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> Free PDF Bringing Down the House: The Inside Story of Six M.I.T. Students Who Took Vegas for Millions, by Ben Mezrich

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Bringing Down the House: The Inside Story of Six M.I.T. Students Who Took Vegas for Millions, by Ben Mezrich

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The #1 national bestseller, now a major motion picture, 21—the amazing inside story about a gambling ring of M.I.T. students who beat the system in Vegas—and lived to tell how.

Robin Hood meets the Rat Pack when the best and the brightest of M.I.T.’s math students and engineers take up blackjack under the guidance of an eccentric mastermind. Their small blackjack club develops from an experiment in counting cards on M.I.T.’s campus into a ring of card savants with a system for playing large and winning big. In less than two years they take some of the world’s most sophisticated casinos for more than three million dollars. But their success also brings with it the formidable ire of casino owners and launches them into the seedy underworld of corporate Vegas with its private investigators and other violent heavies.

Sales Rank: #35932 in Books
Brand: Atria Books
Published on: 2003-09-15
Released on: 2003-09-15
Ingredients: Example Ingredients
Original language: English
Number of items: 1
Dimensions: 8.44" h x .70" w x 5.50" l, .50 pounds
Binding: Paperback
257 pages

Features

Great product!

From Publishers Weekly
"Shy, geeky, amiable" MIT grad Kevin Lewis, was, Mezrich learns at a party, living a double life winning huge sums of cash in Las Vegas casinos. In 1993 when Lewis was 20 years old and feeling aimless, he was invited to join the MIT Blackjack Team, organized by a former math instructor, who said, "Blackjack is beatable." Expanding on the "hi-lo" card-counting techniques popularized by Edward Thorp in his 1962 book, Beat the Dealer, the MIT group's more advanced team strategies were legal, yet frowned upon by casinos. Backed by anonymous investors, team members checked into Vegas hotels under assumed names and, pretending not to know each other, communicated in the casinos with gestures and card-count code words. Taking advantage of the statistical nature of blackjack, the team raked in millions before casinos caught on and pursued them. In his first nonfiction foray, novelist Mezrich (Reaper, etc.), telling the tale primarily from Kevin's point of view, manages to milk that threat for a degree of suspense. But the tension is undercut by the first-draft feel of his pedestrian prose, alternating between irrelevant details and heightened melodrama. In a closing essay, Lewis details the intricacies of card counting.
Copyright 2002 Cahners Business Information, Inc.

From Booklist
For the first third of his nonfiction debut, novelist Mezrich craps out. Ground lights viewed from an airplane aren't just pinpricks, or even little pinpricks, but "tiny little pinpricks." Las Vegas tourism facts are crammed onto the pages like seven decks in a six-deck shoe. But Mezrich finally hits the jackpot on page 79, when M.I.T. student Kevin Lewis steps onto the floor of the Mirage. The book stays on a roll as it describes how the young gambler and his card-counting cohorts employ simple math and complex disguises to win nearly $4 million at the blackjack tables. Bouncing from huge scores to frightening banishments, the M.I.T. team fights a winning battle against the law of averages--until they're forced to flee south like Butch and Sundance from the gaming industry's Joe LeFors. Although Mezrich's prose never rises above serviceable (and he pointlessly injects himself into the narrative at every turn), the story he tells will grip anyone who has ever hoped to break the bank at Monte Carlo. Frank Sennett
Copyright © American Library Association. All rights reserved

Review
Bill Simmons ESPN THE magazine This book made me want to gamble! Vegas! Vegas!

Rocky Mountain News (Denver) A lively tale that could pass for thriller fiction....Mezrich's skilled yet easy writing draws sweat to the reader's brow.

Most helpful customer reviews

64 of 69 people found the following review helpful.
Overheated prose, engaging story...and a big mystery...
By Craig Kenneth Bryant
...namely, how much of this tale to believe?

But first, the basics: "Kevin" joins a team of Blackjack players based out of MIT, and extracts some ungodly number of dollars from the casinos over the course of a five-year romp. Then the casinos wise up to the game, and start putting the squeeze on Kevin and his buddies: expulsions, IRS audits, intimidation, and a little rough stuff in back rooms.

Ben Mezrich is a thriller-writer by day, and the prose is a bit too ripely melodramatic--cliff-hanger chapter endings that go nowhere, visual metaphors culled from Raymond Chandler's wastebasket: "the muscles beneath his MIT T-shirt rippled like a plastic trash can left out in a heat wave." (And just when did everyone at MIT get so darned _ripped_? Almost everyone's a stud or a babe, except for the shadowy Asian ringleader with the horrible teeth and bad vision. Must be a different part of campus than I usually see.) But he manages to keep the writing at a good poolside or plane-time level, and you can skim the bits that are obviously padded out to stretch a 150-page story into a 250-page book.

The Blackjack itself seems mostly reasonable. The kids practice the classic "Hi-Lo" count, but with a clever twist. Hi-Lo calls for the player to bet the minimum a lot of the time, then dramatically raise the betting level when the distribution of cards turns favorable. One thing this isn't, is inconspicuous--the casinos are good at spotting this stuff. So the MIT gang fielded two types of players--some always bet low, but kept track of the "count." When it became favorable, these players would give the high-sign to a "Gorilla" or "Big Player," who always bet high, and sat at a hot table until the count went bad again. Then the Big Player would drift off and look for the next signal. Nobody ever altered their betting levels; but the high-rollers just seemed to magically land at one hot table after another.

It sounds like a pretty good scheme...even a bit like some of the tactics Blackjack writer Stanford Wong talks about. I guess it could work.

The trouble is that too much of the story just doesn't seem to wash. My spider-sense started tingling early in the book, when a character grabbed two martinis off a passing cocktail waitress's tray...like she was passing them around at a catered party. Now, I'm no Vegas-hound, but I've never known the cocktail service at a casino to work that way. And this happens two or three times over the course of the narrative. It's a small thing, almost trivial...but definitively _wrong._ I don't think a writer who's done his homework will miss something like that.

And now that I was thinkig suspiciously, a whole lot of things started smelling fishy. Let me mention a few:

--The team is continually faced with the challenge of moving as much as $600,000 across the country from Boston to Vegas and back, week after week. They have to employ all kinds of subterfuge to get the cash through airport security--hollow laptops, fake casts, ziplock bags in their underwear. Well, why bother? That money is working capital, not profit--why doesn't it just stay in Nevada, in a string of deposit boxes? They mention using _some_ bank boxes, so why run the risk of looking like drug runners?

--The team is forever staying in comped "high roller" suites in big-name casinos: hot tubs, bottle of champagne waiting on arrival, limos to the airport, the whole nine yards. Uhh, way not to attract attention, guys. You can have a safe room just a few steps off the strip for a hundred bucks or less. In a game where once the casinos know your game, it's over, why would "professionals" take these kinds of outrageous risks just to get a free room?

--In fact, to heck with staying in hotels. With the kind of money this book is talking about, the smart investment would be a house, somewhere in the sleepier suburbs of Clark county. Then you'd never have to worry about making one absolute rookie mistake the MIT team makes--counting cards in the same place you're sleeping. It makes for a dramatic scene with hotel security, but it doesn't make a lick of sense. Heck, even _I_ know enough not to do that.

