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Cosmopolis: A Novel, by Don DeLillo
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Now a major motion picture directed by David Cronenberg and starring Robert Pattinson, Cosmopolis is the thirteenth novel by one of America’s most celebrated writers.
It is an April day in the year 2000 and an era is about to end. The booming times of market optimism—when the culture boiled with money and corporations seemed more vital and influential than governments— are poised to crash. Eric Packer, a billionaire asset manager at age twenty-eight, emerges from his penthouse triplex and settles into his lavishly customized white stretch limousine. Today he is a man with two missions: to pursue a cataclysmic bet against the yen and to get a haircut across town. Stalled in traffic by a presidential motorcade, a music idol’s funeral and a violent political demonstration, Eric receives a string of visitors—experts on security, technology, currency, finance and a few sexual partners—as the limo sputters toward an increasingly uncertain future.
Cosmopolis, Don DeLillo’s thirteenth novel, is both intimate and global, a vivid and moving account of the spectacular downfall of one man, and of an era.
- Sales Rank: #368458 in Books
- Brand: DeLillo, Don
- Published on: 2004-04-06
- Released on: 2004-04-06
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .70" w x 5.25" l, .40 pounds
- Binding: Paperback
- 224 pages
From Publishers Weekly
For a book about a 28-year-old new-economy billionaire with a "frozen heart," Patton adopts a distant, machine-like narrative tone that has all the warmth of the computer HAL in Stanley Kubrick's 2001. It's a fitting approach, as the asset manager at the novel's center, Eric Packer, is hardly an avaricious tycoon, but rather an insular and literate egotist who seems more given to detached, philosophical reveries on everyday trivialities than to serious business analysis. That, too, fits, as this novel from DeLillo (Underworld; White Noise) takes place entirely in one day as Packer's life unravels while he's driven across Manhattan to get a haircut. He remains aloof both to listeners and to those around him, and Patton's understated reading imbues the proceedings with the subtle edginess of a mild drug. That's not to say that things are completely monotone, though; Patton also deftly portrays characters ranging from Packer's gruff, paranoid head of security to his aging Italian barber, one of the few characters who seem truly human. But the book is really an extended meditation, and while Patton's pitch may be perfect, the recording isn't for everyone.
Copyright 2003 Reed Business Information, Inc.
From Library Journal
Unlike his sprawling masterpiece, Underworld, DeLillo's 13th novel is short and tightly focused, indeed almost claustrophobic. Most of the action takes place inside a "prousted" (cork-lined) stretch limo, as the reclusive financial wizard Eric Packer is chauffeured across Manhattan for a haircut. Thanks to a presidential visit, antiglobalization demonstrations, and a celebrity funeral, this journey takes up most of the day. Stuck in traffic, Packer anxiously monitors the value of the yen on the limo's computer. Using the car as his office, he summons advisors from nearby shops and restaurants. His physician gives him a rubber-gloved physical exam in the back seat as Packer discusses imminent financial ruin with his broker and angry crowds block the streets. This work most closely resembles The Body Artist in its brevity and straightforward narrative flow. However, the earlier novel was written in an uncharacteristically warm, poetic style, promising a new direction for this important writer, while Cosmopolis reverts to the standard DeLillo boilerplate, perceptive and funny but also brittle and cold. This, coupled with the book's dated 1990s sensibility, makes Cosmopolis a step backward rather than an artistic advance.
Edward B. St. John, Loyola Law Sch. Lib., Los Angeles
Copyright 2002 Reed Business Information, Inc.
