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The Body: A Novel, by Hanif Kureishi
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After a bit you realize there's only one invaluable commodity. Not gold or love, but time How far are we willing to go to stay young? Hanif Kureishi - acclaimed author of The Buddha of Suburbia and Intimacy - explores the possibilities in this provocative story of an older man whose brain is surgically placed in a younger man's body by a network of underground doctors. Adam is offered the chance to trade in his sagging flesh for a much younger and more pleasing model. He tells his wife and son that he is going on an extended vacation. He immediately embarks on an odyssey of hedonism, but soon finds himself regretting what he left behind and feeling guilt over the responsibilities he has ignored. Sinister forces pursue him, wanting possession of "his" body, and he soon finds himself with nowhere to turn. "A fluent, socially observant writer whose sentences move with intelligence and wit" (The New York Times Book Review), Kureishi presents us with both a fantastically vivid tale and hard-hitting questions about our own relationships with our minds and bodies - and with time that is running out.
- Sales Rank: #976144 in Books
- Published on: 2011-04-01
- Released on: 2011-04-01
- Original language: English
- Number of items: 1
- Dimensions: 8.44" h x .40" w x 5.50" l, .47 pounds
- Binding: Paperback
- 160 pages
From Publishers Weekly
At once intriguing and preposterous, Kureishi's slender new novel starts off promisingly. Adam, the narrator, a famous writer in his 60s, is approached at a party by an attractive and mysterious young man named Ralph. Ralph claims to be an old man whose brain has been transplanted into a new, younger body. The bodies come from dead young people, whose deaths seem eerily convenient for those who want to become "Newbodies." At first Adam does not believe the story. But Ralph's entreaties are so convincing-and appealing-that Adam agrees to temporarily transplant his brain into the body of a man of 25. After all, "Who hasn't asked: Why can't I be someone else? Who, really, wouldn't want to live again, given the chance?" The science behind the idea is vague and silly, but Kureishi probably never meant it to be convincing. Instead, he sends Adam on various soul-searching journeys in his new body, which was "stocky and as classically handsome as any sculpture in the British Museum." Adam waxes on his life in a new body, has loads of hot sex and eventually settles at a spiritual retreat on a Greek island. But soon he yearns to return to his old body-warts and all-and to his wife and former life in London. But menacing forces conspire against him, and he soon realizes the grave consequences of his decision. The novel is too short and sketchy to fully explore the ramifications of its premise. Kureishi, through Adam, has many things to say about life in an alien body, but these musings never really cohere. And the creepiness of the setup, which could have made for spine-tingling reading, never amounts to much. Still, the writing, as in Kureishi's other novels (Intimacy; The Buddha of Suburbia), is crisp and precise, and the book should satisfy his fans until something more substantial comes along.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Kureishi's new novel employs the shopworn device of reporting what happens when part of one person is transplanted into another. In this case, an old man's brain is displaced into a young man's "facility," an extreme measure even in a time when, thanks to aging baby boomers, youth is mourned as a fleeting resource, and the effort to maintain it is pursued with increasing fervor. Sixtysomething London playwright Adam is none too stable mentally, and half-deaf, half-blind, and half-lame, too. He carefully elects the illicit surgical transplant, so his is no sudden, unwanted, Kafka-esque awakening as an insect or transformation into a mammoth breast a la Philip Roth's Breast (1972). Yet many may recall those and other tales of transformation as they follow Adam's journey into newfound hedonism, during which he finds that possessing something of value means one will be pursued by have-nots. Kureishi's smoothly written, fast-moving, thought-provoking work concludes with a man on the run, imprisoned by his "self" and now certainly knowing that time waits for no one. Whitney Scott
Copyright © American Library Association. All rights reserved
Review
'Kureishi creates fiction which is powerful and true, leavened by a sharp wit that rarely deserts him.' The Times 'Kureishi fashions his narrative with wit and immense charm.' Independent
Most helpful customer reviews
0 of 0 people found the following review helpful.