I could go on, but you get the idea. All of these little oddities and inconsistencies make no sense except for one thing--they all serve to sex up the storyline, make it more exotic, more James Bond...make it sell more books. Hmmm. I know a little bit about the proud traditions of tall tales and practical jokes at MIT and Harvard (the author's alma mater). At the end of the day, I have to think that there's more Vegas razzle-dazzle than journalistic truth in here.

But hey, don't we go to casinos to believe in a fantasy? At fourteen bucks, this is one of the cheaper Las Vegas illusions you can buy.

110 of 123 people found the following review helpful.
Beating the odds and living a constant adrenaline high!
By Linda Linguvic
This is a fast and explosive read. It's a true story that's so high-powered that the tension never ceases and I was thrust into a roller coaster ride that kept my eyes glued to the pages.
The story is told through the eyes of the author, who met one of the students at a party and was so intrigued by his outrageous tale that he was compelled to put it into a book. This is a story of a group of math whizzes, most of Asian descent, who used the art of card counting, worked as teams, and legally won as much as 4 million dollars during the few years they spent their weekends in the Vegas casinos, living the high life.
They strapped thousands of dollars to their bodies with Velcro to get the cash onto planes, used false names, and were always on the lookout for Las Vegas personnel who would sometimes personally escort them out of the casinos. They also learned about the seediness of the gambling world, greed, the way the Vegas corporations work. Of course they all went through changes. And eventually, it had to come to an end. Some of it is kind of scary too. But mostly, it's about beating the odds and living with a constant adrenaline high.
Well, reading this book is an adrenaline high of it's own. It put me right into the action and kept me there for the whole 257 pages. I loved it. And highly recommend it.

88 of 100 people found the following review helpful.
Cardiac meds needed for Mezrich's thrilling ride
By Amazon Customer
As a physician I have my fill of non-fiction with an abundance of journals so when I read for relaxation I want a story that keeps me excited, interested and sleepless until it is finished. Bringing Down the House is such a book and reads like a Clancy or Pollock with a little lower body count, but with no less excitement.
Ben Mezrich is superb writer and story teller with the amazing ability to weave the excitement of a Las Vegas casino, the mathmetics of card counting with enjoyable interpersonal dynamics so that this is a consuming story with people you care about. His description of the high roller lifestyle in Vegas takes you to the tables playing sums you watch others wager with the adrenaline rush like you were part of the team. I bought the book in Boston having just missed him at a book signing and had a hardtime finishing the conference. I found myself in the room reading a book I could not put down instead of going out in one of the towns in which the story was set. It was that engrossing.
My Christmas list now contains all of his previous writings as this is an author who knows how to tell a story.

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!! Download PDF Bare Bones: A Novel (Reichs, Kathy), by Kathy Reichs

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Bare Bones: A Novel (Reichs, Kathy), by Kathy Reichs

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From number one internationally bestselling author Kathy Reichs comes a masterful new novel of cutting-edge forensics and gripping suspense. It's a summer of sizzling heat in Charlotte where Dr. Temperance Brennan, forensic anthropologist for the North Carolina medical examiner, looks forward to her first vacation in years. A romantic vacation. She's almost out the door when the bones start appearing. A newborn's charred remains turn up in a woodstove. The mother, Tamela Banks, hardly more than a child herself, has disappeared. Did she kill her infant, or is an innocent teenager also about to become a victim? A small plane crashes in a North Carolina cornfield on a sunny afternoon. Both pilot and passenger are burned beyond recognition. Was it pilot error? Something more sinister? And what is the mysterious black substance covering the bodies? Most puzzling of all are the bones discovered at a remote farm outside Charlotte. What has Tempe's dog, Boyd, unearthed? The remains seem to be of animal origin, but Tempe is shocked when she gets them to her lab. With help from a special detective friend, Tempe must investigate a poignant and terrifying case that comes at the worst possible moment. Daughter Katy has a new boyfriend who Tempe fears may have something to hide. And important personal decisions face Tempe. Is it time for emotional commitment? Will she have the chance to find out? Everything must wait on the bones. What story do they tell? Why are the X rays and DNA so perplexing? Who is trying to keep Tempe from the answers? Someone is following her. Someone is following Katy. That someone must be stopped before it's too late. With the riveting authenticity thatonly world-class forensic anthropologist Kathy Reichs can bring to her fiction, Bare Bones asks important questions and thrills us to its pulsating end. Fresh from the success of Grave Secrets, Reichs proves once again that she is the consummate crime-writing star.

Sales Rank: #145227 in Books
Brand: Scribner
Published on: 2003-07-01
Released on: 2003-07-01
Original language: English
Number of items: 1
Dimensions: 9.40" h x 1.10" w x 6.40" l,
Binding: Hardcover
320 pages

Features

Suspense

Amazon.com Review
"As I was packaging what remained of the dead baby, the man I would kill was burning pavement north toward Charlotte."

With this opening sentence, Kathy Reichs serves notice that her heroine, Temperance Brennan, is in for one of her scariest, most gruesome adventures yet. As fans of this popular series already know, Tempe is a forensic anthropologist: an expert in the human form (especially bones) who helps solve crimes. The abovementioned infant is only the first in a series of grisly remains, both human and animal, that Tempe must sort through and decode. Meanwhile, as several seemingly unrelated cases begin to intertwine, her sleuthing puts her in the crosshairs of a very nasty stalker who hides behind an e-mail alias.

Reichs knows how to keep the narrative ball rolling with a canny mix of plot developments, character delineation, and scientific detail, all relayed in Tempe's smart, breezy, sarcastic voice. In fact, Bare Bones has a few too many characters and plot lines for Reichs--or most readers--to keep perfect track of. But it's a fun ride anyway, enlivened by some steamy romantic scenes and some fascinating, appalling information about the illicit trade in endangered wildlife (did you know that bears' gall bladders fetch more money per ounce than cocaine?). Bare Bones is a crisp, enjoyable read that cements Kathy Reichs's standing as the best forensic-thriller writer at work today. --Nicholas H. Allison

From Publishers Weekly
Feisty forensic anthropologist Temperance (Tempe) Brennan is supposed to be on vacation, but body parts keep turning up. At the start of her sixth adventure, she's awaiting the arrival of her current flame, Quebecois sleuth Andrew Ryan, so she can head for the beach near her hometown of Charlotte, N.C. Before he shows up, she's called in to use her world-class forensics skills when a local janitor's infant granddaughter is found dead and charred in an oven. Then some strange, decomposing remains (" `Human?' `I'm not sure' ") are discovered by Brennan's dog during a barbecue at a local lakeside resort. Ryan finally arrives, but Brennan's vacation is indefinitely put on hold when a small plane crashes nearby. Two people are dead, and her expertise is required yet again ("The skull had suffered massive communitive fracturing on impact. The fire had done the rest"). Brennan eventually realizes that all three cases are linked to a drug-smuggling ring that also dabbles in poaching exotic animals. As she pursues her investigations, she is forced to work with "Skinny" Slidell, a redneck cop who rubs her the wrong way, but tension is defused by the presence of Ryan, who gamely gives up his vacation to pitch in. He matches Brennan quip for quip, and Tempe's dog, Boyd, provides extra comic relief. Reichs has built a reputation on cut-to-the-chase writing and swift plotting, and this latest effort delivers everything her fans have come to expect.
Copyright 2003 Reed Business Information, Inc.

