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Vows: The Story of a Priest, a Nun, and Their Son, by Peter Manseau
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The 1950s was a boom time for the Catholic Church in America, with large families of devout members providing at least one son or daughter for a life of religious service. Boston was at the epicenter of this explosion, and Bill Manseau and Mary Doherty - two eager young parishioners from different towns - became part of a new breed of clergy, eschewing the comforts of homey parishes and choosing instead to minister to the inner-city poor. Peter Manseau's riveting evocation of his parents' parallel childhoods, their similar callings, their experiences in the seminary and convent, and how they met while tending to the homeless of Roxbury during the riot-prone 1960s is a page-turning meditation on the effect that love can have on profound faith. Once married, the Manseaus continued to fight for Father Bill's right to serve the church as a priest, and it was into this situation that Peter and his siblings were born and raised to be good Catholics while they witnessed their father's personal conflict with the church's hierarchy. A multigenerational tale of spirituality, Vows also charts Peter's own calling, one which he tried to deny even as he felt compelled to consider the monastic life, toying with the idea of continuing a family tradition that stretches back over 300 years of Irish and French Catholic priests and nuns. It is also in Peter's deft hands that we learn about a culture and a religion that has shaped so much of American life, affected generations of true believers, and withstood great turmoil. Vows is a compelling tale of one family's unshakable faith that to be called is to serve, however high the cost may be.
- Sales Rank: #1334633 in Books
- Brand: Brand: FREE PRESS
- Published on: 2005-10-04
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.30" w x 6.30" l,
- Binding: Hardcover
- 400 pages
- Used Book in Good Condition
Amazon.com Review
Peter Manseau's deeply personal memoir is a meditation on family, church, faith and self. Oh, and God too. The story of rejecting the faith you are given, only to embrace it again in some form (or at least make peace with it) may seem familiar, but lost within the loving detail of Manseau's writing the reader discovers it anew. A spirit of tenderness and generosity permeates the pages of this story, but always leavened by unflinching honesty, the salt that keeps the flavor from the first page to the last. Manseau brings us into his sense of wonder as he traces the journey of his priest-father and his nun-mother who, if they had stayed true to their initial calling into the Catholic church, would have ensured he and his siblings never came to exist. Vows also brings us into the strong Boston Catholic culture of half a century ago, and near its end we find an unexpected left turn into the very heart of the sexual abuse scandal that has rocked the Roman church in 2005. But however intrinsic to the book these elements are, they only inform the story, and never overwhelm it. Primarily, as he traces the journey first of his parents, and then himself, we are left with a sense of joy over seeing how life itself tends unruly and writes its own story while we are busy making our plans. And though religion itself is on every page of the book, in forms both personal and institutional, the heart of the book is its humanity.--Ed Dobeas
From Publishers Weekly
In an engrossing memoir, a young and talented writer limns the lives of his parents, a former nun and a priest who chose to marry but never renounced his ministerial orders. The co-author of Killing the Buddha and founding editor of the online magazine of the same name, Manseau draws on family memories, church records and mountains of material dredged up in the wake of the clergy abuse scandals to bring to life the vibrant working-class Boston Catholic culture of a half-century ago. He describes, from the inside out, a world of ecclesiastical obedience and principled rebellion, public virtue and private vice. He also dissects the ambivalent but loving heritage of parents who found themselves, by choice and by accident, on the vanguard of a religious reform movement that, to the outsider, seems rooted more in hope than in reality. As Manseau recounts, his father's status as a "married priest" put the family in an odd no-man's land peopled by married priests and former nuns, hoping for official ecclesiastical acceptance. Readers seeking detached biography will not find it in this wry and deeply affectionate tribute. Seductively well written, occasionally polemical, Manseau chronicles a son's attempt to make peace with the mysteries of faith and family. (Oct. 11)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
In this fascinating memoir, Manseau juxtaposes his own spiritual awakening with the story of his parents: a former nun and a priest who refused to renounce his vows when he married. The child of a married priest, he grew up confused and conflicted by and with the Catholic Church. Though he initially rejected his religious heritage, he later experienced an extraordinary journey of faith that prompted him to retrace the rocky path his parents chose to tread. As he reaches back into his intimate family history, the tumultuous evolution of the American Catholic Church in the 1950s and 1960s is vividly re-created. Though committed to their vocations and to ministering to Boston's inner-city poor, Bill Manseau and Mary Doherty decided to make a controversial leap of faith, marrying and raising a family while somewhat naively waiting for the sanctification from Rome that never came. An ultimately upbeat affirmation of faith and family love. Margaret Flanagan
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
91 of 98 people found the following review helpful.
Smart on the Surface, Brilliant Beneath
By Jeffrey Sharlet
Full disclosure: I'm a friend of Peter's and even co-authored an earlier book with him. But that's why you should trust me -- I've seen this guy develop as a writer as only a former collaborator can. I always thought he was very, very good -- but who knew he'd write the first really significant book about American Catholicism of the decade? Vows challenges the Church, no doubt. But it also demands of non-Catholics a reconsideration of how faith, faithlessness, and sex converge; how a story of a scandal is really a history of ideas; and how love and ideology clash and reshape one another.
