigail Dowling, the abolitionist he loves; Flower, the slave girl he teaches to read; Ira Jamison, a southern aristocrat and Flower's father; and sundry friends, enemies, gunrunners, madams, and hired thugs. It's an epic filmed in tight focus, however, taking us from secession to Reconstruction at an intensely personal level. Young soldiers fight shell shock, and slaveholders search for new methods of exploitation while their former slaves struggle to find spiritual emancipation. In addition to a new theme--the power of literacy--Burke continues to explore his favorite themes, including the persistence of the past, the attraction of decent people to violence, and the ethics of protecting the weak. Despite a few literary tics, his masterful phrasing still wonderfully evokes atmosphere and action. But he also slips into cliche (one character is both left for dead and escapes from a firing squad) and dilutes his story with too-explicit interior passages and dialogue. Perhaps when Burke feels more comfortable with historical fiction, he'll find the easy rhythms and peppery notes that make the rest of his writing so great. Keir Graff
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

74 of 76 people found the following review helpful.
Definitely NOT A Phone Book...
By Earl Merkel
The arrival on bookshelves of anything written by James Lee Burke is a reason for celebration in my household-- as well it should be, for the man is arguably the finest living craftsman of eloquent prose in America today. At my own book signings, my oft-repeated line is that I'd read a phone book written by James Lee Burke.
But I have to confess, I hesitated before taking home a copy of WHITE DOVES IN THE MORNING, Burke's most recent release. After all, it features neither Dave Robicheaux nor Billy Bob Holland; it is not a reprinting of what I consider Burke's Golden Age of fiction, the stuff he wrote in the 1960s (which still staggers, with its literary mastery) before disappearing for almost two decades.
WHITE DOVES is, rather, a Civil War novel-- not surprising, in a way, to any reader of Burke's other fiction. His fascination with both combat in general and the Civil War in particular is evident in much of his writing. Nonetheless, for the reader eagerly awaiting the next return of Streak or Billy Bob, the thought of instead plunging into a... historical novel? ...might give pause to even the most ardent James Lee Burke fan.
It shouldn't. Within a half-dozen pages, it is evident that the master is in rare form here. Burke's lyrical, evocative prose quickly sweeps the reader into a story that is impossible to put down.
It helps that much of the setting is familiar ground: Burke's beloved Louisiana bayou country, specifically the New Iberia of 1861 - 65. The smells and sounds of what will, in a century or so, be Dave Robicheaux country, will be immediately recognized by any Burke aficionado-- a timeless land of live oaks, hanging air vines and mosquitoes buzzing in the marshland shadows.
It also helps that many of the character names we've become accustomed to in the Robicheaux chronicles are also present-- this time, as living characters who flesh out the fables and anecdotes and events that later will be passed down to Dave Robicheaux and from him, to we readers. We meet the Negro freeman and slave owner Jubal Labiche, whose skin color will make no difference to the soon-to-be-invading Yankees. We meet brothel owner Carrie LaRose and her brother, the brawling, pirate-minded Jean-Jacques LaRose, both shrewd Cajun entrepreneurs who deal in contraband and live by their own rough code of ethics. We meet Ira Jamison, whose sprawling Angola Plantation will later become Angola State Penitentiary.
And while we do, we realize that we already know their descendants, themselves familiar from the Burke/Robicheaux series: the twin Labiche daughters of another generation, one of whom will be executed for the murder of her molester; the LaRose descendant, elected Louisiana governor only to die in a last effort to save his doomed wife in a pyre that was the LaRose mansion; even the Angola Prison which is so often plays a key dark role in Burke's Robicheaux tales.
It is a masterful device, this intermingling of our recollections from other novels and other storylines, that in less capable hands could have failed miserably. But Burke handles it with ease, even to the point of centering the story on his own ancestor, one Willie Burke.
If there is any flaw in WHITE DOVES IN THE MORNING, it is the distinctly too-abrupt conclusion with which Burke has provided us as an epilogue. Here, in a departure from the seductive rhythms, eloquence and rich characterization which Burke uses elsewhere so well, the author merely ticks off, one by one, a digest of the ultimate fates of the characters. It is a decidedly less-than-satisfactory conclusion for the reader; worse, it does a disservice to the characters in this novel. Burke's skill has turned them into living people about whom we now care, and whom he appears now to casually discard.
And it is in this sole failing that WHITE DOVES IN THE MORNING gives every James Lee Burke fan a reason for optimism.
We want more than Burke's closing has left us-- far more than the brief, tantalizing, much too incomplete information on the balance of these characters, these lives. We want the author to take us back: back to antebellum New Iberia, back to these characters, back to this compelling chronicle of a time and a place that he has drawn so well.
I don't know if WHITE DOVES IN THE MORNING was intended as the first in a new, ongoing series; given the amazing talent that is James Lee Burke, I can only hope so.
Earl Merkel

0 of 0 people found the following review helpful.
I am disappointed. I may have to go back and begin ...
By Ken Varnold
I've been binge reading Burke since last fall and think I have finally read everything. I am disappointed. I may have to go back and begin reading them all again...King used to be my favorite writer, but no more. Burke's stories have a quality that elevates the story to another plane...and insight into life that is original and commanding, his characters are and the way he develops them is brilliant. Read his books, don't get lost in plot, themes, etc. Just read each page for the gems he offers...like living one day at a time...the rest will take care of itself...

9 of 9 people found the following review helpful.
No Heroes
By Gary Griffiths
In a departure from Burke's spellbinding Dave Robicheaux mysteries, James Lee Burke aims his lyrical prose at historical fiction, taking on the American Civil War. Leaning on family ties - reluctant Confederate soldier Willie Burke is the author's ancestor - Burke's antebellum south is a dark and somber place, ripe with suffering, death, and inequity. At its best, it is a compelling portrait of the horrors of our Civil War, capturing in vivid and brutal detail the battles of Shiloh and Shenandoah Valley. Some will recall Stephen Crane's "Red Badge of Courage", as young Willie Burke wanders dazed behind enemy lines in search of his unit. In the carnage of the battlefield, the suffering among the filth, disease, and severed limbs of field hospital charnel houses, the reader will ask, "did we really do this to our own countrymen?" At its worst, "White Doves at Morning" slips into preachy stereotype: the corrupt plantation owner, the noble slave, the evil overseer. But through it all, Burke tells the story with his own brand of passionate prose, stating his views with power and clarity, while limiting his palette only to shades of gray and black. Notwithstanding, Burke's characters as always are strongly developed, flawed and vulnerable, and ultimately believable. "White Doves" delivers precious little "feel good" closure and little in the way of redemption, instead shining an all-too bright light on a period of American history most of us would just as soon pretend never happened. While not a perfect effort, "White Doves" is a powerful novel, demonstrating Burke's versatility and adding further proof that he is perhaps the most talented living American writer of fiction.

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