From Booklist
A giant step up from her lackluster Grave Secrets (2002), Reichs' latest puts her right up there with Patricia Cornwell's early Kay Scarpetta mysteries. The similarities are obvious--single woman forensic specialist (Reichs' character is Tempe Brennan, who splits her time between North Carolina and Canada) with a daughter, a romantic interest, a generally repellent but perspicacious detective in the background, and an abundance of gory detail and science fact. This time Tempe is in North Carolina, poking her keen investigative nose into what seems at first to be an alarmingly sprawling mess that includes everything from bear bones to a headless corpse. But unlike in Grave Secrets, Reichs manages to pull mostly everything together here (though not without a quick fix or two), and her character's dedication, intelligence, dry wit, and femininity (her romance with Andrew Ryan, lieutenant-detective of the Surete du Quebec, takes a pleasant leap forward) really shine through. A comeback that's definitely hard to put down. Stephanie Zvirin
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

31 of 33 people found the following review helpful.
Hands Accross the Grave
By Marc Ruby™
This is another of Kathy Reichs painstakingly plotted stories about Dr. Temperance Brennan, who like the author, manages to be a forensic anthropologist practicing in both Montreal and Charlotte, North Carolina. This time Brennan is in Charlotte, coping with a burnt newborn infant, an unusual plane crash, bones in the privy, and a whole host of other misadventures that spell trouble no matter how you arrange them. To make things more complicated, Brennan is spending time with Andrew Ryan, a detective with the Montreal police. And lest I forget, Katy, her daughter is in love, and Temperance isn't sure if it's her intuition or mother hen instincts, but she is not completely sure of the suitor.
Typical of Reichs, she gradually weaves these disparate threads together into a tightly linked whole, climaxing in an ending which isn't completely surprising, but which takes the reader through a bit of a rollercoaster rider on the way to the conclusion. Also typical of the writer, there are countless tiny forensic details to distract, baffle, and, eventually, illuminate the reader. Of course, people who read forensic mystery stories dote on details, and Temperance Brennan seems to have a library full of unusual information
This story has a bit more action in it than is the norm for Reichs. It is so complicated that Brennan is perpetually changing scenes and crimes. The effect is to make the story interesting, although just a mite too hard to follow. The advancing love interest gives the tale an interesting spin. Her feelings for Ryan have never been particularly secret, but they come pretty much out of the closet in this story. I can't say that I personally enjoy all of Tempe's admiration for her handsome lover, but the relationship never becomes the driving force behind the story, as it has with other authors..
Reichs has always been compared to Pat Cornwell, and, despite obvious differences, appeals equally to the same audiences. Cornwell's fault was that she fell into the trap of making her character into the plot to the exclusion of the real plot. So far, Reichs has managed to avoid that pitfall while still managing to make Temperance Brennan into a real person. Hopefully she will keep this up, and we won't have to cope with the litany of woes that followed Kay Scarpetta.

14 of 14 people found the following review helpful.
Good -- except for the product placement and politics
By N. Lee
I found Bare Bones to be a quick and easy summer read. Enough action and plot to keep me decently interested and some interesting information along the way.

My two major sticking points, and minor one, are the incessant product placement (Diet Coke, Sam Adams, Diet Coke, Fig Newtons, Diet Coke, Heineken, Diet Coke... did I mention Diet Coke?) and the chapter-long environmentalist soap box that is the final chapter. Yes, poaching is bad. Using endangered species for profit is bad. We got that in the main body of the story, Reichs should have rethought the overkill (pun intended).

Also, a lot of readers have mentioned how whiny Tempe is and I must concur. Yet another comparison that can be made between Tempe and Scarpetta (of Pat Cornwell's novels). Not as bad in Bare Bones, but it was definitely there. And Ryan's cowboy act has GOT to GO.

Despite my criticisms, Bare Bones is a pretty fun read, with interesting characters and some nice witty moments. Reichs knows her stuff, and if sometimes it comes off a little textbook-ish (as one reviewer complained) it's only because she wishes more people really knew the real work that anthropologists and law enforcement officers do -- not just what's on TV. I'm looking forward to settling in with another Reichs novel soon.

10 of 10 people found the following review helpful.
confusing and unengrossing
By A Customer
Like others, I found too many characters, sub-plots, and confusing detail to be able to get engrossed. I suspect the author did too, as she twice resorted to having her characters review the situation thus far, on one occasion, having Tempe write a character and event list - a device I found clumsy. Disappointingly she also seemed to end several chapters with a line that set the scene for an exciting big "event" to apparently immediately follow - that didn't. Well, not until later, by then too late, and a bit disappointing. The author also over uses the "eye rolling" lines - they are in almost every other chapter. Finally, the end rant was overkill (excuse the pun). As another reviewer suggested, it would have been better confined to an epilogue. I did however, very much like her descriptions of the dog, Boyd/Hooch, I thought those very funny, well observed, and uncontrived. Full of worthy aspirations, sorry to say I found this book quite a disappointing addition to an otherwise first class, enjoyable series.

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Selasa, 07 April 2015

^^ Ebook Download Zeke and Ned, by Larry McMurtry, Diana Ossana

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Zeke and Ned is the story of Ezekiel Proctor and Ned Christie, the last Cherokee warriors -- two proud, passionate men whose remarkable quest to carve a future out of Indian Territory east of the Arkansas River after the Civil War is not only history but legend. Played out against an American West governed by a brutal brand of frontier justice, this intensely moving saga brims with a rich cast of indomitable and utterly unforgettable characters such as Becca, Zeke's gallant Cherokee wife, and Jewel Sixkiller Proctor, whose love for Ned makes her a tragic heroine.
At once exuberant and poignant, bittersweet and brilliant, Zeke and Ned takes us deep into the hearts of two extraordinary men who were willing to go the distance for the bold vision they shared -- and for the women they loved.

Sales Rank: #652153 in Books
Brand: Brand: Simon n Schuster
Published on: 2002-12-03
Released on: 2002-12-03
Original language: English
Number of items: 1
Dimensions: 8.00" h x 1.30" w x 5.25" l, .78 pounds
Binding: Paperback
416 pages

Features

Used Book in Good Condition

Amazon.com Review
With this new historical Western, Larry McMurtry returns to the genre in which he created such memorable characters as Augustus McCrae and Woodrow Call. In collaboration with Pretty Boy Floyd coauthor Diana Ossana, he dramatizes the Cherokee struggle for independence following the Civil War. Ezekiel Proctor and Ned Christie are the last Cherokee warriors, men of legend and history, whose fates are a consequence of such brutal policies as the Indian Removal Act of 1830 and the infamous Trail of Tears. They struggle to find honor in a harsh, violent land under the relentless pressure of white law and broken promises. Every bit as tough as their men, the women in Zeke and Ned are determined to raise their families and keep the two men alive--whatever it takes.

From Library Journal
McMurty and Ossana employ a technique they used successfully in Pretty Boy Floyd (LJ 9/1/94), in which a historical character of legendary proportions become the hero of a modern work of fiction. This work focuses on Zeke Proctor and Ned Christic, Cherokee Indians who became folk heroes in the Oklahoma Territory during the 1890s. Unforgiven wrongs that festered since the removal of the Cherokee Nation from Georgia in the 1830s become a moving force in the story of a casual love affair gone awry and the bloody feud and even bloodier legal actions that transpire when federal judges intervene. McMurty paints Zeke's courtship, murder trial, and marriage debacle with broad humor, and Ossana takes the story home with Ned's four-year standoff of armed federal marshals dispatched to take him dead or alive. A wonderfully readable historical novel that furthers the understanding of the Native-white disputes of the last century. Recommended for most collections.
-?Thomas L. Kilpatrick, Southern Illinois Univ. Lib., Carbondale, Ill.
Copyright 1997 Reed Business Information, Inc.

