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Pretty Boy Floyd, by Larry McMurtry
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The time is 1925. The place, St. Louis, Missouri. Charley Floyd, a good-looking, sweet-smiling country boy from Oklahoma, is about to rob his first armored car.
Written by Pulitzer Prize winner Larry McMurtry and his writing partner, Diana Ossana, Pretty Boy Floyd traces the wild career of this legendary American folk hero, a young man so charming that it's hard not to like him, even as he's robbing you at gunpoint. From the bank heists and shootings that make him Public Enemy Number One to the women who love him, from the glamour-hungry nation that worships him to the G-men who track Charley down, Pretty Boy Floyd is both a richly comic masterpiece and an American tragedy about the price of fame and the corruption of innocence.
- Sales Rank: #1416097 in Books
- Brand: Brand: Simon n Schuster
- Published on: 2003-01-07
- Released on: 2003-01-07
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .90" w x 5.25" l, .86 pounds
- Binding: Paperback
- 384 pages
- ISBN13: 9780743230186
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Publishers Weekly
As plain and affecting as a Woody Guthrie ballad, this re-creation of the crooked career of the Depression-era desperado/folk hero is Pulitzer Prize-winner McMurtry's (Lonesome Dove) first collaborative effort; he and screenwriter Ossana originally wrote this story as a filmscript. In 1925, after foolishly paying with (ill-gotten) cash for a brand-new Studebaker and driving home to visit his teenage wife and infant son, 21-year-old Oklahoma farm boy Charles Arthur Floyd is arrested and imprisoned for armed robbery. Released after four years, Floyd loses his new job because he's an ex-con. Arrested twice for vagrancy, he returns to the outlaw life and meets rodeo rider-turned-bandit George Birdwell when both he and Floyd strut in to rob the same bank at the same time. The outlaws embark on a reckless spree marked by small-town heists and artless women until Floyd-captured and convicted but escaped-kills a deputy and Birdwell is shot dead by a bookkeeper during a bank robbery. Heading north, Floyd eventually becomes the quarry of legendary G-man Melvin Purvis. Told in homely prose that's perfectly wedded to its subject, this engaging tragicomic novel is as much a study of quiet desperation as of crime and punishment. 275,000 first printing; Literary Guild and Doubleday Book Club alternates; author tour.
Copyright 1994 Reed Business Information, Inc.
From Library Journal
McMurtry (The Evening Star, LJ 6/1/92) and screenwriter Ossana initially wrote a screenplay based on the life of Pretty Boy Floyd and then decided to expand the story into a novel. The novel retains the tone of a script: it's heavy on dialog and has little character development. Pretty Boy Floyd took on the status of a folk hero in the 1920s, but here he comes across as a cartoon. He's a petty criminal out of control, surrounded by women who can't resist him and stupid accomplices. The women are mostly whores with hearts of gold or long-suffering wives, eager for a few special moments with their man. While this is certainly not McMurtry's best work, his reputation should elicit demand for this novel in public libraries. [Literary Guild and Doubleday Book Club alternates.]-Jan Blodgett, Davidson Coll., N.C.
--Jan Blodgett, Davidson Coll., N.C.
Copyright 1994 Reed Business Information, Inc.
From Booklist
The media dubbed Charley Floyd "Pretty Boy Floyd" because folks said that for a bank robber he was a kindfaced and kindhearted man. McMurtry and Ossana, who have collaborated previously on screenplays, deliver a fictionalized though believable depiction of the charming outlaw. Charley pulls his first job in 1925 but gets busted and serves a short stint in the pen. Nevertheless, Charley soon improves his techniques with help from various bandits he meets along the way, and with the new mix of experience and finesse, he becomes an unstoppable and admired criminal. Things start to turn nasty, though, when murder becomes commonplace; after Dillinger is finally gunned down, the feds dub Charley public enemy number one. The simplicity and enchantment of the story fade as Charley's wife and son are endangered, not to mention the many friends and family members who helped him along the way. The full and lively minor characters give readers a personal connection that will take them by surprise, for such an allegiance is unusual in stories using this often-clich‚d setting. Mary Frances Wilkens
Most helpful customer reviews
0 of 0 people found the following review helpful.
Four Stars
By Alan R. Hill
None
11 of 12 people found the following review helpful.
FUNNY AND SAD...AND HIGHLY ENTERTAINING READ!!!
By mwyrick
I don't understand the review by the (supposed) professor...because I don't think he understood this is a work of FICTION. Though it's loosely based upon an historical outlaw, it is a story told by FICTION WRITERS. It was funny, sad, full of colorful, clever, original dialogue, that made me feel as if I knew these characters inside and out. Pretty Boy was considered a folk hero in the late twenties and thirties, professor sir. Read the novel in that context. I think that was the point of the authors--that this was a time and place they wanted to capture with their imaginations, to bring to life for those of us who weren't alive then (and to entertain those who were). It was a rough time, people were poor, hungry, the banks were the enemy because they put entire families out on the streets, with nothing. There was no welfare, no homeless shelters. It was a wild, rough time. I gave this book to my grandpa (a fine, upstanding man if there ever was one), who remembered Pretty Boy Floyd from his own childhood, and he LOVED it!!! If anything, this novel, by the end, shows us how a wrong turn in the road of life can change the course of our entire future...and how hard it is to ever go back...give it a chance, I don't think you'll be disappointed!!!!!
2 of 3 people found the following review helpful.
Alright for bed-time!
By Robert Jarvis (jarvis@uni-desa.com)
If you want to learn about the gangster/outlaw breed of Pretty Boy, Ma Barker, Baby Face, etc., & understand more about the forces that created them, forget about this book. Any story told in a pure narrative style, like this one, naturally lends itself to embellishments of the truth, wild assumptions & a good few gross exagerations. This one is no exception. The fact that certain characters' feelings & thoughts in their final moments of their death throws, are clinically & vividly described, says it all. Bottom line with Charley Floyd is that he thought himself too good to become a poor farmer & proved himself incapable of success at any other activity, legal or illegal. He was a thieving, violent, adulterous & under-achieving cry-baby, who, as we see from his choice of cranky, miserable & homicidal side-kicks (Birdwell excepted), was also an awful judge of character. The author however, paints him in such tender tones, that when Pretty Boy's tacky, unsuccessful life of crime comes to it's predictible violent close, I am half expecting to read in the book's Epilogue, of his elevation to sainthood. His great gifts were his good looks & his immense charm, especially with women. What a shame he didn't move West to take part in the then burgeoning Hollywood film industry, or even try his hand as a door-to-door saleman. He was an absolute natural for either. Be that as it may, the narrative style is racy & exciting. The chapters are short, making this a very undemanding, entertaining bed-time read. Sadly, the flimsyness of the content is likely to leave you real hungry in the morning!
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