From Booklist
It's April in the year 2000 in the cosmopolis of New York. A day of epic gridlock due to a visit by the president and a violent antiglobalization protest. A good day to leave the white stretch limo at the curb, but assets manager Eric Packer, 28, buff, ruthless, and obscenely wealthy, insists on being driven across town to get a haircut. His chief of security objects: there's a credible threat against his life. But this only encourages Packer, who likes to rule his domain from his high-tech chariot, where his employees crawl in to make their reports, where myriad screens carry the ceaseless data stream of the currency markets, where a doctor performs his daily check-up. Quasi-mystic Packer is obsessed, on this fateful day, with the yen, strangely aroused by graphic coverage of the murders of other major financial players, and keenly aware that he has the power to pitch the entire monetary system into chaos. Packer is, in short, a monster--a man who has lost his soul in an accelerated world without heart. And DeLillo, master novelist and seer, tells the surreal, electrifying story of this dehumanized moneyman in English scrubbed so clean and assembled so exquisitely it seems like a new language. By turns breathtakingly poetic and devastatingly witty, his descriptions of today's urban reality--extravagantly kinetic Times Square financial displays (information as "pure spectacle") presided over by gigantic billboards of the "underwear gods"--make the present seem like a forbidding, to-be-avoided future. "We need a new theory of time," muses one of Packer's advisors. No, suggests DeLillo, we need to reclaim life. Donna Seaman
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
72 of 78 people found the following review helpful.
A fine book. A worthwhile read. I hated it!
By Linda Linguvic
I was reluctant to read this novel even though it was highly recommended. That's because five years ago I read and reviewed "Underworld", another of this author's novels, and while I thought that the writing was brilliant, his world view was very disturbing. But I was curious about Cosmopolis. And it was short, a mere 209 pages long, a book I knew I could easily read in one sitting. It took me more than one sitting to read however. It actually took me several weeks. That's because every time I put it down, I was reluctant to pick it up again. Perhaps that's because it rings so true and its blows fall so close to home. And, of course, the disturbing world view I had expected was there in all its glory.
The characters aren't real. They're not supposed to be. Everything in this book is larger than life. And everything has an exaggerated bitter sting to it. The setting is New York City and the geography is familiar. It's some time in the very near future, when big-moneyed corporate executives rule the world even more than they do now. Eric, a 28-year old billionaire is one of them. The storyline is about him setting out to get a haircut and all the action takes place in a single day.
Eric is in a white limousine which is equipped with every convenience the author could think of. He has several bodyguards too, and a market analyst who interprets data from world markets constantly. People visit him in his limo, including a doctor who gives him a daily physical. Eric also manages to have romantic encounters with three different women as well as his wife. He makes choices that have him lose his fortune in the stock market. His car is attacked by anarchists. He has to pause and watch a funeral for a rap musician. And he even gets involved in working as an extra in a strange and upsetting film. And, early on in the book, the reader knows Eric is hurtling towards real disaster.
But the book is more than this storyline of course. It is an indictment of the capitalist system that once held out such hope. It shows the shallowness of the people, making every single character seem like a little marionette on strings and the whole tale one big puppet show.
This is a fine book. It is a worthwhile read. I just can't help it though. I hated it.
Recommended only for literary buffs who relish discomfort.
3 of 3 people found the following review helpful.
Witty and incisive
By Barbara Klein
Don Delillo is the perferct author to try to understand the rise and collapse of the economic bubble as the century flipped into Y2K. He has penetrated a number America's peculiar cultural hysterias: environmental fears (White Noise); conspiracy theories surrounding the assassination of John F. Kennedy (Libra); Moonies and mass marriages (Mao II), and now this latest mass hypnosis masquerading as economics. The objects of Delillo's scrutiny are cultural phenomena rather than human foibles. His characters become icons for certain events, metaphoric translations. They could not endure quotidian existence. They are not human, and this quality may repel some readers. Yet, there is satisfaction in the way Delillo gives articulate form to something the reader will have sensed, something recognized as familiar in recent experience.
Delillo also has a wonderful sensitivity for words. He makes some fun observations here about the argot of the Internet and high tech culture. I had not before recognized what a quaint anachronism "Automated Teller Machine" is. Delillo treats his readers to a number of such observations about our language. I believe that Don Delillo's "Underworld" was without rival the best fictional work about America in the twentieth century. This is a much narrower work, but it displays the wit and penetration that shines in Delillo's best works.
0 of 0 people found the following review helpful.
One Star
By joann holman
Everything was as promised. Would buy from you again.
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