From Booklist
A romping, stomping time is offered in McMurtry's latest shoot-'em-up, the second in collaboration with Ossana, their first being Pretty Boy Floyd (1994). In the Oklahoma Terrritory, as the nineteenth century enters its final stretch, the bullet is the deliverer of frontier justice and injustice. Two Native Americans, Zeke Proctor and Ned Christie, find themselves on the wrong side of the law--the law of white folks, that is--and as desperadoes in the eyes of some and as heroes in the eyes of others, they take their stands and fight to the finish. With a simple but simply eloquent style--"He looked miserable as a wet dog on a cold day" --the authors fashion two main characters and a sizable number of secondary ones, showing considerable affection and nuance and displaying as much knowledge of the time period as skill in composing a fast-paced narrative. Superb popular fiction that is bound to be heavily requested. Brad Hooper

Most helpful customer reviews

0 of 0 people found the following review helpful.
Extremely Readable
By Steve Hancock.
My first Larry McMurtry book after seeing all his movies. So well written. Could not put it down. Great character development. Would recommend this book to anyone. Me...I'm off to next McMurtry book.

0 of 0 people found the following review helpful.
Five Stars
By Harry
This was another excellent book by Larry McMurty

15 of 17 people found the following review helpful.
Another McMurtry/Ossana Success
By A Customer
What an incredible tale of human suffering, compassion, forgiveness, begrudgement, and triumph--depending on your perspective of course. Ned Christie is the classic tragic hero. His greatest flaw is intertwined with his greatest strength (vengence/tenacity). Yes, there is saddness in the bleak lives that Ned and Jewel have been thrust into, but there is a romantic inspiration in their steadfastness also. These characters are real, gripping, amiable. I particulary enjoyed the switch to the first person voice in the last part of the book. Zeke and Ned is an adventure you don't want to miss.

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Senin, 06 April 2015

@ Download Down by the River: Drugs, Money, Murder, and Family, by Charles Bowden

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Lionel Bruno Jordan was murdered on January 20, 1995, in an El Paso parking lot, but he keeps coming back as the key to a multibillion-dollar drug industry, two corrupt governments -- one called the United States and the other Mexico -- and a self-styled War on Drugs that is a fraud. Beneath all the policy statements and bluster of politicians is a real world of lies, pain, and big money.
Down by the River is the true narrative of how a murder led one American family into this world and how it all but destroyed them. It is the story of how one Mexican drug leader outfought and outthought the U.S. government, of how major financial institutions were fattened on the drug industry, and how the governments of the U.S. and Mexico buried everything that happened. All this happens down by the river, where the public fictions finally end and the facts read like fiction. This is a remarkable American story about drugs, money, murder, and family.

Sales Rank: #136527 in Books
Published on: 2004-01-08
Released on: 2004-01-08
Original language: English
Number of items: 1
Dimensions: 8.44" h x 1.20" w x 5.50" l, .93 pounds
Binding: Paperback
464 pages

From Publishers Weekly
In January 1995, Lionel Bruno Jordan was shot dead in the parking lot of an El Paso, Tex., K-Mart. A police investigation concluded that it was a botched carjacking; a 13-year-old Mexican was charged and convicted. Bruno's brother Phil, a rising DEA official, suspected the murder had to do with his drug- busting work, but his attempts to get the agency to investigate were blocked at every turn. Exploring this mystery, prize-winning author Bowden weaves an intricate tale of treachery, deceit, corruption and death on both sides of the U.S.-Mexico border. The Mexican government was implicated in the drug trade all the way up to the office of then-president Carlos Salinas, and Bowden talks with former Mexican officials who fled to the U.S. to avoid being killed off. Phil Jordan was drawn into a life of casino gambling in a vain attempt to raise enough money to pay off Mexican officials and get them to talk. Bowden also tracks the exploits of Mexican drug lord Amado Carrillo, based right across the border from El Paso in Ju rez, who more than likely ordered a hit on Bruno. Bowden maintains an intense noirish tension throughout, though some may find his use of interior monologue irritating at times (particularly when he puts the reader inside the mind of the dead man, Bruno). Still, that doesn't mar a dramatic detective story and a biting critique of the U.S. war on drugs.
Copyright 2002 Reed Business Information, Inc.

From Library Journal
Journalist Bowden uses a 1995 drug-related murder case (the reputed hit man was 13 years old) to explicate the drug war in this country and beyond.
Copyright 2002 Reed Business Information, Inc.

From The New Yorker
This brutal and brilliantly reported account of life in the drug trade on the Mexican-American border turns the story of one El Paso family into an excavation of the relationship between commerce and corruption. For Bowden, Mexico is a place where narcotics money can buy anything, including access to the highest reaches of government, and where the flow of drugs is one of the only things keeping the economy afloat, while America—with its insatiable demand and its ready cash—is the engine that keeps the system running. Bowden has never met a conspiracy theory he didn't like, and his overwrought prose has a paranoid air, substituting loosely connected assertions for coherent argument. But his characters—including a D.E.A. agent who has gone off the rails and a drug lord who suddenly finds himself dispensable—are remarkably vivid, and he captures the way greed, ethnicity, and an old-school emphasis on honor interact to create a world in which violence is the only constant.
Copyright © 2005 The New Yorker

Most helpful customer reviews

27 of 28 people found the following review helpful.
What else is there to read that could possibly tell you more
By Seven Zero
Why would someone take 7 years of their life to write a book? Find out and read this book. It's not fiction, but when you read about the lives of those affected, including the author, you will wish it was. You won't want to think too long about how great amounts of money can change the way things should be. How money levers the honest officials in other countries and the U.S. into submission or how it lifts the greedy into powerful positions will shake you. The amounts of that money will be beyond comprehension. Want to know how the soldiers in the war on drugs are regarded and treated by those you think are their best advocates. Will the war ever be won or even end? This book will hold your attention, I highly recommend it.

0 of 0 people found the following review helpful.
looked very interesting
By Amazon Customer
It was. Gift

15 of 15 people found the following review helpful.
Shocking slice of reality
By Don H. Ford Jr.
As a former participant in the drug war (on the wrong end), I will assure you this is an accurate portrayal. Participants on both sides of the issue are decimated, and people prefer to bury their heads and hide from this reality, a reality that may be the most critical problem facing our nation.
This book is extremely well written. My hat is off to Mr. Bowden.

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Senin, 30 Maret 2015

~ Free PDF The Cyanide Canary, by Joseph Hilldorfer, Robert Dugoni

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"The Cyanide Canary" is the riveting true story of a horrific crime -- of a brave young man left for dead, an unscrupulous business mogul, and the relentless EPA investigator who fought to overcome injustice.

On a crisp summer morning in Soda Springs, Idaho, twenty-year-old Scott Dominguez kissed his fiance e goodbye and went to work for Allan Elias, the owner of Evergreen Resources, an enterprise Dominguez thought was in the business of producing fertilizer from mining waste. A former high school wrestler blessed with Tom Cruise-like good looks, Dominguez seemed to have unlimited potential, but by eleven o'clock that morning he was fighting for his life, pulled unconscious from a cyanide-laced storage tank and not expected to live through the night.