Dead man running
By Criticalthinker
Contrary to what another reviewer wrote here, the writing in this lean novel is not "literary and elegant," but (sometimes annoyingly) spare and abrupt. While I can see why the author chose this almost neurasthenic voice -- given the potentially lurid premise of the story -- the detached, emotionless tone of the first-person narrator grates on the nerves, and too often runs counter to the words and actions of the character. There is a bland flavor of "then this happened" about this novel that did not quite work for me. Add to that the decidedly male, phallocentric view of the world as experienced by Adam-cum-Leo, and you have a novel that says nothing to female, middle-aged me. (When the narrator makes an observation about John Updike, I said to myself, "Aha!". I loathe John Updike.). Kureishi seems to have a surprisingly poor ear for dialogue, too, especially when the words come from the mouths of his female characters.
Such an interesting concept, with so many possibilities for philosophical examination (the mind-body question), considering the concept of self and the meaning of a well-lived life-- and love -- yet the author and the character never quite get all the way there. Adam/Leo nibbles at the edges of the Meaning of Life: he dances around the subject in a Scarlett O'Hara "I'll think about that tomorrow" way. But then another opportunity for sex turns up. How tiresome. The book does have its moments, but I cannot recommend it. The ending is abrupt, not so much a resolution as a foregone conclusion. Adam made his deal with the devil. Yes, the allusions are that heavy-handed.
(Addendum: This novel borrows heavily from the cult Frankenheimer film "Seconds," which in turn was taken from a novel by David Ely. So to say this novel is derivative is an understatement.)
0 of 0 people found the following review helpful.
"The Nightmare Of Eternal Life"
By Foster Corbin
How often have we said, ourselves, or heard someone else say, "If only I could be twenty again and know what I know now?" That is precisely what happens in Hanif Kureishi's novel THE BODY. Adam, a successful writer on the wrong side of sixty describes himself as a man with hemorrhoids, an ulcer and cataracts, whose bed is his "boat across these final years." Fortunately he's a "cheap drunk" and still has sex occasionally with his wife. His two children are grown and have left home. Then he gets the chance to have his brain removed from his old body and put into a dead but preserved young body of his choice. Although he could even choose the body of a young woman or someone of another race, he selects a young humpy Alain Delon look-alike.
This is one of those novels where knowing too much of the plot spoils the story and what a story it is. While you may anticipate some of what happens to Adam, the author in his usual brilliance has a surprise or two for you. In the best science fiction tradition of Kafka's METAMORPHOSIS, Ishiguro's NEVER LET ME GO or even Joyce Carol Oates' recent macabre short story "Wild Nights"-- although like the works of these other world-class writers, Kureishi's fiction is certainly fine literature as well and rises above the genre of science fiction-- he raises questions about our obsession with youth, the dereliction of society of the aged, the loneliness and isolation of being different, the basic human need to be loved and in the circle of friends and finally what he calls the "nightmare of eternal life."
THE BODY is at once a horrific and fantastic gem of a novel.
2 of 3 people found the following review helpful.
Intriguing Questions
By Louis N. Gruber
Adam is a sixtyish writer who has achieved sucess, but is now in failing health. He decides to pursue a most unusual offer--the chance to have his brain (his personality, really) transplanted into a young healthy body. Never mind where this body comes from or how it got that way. He is assured that lots of "in" people are doing this now, becoming "newbodies," with a whole new chance at life, youth, sex, and time.
Good deal? Maybe not. Maybe not so good if you can't take your status with you, if you can't take your friends with you, or your wife, or your relationships. Maybe not if somebody wants your new young body enough to kill you for it, and there's no way to get back to your own.
Yes, the concept is preposterous. It isn't science fiction, as there is no attempt to bring in any science. However it is a concept that has occurred to most of us at one time or another. What if we could live again, be young again, with all the wisdom we've acquired by aging? Would you do it? Would I? Might be fun for a while, but there would be a price to pay. Maybe more than I would be prepared to pay.
Author Hanif Kureishi does a wonderful job with the concept, writing in an elegant, literary style that is simply a delight to read. This is not a book you should over analyze, just enjoy it and let it stimulate your thinking. Yes, the premise is absurd, but the book works. I enjoyed it immensely and I recommend it highly. Reviewed by Louis N. Gruber.
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