Vows is a smart book on the surface and a brilliant book beneath, a theological treatise well-disguised as a memoir that turns out to be a thriller. His arguments are more subtle -- and more moving -- than a brief against priestly celibacy. They are also natural arguments, which is to say that they emerge for the reader from the flow of a story and not from a didactic declaration. The most stunning achievement of this book is that its intellectual depth is matched so perfectly by its narrative force.
The final chapters of the book, in which Peter's mother, a former nun, hunts down the priest who abused her, are as gripping as a crime novel even as they present original ideas about the meanings of vengeance, justice, the Church as an institution, and the Church as an body of believers, prey to all the same weaknesses and failings as the flesh.
That shouldn't limit this book to those who think about religion. It is every bit as much a story of a family bound together, uneasily, by its loyalty to an institution that rejects it. It's the story of individual lives amidst the swirl of complicated, often dangerous beliefs -- about God, of course, but also about duty and promises and freedom.
Vows is a great and important book.
32 of 35 people found the following review helpful.
A memoir that's hard to forget
By Dr. Cathy Goodwin
Frankly, I didn't expect much from Vows. So many religion-based memoirs end up suffocating the reader with jargon and emotion. Others focus on internal struggles that lead to snooze time.
But once started on Vows, I wanted to keep going. Manseau displays a dazzling array of writing skills, moving flawlessly back and forth between his father the priest and his mother the nun, and from present to past. And Manseau has a gift of seeing the broader context of a story about ordinary people: a young man and a young woman, encouraged to "enter religion" in an era when vocations were higher than they've ever been, before or since, in the US.
Manseau reveals the truth behind the numbers. Some applicants felt truly called to the religious life; others had a little help from well-meaning mentors. And ultimately we learn that his mother's early religious history included stories of abuse that now seem all too commonplace.
A true storyteller, Manseau emphasizes the ironies of his life. By an odd series of coincidences and mistakes, his parents met in Roxbury and married. They remained loyal to the Catholic church, but their children rebelled. Manseau played video games while pretending to attend services - and grabbed a parish bulletin to take home to keep the peace.
The last third of the book presents an unsparing but often hilarious tale of Manseau's encounter with religion during his college years at University of Massachusetts. Manseau should be admired for me keeping awake for page after page of college memories: discarding an archeology major and digging for religion instead of artifacts. He avoids yet another trite "religious journey" story by focusing on the here-and-now, so that striking moments are presented with irony in the context of the mundane. I loved the story of the college student who complains to a roshi about her sore back. "Get a chair!" says the roshi, laughing.
And of course Manseau discovers Thomas Merton, a Catholic author with unique ties to Eastern religion. If any text could convert Manseau, it would be Merton's Seven Storey Mountain. Instead, Manseau ventures to a Benedictine abbey, where he discovers that monastic life is more about mops and shovels than soulful prayer. His vocation question gets settled in a hilarious episode, previously described in a New York Times Lives column.
Ultimately, we get three intricately woven story lines, just as the title promises, and each holds book-quality drama. His mother's horrendous dental treatment creates a vivid image of abuse that's especially horrifying by being so mundane. His father remains idealistic, refusing to give up his priestly status voluntarily. And we get behind-the-scenes glimpses of the abuse scandals that plagued the Boston churches, some involving priests that were seminary classmates with Peter's father.
Their children are shaped by their parents' "ex" statuses. Peter's brother initially feels alienated but later realizes there are advantages when a dad is also a priest. And Peter himself becomes strong, self-aware, independent and open-minded, not to mention an amazing writer.
It is hard to imagine Manseau writing future books that match the intensity and sheer brilliance of this one. But I hope he tries.
18 of 19 people found the following review helpful.
Exceptional
By David
"Vows" is the rare book that manages to seamlessly weave personal narrative with the larger issues of the day. Indeed, it explores perhaps the biggest questions we have regarding faith, identity, loyalty, strength, grace and parenthood, and how one family has tried to bring the answers to those questions into harmony.
This is no attack from the outside. Manseau is not an iconoclast for the sake of iconoclasm. Rather he tells the story of the love of his parents and their love of the Church, loving it so much they needed to betray some of its historical dictates in the hopes of creating something even more profound.
It also portrays the complexity of the 1960's as period in which individuals were exploring opportunities to make institutional changes through thoughtful, intellectual challenges. This view is often lost among the clichés of flowerchildren and stock footage of Woodstock.
And lastly, Manseau also pulls off a neat trick, managing to be funny and irreverent without ever losing respect for his subject. Who would think that you could refer to St. Augustine as "Mr. Singing-Farts," with all the honor and esteem due a Doctor of the Church?
It is an exceptional work.
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