In Seattle, Special Agent Joseph Hilldorfer of the Environmental Protection Agency was given the job of finding out what happened to Dominguez and why. Initially Hilldorfer did not want the case, still frustrated by an intense two-year investigation that concluded with corporate polluters walking out of a federal courthouse free. But as he learned more, Hilldorfer, the son of a Pittsburgh cop with a blue-collar work ethic, was touched by Scott's suffering and outraged at Elias's callous disregard for his employees' well-being.

Hilldorfer and his partner, Special Agent Bob Wojnicz, joined forces with seasoned Boise Assistant U.S. Attorney George Breitsameter and an indefatigable, brilliant young attorney from the Department of Justice's Environmental Crimes Section named David Uhlmann. Together they would uncover the horrifying truths and build the criminal case against Elias.

A former New York whiz kid and Arizona realestateand business mogul, Elias owned businesses that had polluted Idaho with hazardous waste for nearly a decade. Yet Elias never spent a single day in jail, openly boasted of beating the environmental quality regulations, and avoided any significant fines. Would this case be any different?

Hilldorfer, Uhlmann, and the government trial team embarked on an epic courtroom battle that would stretch them to the limits. What began as a struggle for justice for one young man became a fight by the EPA for its very ability to enforce the nation's environmental laws and to bring environmental polluters to justice. In the balance was whether Allan Elias would ever spend a day in jail.

Gripping, powerful, and compulsively readable, "The Cyanide Canary" is a major achievement in the classic tradition of "A Civil Action," a book that unfolds like fiction yet is alarmingly true.

Sales Rank: #430722 in Books
Published on: 2004-09-14
Original language: English
Number of items: 1
Dimensions: 1.16" h x 6.26" w x 9.24" l,
Binding: Hardcover
352 pages

From Publishers Weekly
The title refers to the cyanide in a tank that left Scott Dominguez, a worker at an Idaho plant, brain-damaged after an accident in 1996. As in a good thriller, the accident takes place in the first few pages, and the rest of the book is devoted to the legal case that followed. Dugoni, a freelance writer, and Hilldorfer, one of the Environmental Protection Agency investigators in the case, leave no doubt about who the bad guy is in this story: he’s the plant’s owner, Allan Elias, who had a long history of skirting the law in environmental matters. Using the memories of Hilldorfer and others involved in prosecuting the case, the authors build their story. They drive the narrative well in the book’s first half (they’re particularly strong in portraying the personalities of both the investigators and the witnesses in the case), but the story loses momentum when the case comes to the courtroom. The trial is depicted blow-by-blow, and, until the verdict is given, some of the outrage of the earlier pages is lost amid the minutiae of the legal system. Still, this book successfully fleshes out the excitement and the difficulty of prosecuting environmental criminals in the U.S.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* At the core of this enthralling legal drama is a 250-gallon storage tank containing cyanide. On August 26, 1996, a 20-year-old worker at a fertilizer plant in Soda Springs, Idaho, was ordered to clean the tank, which he and other workers believed contained only dirt and water. The worker, who was told he needed no safety equipment for the job, was overcome by fumes and emerged severely brain damaged. Hilldorfer, an environmental-crime specialist for the EPA, and writer Dugoni retrace the EPA's effort to uncover what led to the accident and to bring the responsible parties to justice. Before Hilldorfer's campaign, environmental crimes were largely ignored or, when brought to trial, resulted only in pro-forma wrist slaps. This account engages the reader, evoking both outrage over worker safety and suspense over the outcome of the trial. The authors combine accounts of Hilldorfer's own experiences (he appears as a character in the book) with interviews, sworn trial testimony, court transcripts, and newspaper articles to tell a fully rounded, gripping story of how environmental crime is prosecuted in the real world. The title of the book is especially apt: it refers both to the old miners' practice of bringing canaries into mines as early warning systems of poisonous gases and to the fate of the brain-damaged worker, whose plight may yet save others. Connie Fletcher
Copyright © American Library Association. All rights reserved

Review
Ann Rule, author of "Green River, Running Red" and "Heart Full of Lies"

An engrossing true account of a horrific crime that affects every one of us, this book is as compelling as any brilliantly written murder mystery. You will pull for the "good guys" and be stunned by the conscienceless avarice of "the poisoner." This is a roller-coaster ride of a book where you won't know if the ending will be just or a travesty of fat cats who despoil and move on, leaving permanently damaged victims behind. Powerful and heartbreaking, it is a must-read for every American who cares about our environment, and especially for those who won't smell a deadly waft of bitter almonds until it is far too late.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Legal thriller... And so much more!
By Dr. Priscilla A. Glidden
Fantastic story that I could not put down. Told quite objectively and very well documented, it somehow managed to fill its pages with emotional content as well, making one feel that you were there....in the courtroom, in Scott,s family home, and in the field. An amazing cast of folks from all walks of life are kept well sorted and described until you feel you know them (i.e. Stay with it thru the first few chapters). Twists and turns throughout. But most of all, this legal thriller provides deep insight into the history of a key case that illustrates the challenges faced by the US government agencies and courts that cope with one of the most difficult issues of our time: environmental crimes.

0 of 0 people found the following review helpful.
It makes you want to reach in and strangle Eliason ...
By Amazon Customer
It makes you want to reach in and strangle Eliason Allen. Living in this area gives a whole new perspective of the people involved that still live here.

0 of 0 people found the following review helpful.
Four Stars
By michael d. nesse
Read this book and decide whether or not government regulations on mining and other industries are necessary.

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Minggu, 29 Maret 2015

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The first edition of W. B. Yeats's The Tower appeared in bookstores in London on Valentine's Day, 1928. His English publisher printed just 2,000 copies of this slender volume of twenty-one poems, priced at six shillings. The book was immediately embraced by book buyers and critics alike, and it quickly became a bestseller.
Subsequent versions of the volume made various changes throughout, but this Scribner facsimile edition reproduces exactly that seminal first edition as it reached its earliest audience in 1928, adding an introduction and notes by esteemed Yeats scholar Richard J. Finneran.
Written between 1912 and 1927, these poems ("Sailing to Byzantium," "Leda and the Swan," and "Among School Children" among them) are today considered some of the best and most famous in the entire Yeats canon. As Virginia Woolf declared in her unsigned review of this collection, "Mr. Yeats has never written more exactly and more passionately."

Sales Rank: #830648 in Books
Model: 940349
Published on: 2004-01-20
Released on: 2004-01-20
Original language: English
Number of items: 1
Dimensions: 7.50" h x .50" w x 5.13" l, .36 pounds
Binding: Paperback
160 pages

About the Author
William Butler Yeats is generally considered to be Ireland’s greatest poet, living or dead, and one of the most important literary figures of the twentieth century. He was awarded the Nobel Prize in Literature in 1923.

Excerpt. © Reprinted by permission. All rights reserved.
Introduction

A last-minute shopper entering a London bookstore on Valentine's Day in 1928 with six shillings to spend on a gift for his or her beloved could hardly have made a better investment -- either poetically or financially -- than one of the 2,000 copies of a volume Macmillan & Co. had published that morning: The Tower by W. B. Yeats. Twenty-one poems in 104 pages; six pages of notes; olive green cloth with a design by T. Sturge Moore stamped in gold on front and spine, also reproduced on the dust jacket. No illustrations, no book club dividends: simply one of the seminal volumes of Modern Poetry, indeed of poetry in English as we know it. Doubtless not every lyric is a masterpiece, but how often have we been given between two covers such "monuments of magnificence" as "Sailing to Byzantium," "Leda and the Swan," and "Among School Children" -- not to mention "The Tower," "Meditations in Time of Civil War," "Nineteen Hundred and Nineteen," or "Two Songs from a Play"? "A thing never known again," indeed.

The gestation of The Tower was a long process. A draft of "The New Faces" was sent to Lady Gregory on 7 December 1912; a draft of "From 'Oedipus at Colonus'" was sent to Olivia Shakespear on 13 March 1927. Yeats began to publish the poems that would form The Tower in journals as early as March 1921 and in book form the following year: Seven Poems and a Fragment, an edition of only 500 copies by the Cuala Press, the private press run by his sisters. Two more Cuala Press volumes would follow -- The Cat and the Moon and Certain Poems (1924), again in a printing of only 500 copies; and October Blast (1927), one of the rarest of all Cuala publications, only 350 copies. The single poem in The Tower not previously published would be "Colonus' Praise." Finally, on 16 September 1927, Yeats submitted copy for the volume to Macmillan:

I send you...the manuscript of 'The Tower.' Feeling that it was exaggerated in certain directions I continually put off sending it, but I cannot delay any longer. If, when you have received the Manuscript, you think the book too small, or have any fault to find, please delay it for a few months.

Yeats went on to explain that he was writing a series of poems for a limited American edition (The Winding Stair, 1929) and that these could be added to The Tower in a year. Seldom has a Nobel Laureate been quite so diffident about his latest work.

Although the Cuala Press Michael Robartes and the Dancer (1921) had been included in Later Poems (1922), Macmillan had not published a major new volume of Yeats's poetry since The Wild Swans at Coole (1919). It is thus not surprising that the publisher gave little heed to Yeats's reservations about The Tower and instead put the book into production, with publication on 14 February 1928. The volume quickly sold out, and a second impression was issued in March. In July 1929 Macmillan published a third impression with some corrections. An edition by Macmillan, New York, appeared on 22 May 1928, with a second impression in January 1929.

As usual, Yeats treated The Tower as a unique work, not simply a collection of poems. The order of the poems was anything but chronological, either in terms of composition or of the events depicted. For instance, the second poem written and the first published, "All Souls' Night," was placed last. "Meditations in Time of Civil War," describing the violence in Ireland of 1922-23, precedes "Nineteen Hundred and Nineteen." A poem that concludes with the story of Christ, "Two Songs from a Play," is followed by one that describes the union of Leda and Zeus.

Yeats's interest in The Tower as a separate work of art extended to the physical book itself. Once the arrangements for the volume had been made with Macmillan, he enlisted his friend T. Sturge Moore, a writer and artist, to undertake the design, writing him on 23 May 1927:

I want you to design the cover -- design in gold -- and a frontispiece. The book is to be called The Tower, as a number of the poems were written at and about Ballylee Castle. The frontispiece I want is a drawing of the castle, something of the nature of a woodcut. If you consent I will send you a bundle of photographs. It is a most impressive building and what I want is an imaginative impression. Do what you like with cloud and bird, day and night, but leave the great walls as they are.

Moore immediately agreed. Yeats sent him some poems and photographs and made the further suggestion that "the Tower should not be too unlike the real object, or rather that it should suggest the real object. I like to think of that building as a permanent symbol of my work plainly visible to the passer-by. As you know, all my art theories depend upon just this -- rooting of mythology in the earth" (LTSM 114). Yeats approved of Moore's design of the Tower reflected in the adjacent stream, telling him, "It is interesting that you should have completed Tower symbolism by surrounding it with water" (LTSM 111). Unfortunately, because of some lost or misdirected correspondence, Moore failed to produce a frontispiece. But when Yeats received a copy of the volume, he wrote Moore from Rapallo on 23 February 1928, "Your cover for The Tower is a most rich, grave and beautiful design, admirably like the place..." (LTSM 123).

Yeats's earliest recorded comment on the book as a whole was made in a letter to Lady Gregory on 24 March 1928: "The Tower astonishes me by its bitterness." On 25 April 1928 he told Olivia Shakespear, "Re-reading The Tower I was astonished at its bitterness, and long to live out of Ireland that I may find some new vintage. Yet that bitterness gave the book its power and it is the best book I have written."

Although there was the odd dissenting voice, by and large the reviewers were in accord with Yeats's judgment on his achievement. Writing to Yeats less than two weeks after publication, Lennox Robinson commented that "'The Tower' seems to be getting wonderful notices, the Observer has it as a 'best seller'....and the Independent this morning is extraordinarily intelligent." Yeats himself told Lady Gregory on 1 April 1928 that "Tower is receiving great favour. Perhaps the reviewers know that I am so ill that I can be commended without future inconvenience....Even the Catholic Press is enthusiastic" (L 740). Likewise, he wrote Olivia Shakespear on 25 April 1928, "The Tower is a great success, two thousand copies in the first month, much the largest sale I have ever had..." (L 742). In an unsigned review in The Times Literary Supplement for 1 March 1928, for example, Austin Clarke found in The Tower "a freedom of the poetic elements, an imaginative and prosodic beauty that brings one the pure and impersonal joy of art"; he also praised "the delightful cover design of this book." Writing in The Criterion for September 1928, John Gould Fletcher offered The Tower as evidence that Yeats "corresponds, or will correspond, when the true literary history of our epoch is written, to what we moderns mean by a great poet." In The New Republic for 10 October 1928 Theodore Spencer noted that "on the whole, the poems in this book are among the finest Mr. Yeats has written" and that "many...will remain a permanent part of English poetry." In sum, the consensus of both the reviewers and most later critics and readers of Yeats's poetry is well represented by Virginia Woolf's judgment in an unsigned review in The Nation & Athenaeum for 21 April 1928: "Mr. Yeats has never written more exactly and more passionately."

Most other poets would have been more than content with such acclaim, and the story of The Tower would have ended. But Yeats as usual was not content, and over the next five years he would make significant changes to the volume, so much so that readers who know The Tower only from its final version will find this facsimile edition more than a little surprising.

For the 1929 third impression Yeats made only minor changes, some as small -- but telling -- as the addition of a hyphen in "moon-luminous" ("Meditations in Time of Civil War," III.10), some more significant, such as that to lines 5-6 of "Sailing to Byzantium." The text in 1928 is virtually unpronounceable:

Fish flesh or fowl, commend all summer long

Whatever is begotten born and dies.

One is tempted to think that both Yeats and the proofreader at Macmillan had nodded off, but in fact the exact same version had appeared a year earlier in October Blast, and on the proofs of that volume Yeats made a correction elsewhere in the first stanza of the poem but left these lines untouched. A second version appeared when the poem was used as the epigraph in Stories of Red Hanrahan and The Secret Rose (1927):

Fish, flesh or fowl, commend all summer long

Whatever is begotten born and dies.

This is arguably worse, and one is again tempted to assume somnolence. However, on 10 September 1927 Yeats had written Macmillan, "I return the proof of the poem, which is now correct. Through vacillation over the punctuation of the first stanza I have made a blotted proof but I think it is clear." So it was not until the 1929 version of The Tower that we are offered what surely seems the inevitable version (even if grammarians would protest the comma after "fowl"):

Fish, flesh, or fowl, commend all summer long

Whatever is begotten, born, and dies.

Yeats's next opportunity to revise The Tower occurred in connection with the volume of Poems in the Edition de Luxe, a project that in the event would never see the light of day. Either when he submitted copy on 1 June 1931 or when he corrected two sets of proofs from June through September 1932, Yeats made only one change of note, but it is an important one: "From 'Oedipus at Colonus'" was removed from its placement after "The Three Monuments" and was now included as section XI of "A Man Young and Old." As the new conclusion to the sequence, the choral ode, with its celebration of "the silent kiss that ends short life or long" and its invocation of "a gay goodnight," ameliorates, or at least puts into a changed perspective, the "bitterness" of the original ending, in which the speaker lamented that "Being all alone I'd nurse a stone / And sing it lullaby."

With the Edition de Luxe in limbo, Yeats suggested to his publishers that they should bring out a regular edition of a Collected Poems, and they agreed. This provided another opportunity to revise The Tower, and Yeats did not fail to seize it. The most visible change of all was the removal of "The Gift of Harun Al-Rashid" to the "Narrative and Dramatic" section at the end of the book, where it became the final poem in the volume. In a letter of 30 March 1933, Macmillan had suggested such a two-part division for the new collection and had listed five candidates for the second section. Yeats quickly indicated that he was "delighted" with the proposal. "The Gift of Harun-Al-Rashid" had not been on Macmillan's list, but it was nevertheless absent from The Tower when the Collected Poems was published in London on 28 November 1933, in an edition of 2,040 copies. Whether this was based on a later suggestion by Macmillan or was Yeats's own idea is unknown. (My guess is the latter.) In any case, Yeats in effect replaced "The Gift of Harun Al-Rashid" with the inclusion of an entirely new poem, "Fragments": part I had been published in an essay in the Dublin Magazine for October-December 1931; part II was taken from a draft of the Introduction to The Resurrection. From a biographical perspective, "The Gift of Harun Al-Rashid" is a veiled tribute to the automatic writing and other activities by Mrs. W. B. Yeats that produced the materials for A Vision (1925). Its placement at the end of the Collected Poems was thus altogether appropriate. "Fragments" is a fanciful epitome of the longer poem, with Mrs. Yeats quite literally the "medium" who provided Yeats with the "truth" that A Vision would present:

I

Locke sank into a swoon;

The Garden died;

God took the spinning-jenny

Out of his side.

II

Where got I that truth?

Out of a medium's mouth,

Out of nothing it came,

Out of the forest loam,

Out of dark night where lay

The crowns of Nineveh. (P 217-18)

Yeats situated "Fragments" in a rather important position, between "Two Songs from a Play" and "Leda and the Swan," displacing "Wisdom" to follow "Colonus' Praise." He made two other major changes to The Tower: he added to "Two Songs from a Play" a fourth stanza, first published in Stories of Michael Robartes and His Friends (1932); and he deleted the first seventeen lines of "The Hero, the Girl, and the Fool," printing the final ten lines as "The Fool by the Roadside," the form used in A Vision (1925).

Yeats had one more opportunity to revise The Tower, in June 1937 when he submitted copy for another never-to-be-published project, the Scribner Edition; but for once he restrained himself. Thus from 1933 onward, The Tower was understood to be the form included in the Collected Poems. It is a fundamentally different volume from that first published. This present edition allows readers access to the original version, with unadorned texts and only the handful of Notes provided by Yeats. Perhaps it will also enable us to imagine how someone opening the pages of The Tower for the first time on Valentine's Day in 1928 would have received the masterful poems therein.

Copyright © 2004 by Simon & Schuster, Inc.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Mediocre quality of text
By Charles P. Leder
The text is of poor quality--so many typos that it's distracting. Same with the formatting. You get what you pay for!

3 of 3 people found the following review helpful.
One character per line makes this unreadable
By R. Thornhill
The format is such that there's one character per line. Literally unreadable. Sure, the price is cheap, but not even worth a free download in this format.

4 of 5 people found the following review helpful.
Buy the hard copy edition
By Amazon Customer
One of the most glorious collections of poetry ever. Don't spoil the experience by attempting to read it on a screen. The paperback is handsomely done, and these superb poems deserve your full attention. Presentation matters with poetry, especially poetry of this quality.

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Jumat, 27 Maret 2015

> Free Ebook Monarch: The Life and Reign of Elizabeth II, by Robert Lacey

Free Ebook Monarch: The Life and Reign of Elizabeth II, by Robert Lacey

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For more than fifty years, Elizabeth Alexandra Mary Windsor -- who became Elizabeth II, Queen of England on February 6, 1952 -- has been loved and loathed, revered and feared, applauded and criticized by her people. Still she endures as a captivating figure in the world's most durable symbol of political authority: the British monarchy.
In Monarch, a meticulously detailed portrait of Elizabeth II as both a human being and an institution, bestselling author Robert Lacey brings the queen to life as never before: as baby "Lilibet" learning to wave to a crowd in the Royal Mews; as a child "ardently praying for a brother" so as to avoid her fate; as a young woman falling in love with and marrying her cousin Philip; and as the mother-in-law of the most complicated royal of all, Princess Diana.
Updated with new material to reflect the 2002 Golden Jubilee and the passing of the Queen Mum -- and featuring dozens of photographs, a family tree of the Hanoverian-Windsor-Mountbatten families, and a map that charts the location of royal castles -- Monarch is an engaging, critical, and celebratory account of Elizabeth's half-century reign that no reader of popular history should be without.

Sales Rank: #2413624 in Books
Published on: 2003-05-13
Released on: 2003-05-13
Original language: English
Number of items: 1
Dimensions: 8.44" h x 1.70" w x 5.50" l, 1.55 pounds
Binding: Paperback
496 pages

From Publishers Weekly
As a child, Princess Elizabeth longed "to live in the country with lots of horses and dogs." That dream came to a crashing end when her uncle, King Edward VII, followed his heart instead of his head, giving up the throne for an American divorcee. The princess's fate was sealed: not only was she destined to become Queen of England, but as Lacey shows in this skillfully constructed biography, nearly every upheaval of her otherwise quiet and dutiful 50-year reign would be the direct consequence of impetuous relatives putting personal needs above royal responsibility. It's all here: the romantic debacles of Di, Fergie, Margaret, Ann, Charles and Andrew, as well as Prince Philip's unfailing ability to insert his foot in his mouth ("How nice to be in a country that is not ruled by its people," he said to Paraguayan dictator Alfredo Stroessner in 1969). Through it all, there have been two constants: the Queen is pragmatic and restrained, and the media is all over every mucky story. Lacey, veteran royal historian and biographer (The Queen Mother's Century, etc.), writes with the cooperation of the Palace, and his portrait is sympathetic, but he also offers an incisive analysis of the development of royal media coverage (which started with Queen Victoria and the invention of the camera) and the relationship between the two powerful entities, setting this apart from and far above the average by-the-numbers royal bio.
Copyright 2002 Cahners Business Information, Inc.

From Library Journal
Although Lacey discusses Queen Elizabeth II's formative years and family life, his 16th book is not so much a biography as an examination of "the diminishing boundaries of [the royal family's] personal privacy" in the 20th century. Significant events, such as King George VI's death, Charles's and Andrew's doomed marriages, and the queen's financial status, are considered in light of how they are treated by the media and viewed by the public. Also highlighted are Mass-Observation, a volunteer organization used to measure the public's response to the royal family, and the intrusive tabloid press. Prince Charles cites the media's aggressive role in his rushed (and unfortunate) choice of a bride, and Lacey shows that Diana's own on-again, off-again relationship with the paparazzi served only to emphasize her insecurities. Plodding in parts, Lacey's work reveals little that is new about the queen, but it is a mature and thoughtful discussion of the public's evolving relationship with the British royal family. Recommended only for large public libraries with a special collection on the British monarchy. Isabel Coates, Canada Customs & Revenue Agency, Ont.
Copyright 2002 Cahners Business Information, Inc.

From Booklist
Readers made curious by the increasing press coverage here in the U.S and abroad of the celebrations occurring this spring and summer to mark the Golden Jubilee of Britain's queen Elizabeth II will be satisfied by William Shawcross' Queen and Country [BKL Mr 1 02], which provides an excellent overview. This new book by Lacey, a best-selling royal biographer, will please readers wanting a more in-depth look at the reign of the queen. The author tells, as compellingly as if writing fiction, the story of a "private and straightforward woman" who is nevertheless one of the most widely recognized individuals in the world. Exhibiting from childhood "an unflurried capacity to accept her unusual lot in life," the future queen grew up serious and conscientious--and, as she often insists, not as an actress who puts on publicity stunts. She learned the performance of a no-nonsense monarch at the knee of her father, George VI, but just as her mother, the much-loved Queen Mother, brought a certain style to the royal family, so did Prince Philip when he married the future Elizabeth II. Her daughter-in-law Diana also injected new lifeblood into the family, and Lacey is particularly edifying in his look at what went on behind palace doors when the Princess of Wales died and the royal family had to react to the outpouring of public grief. Motherhood may be the queen's weak point; nevertheless, she will be remembered for maintaining the integrity of the crown. A lively, fluid biography certain to be much requested. Brad Hooper
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

24 of 25 people found the following review helpful.
Reliable information, reliable sources
By shirley lieb
This book about the reign of QEII, goes behind the scenes and makes you feel a part of history, all without the tabloid style information that appear in some papers. Mr. Lacey's research is meticulous and his sources are close enough to the monarch that we knew these people witnessed the events first hand.
The book does a very good job of describing the situation that developed at the time of the death of Diana. It was interesting to find out that the queen herself approved of all of the plans for the funeral, many in fact were her idea. While not diminishing the role of Prince Charles in the arrangements, the queen and her staff were largely responsible for that memorable day.
It was also interesting to find out that Diana's sons had distanced themselves from her that summer because of her romance with Dodi. And also that her brother in law Sir Robert Fellowes was not the villian he has often portrayed to be in other books, where his feelings for Diana were concerned.
The history leading up to the accession of QEII is always fascinating and is well handled here in the book. The scenarios surrounding the plans for the coronation and her wedding give a real inside look at the royal family.
After reading this book, I was a little disappointed in some members of the family and staff, liked other even more and found a great respect for the woman herself. While she can be stubborn and dig in when the chips fall against her, she can also quickly see the light and move with the tide. Most particularly in the flag flap at the time of Diana's death.
I give high marks to this book. There is so much interesting history in the book that is can be read again and again and still hold the reader's interest.
On a more picky note, I found several mistakes in the book. On page xi of the Royal Who's Who, Edward the VII is listed as being made Prince of Wales at Caernarfon Castle in 1911. That would be Edward the VIII, since Edward the VII was already dead in 1911. On page 36, we have a coach careering around an area instead of careening. Lastly on page 151, they have Prince Phillip at 26 in 1946 and on the next page, age 24 in the same year.
Nevertheless, this book should entertain and inform all people who follow the lives of the royal family. There is a nice mix of political fact and the freshness of looking at last behind the palace walls. This book stays in my collection as a wonderful testament to the woman we are all more than a little curious about. Whether she is wrong or right about certain things, she cetainly has staying power.

12 of 13 people found the following review helpful.
Life in A Royal Fishbowl
By Sunnye Tiedemann
I've often wondered just what the Queen of England does. With no real governmental power and, seemingly at least, nothing much to do, hers looked (to me on this side of the pond)like a totally useless life.
Lacey's book doesn't answer my questions but it does seem that although she may not have the power of the President of the United States, she wields a power of her own that is just as important to her people. This book, however, focuses more on the person and her life than on her job.
"Lillibet" dreamed of a quiet life with horses and dogs and what she got was life in the fishbowl of royalty with horses, dogs, Parliamentary boxes and public scrutiny. Luxury, yes, but luxury well earned in terms of personal sacrifice. Where others triumph and suffer the "trials and tribulations" of living in quiet peace, Queen Elizabeth experiences much the same under the unforgiving -- and often misunderstanding -- glare of fame. It is not an enviable position.
Robert Lacey has a number of impressive biographies in his repertoire (THE LIFE AND TIMES OF HENRY VIII, ROBERT, EARL OF ESSEX and SIR WALTER RALEIGH, to name a few) and his work is imminently readable. MONARCH, The Life and Reign of Elizabeth II is not only beautifully written and researched, it's downright fascinating in its portrayal of a woman touched by destiny and pride. I can't help but hope he'll follow this by an equally beautifully written and thoroughly researched book on what she does.

9 of 10 people found the following review helpful.
Boring Parts + Fascinating Passages = Decent Biography
By Allyn
Obviously, Robert Lacey is a dedicated biographer. His book is characterized by research, depth, and scope. What's more, he doesn't resort to cheap sensationalism to add a few more chapters. Yet somehow, "Monarch" is still one of those books that doesn't just capture you and leave you gushing about how wonderful it was.

Lacey begins his book by attempting to chronicle the development of the "modern" royal family, beginning with reign of Queen Victoria and providing glimpses into several other monarchs' rule. It would be true to say that these "foundations" help one understand the current queen. Occasionally, this extended history lesson was just plain fascinating, too, imparting nuggets of history that any royal buff delights in.

Unfortunately, the history lessons definitely became too textbook-ish at times, too. Lacey has an extremely unfortunate habit of seeming to bring up every single name, place, and government activity when talking about an event. This leaves the reader with an overly long and dull account of event that could have been summed up much more interestingly.

The same analysis, to a lesser extent, holds true for the queen's own story in this book. At times, Lacey fabulously describes people and events, knows just where to place a well-chosen quote, and makes one want to read about the queen's life forever (as in the opening chapters about the queen's dealings with Diana's funeral). Yet the "bogged-down-in-boring-detail" problem still surfaced in this part (the parts dealing with the Margaret-Townsend affair were dry and too long).

Lacey is certainly to be commended for his obvious knowledge about the queen, and it is also fortunate for readers that he is able to convey his respect for the queen while still offering up intelligent, constructive criticism. If you really must read everything about the British royal family or the queen, this is a solid offering, yet other readers would probably enjoy Carolly Erickson's masterfully written "Lillibet" much more.

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Rabu, 08 April 2015

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Selasa, 07 April 2015

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Senin, 06 April 2015

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Senin, 30 Maret 2015

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Minggu, 29 Maret 2015

Ebook Download The Tower: A Facsimile Edition (Yeats Facsimile Edition), by William Butler Yeats

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Jumat, 27 Maret 2015

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