Free Ebook Still Holding, by Bruce Wagner
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Still Holding, by Bruce Wagner
Free Ebook Still Holding, by Bruce Wagner
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If there's an even darker side to Hollywood than the one America is familiar with, Bruce Wagner has found it. A twenty-first-century Nathanael West, he has been hailed for his powerful prose, his Swiftian satire, and the scalpel-sharp wit that has, in each of his novels, dissected and sometimes disemboweled Hollywood excess.
Now, in his most ambitious book to date, Still Holding, the third in the Cellular Trilogy that began with I'm Losing You and I'll Let You Go, Wagner immerses readers in post-September 11 Hollywood, revealing as much rabid ambition, rampant narcissism, and unchecked mental illness as ever. It is a scabrous, epiphanic, sometimes horrifying portrait of an entangled community of legitimate stars, delusional wanna-bes, and psychosociopaths. Wagner infiltrates the gilded life of a superstar actor/sex symbol/practicing Buddhist, the compromised world of a young actress whose big break comes when she's hired to play a corpse on Six Feet Under, and the strange parallel universe of look-alikes -- an entire industry in which struggling actors are hired out for parties and conventions to play their famous counterparts. Alternately hilarious and heartfelt, ferocious and empathetic, Still Holding is Bruce Wagner's most expertly calibrated work.
- Sales Rank: #2157086 in Books
- Published on: 2003-11-04
- Original language: English
- Number of items: 1
- Dimensions: 9.48" h x 1.13" w x 6.38" l,
- Binding: Hardcover
- 368 pages
From Publishers Weekly
Alternately brilliant and cluttered, this baroque third volume of Wagner's loose Hollywood trilogy (following the much-praised I'm Losing You and I'll Let You Go), moves along in fits and starts, crammed with celebrity cameos and sharp social commentary. The fable follows the workaday, neurotically self-absorbed lives of wannabe actress Becca, who hires out for trade shows as a Drew Barrymore look-alike, and Lisanne, a pathetically overweight secretary who, because of her morbid fear of flying, takes the Amtrak back home to Albany, arriving minutes too late to say good-bye to her dying father. These two women find their lives inexorably shaped by the karma of 34-year-old movie icon Kit Lightfoot (People magazine's "Sexiest Man Alive"), a Buddhist who has meditated every day for almost 13 years. Lisanne returns to L.A. pregnant after a one-night stand with her high school flame. Slowly withdrawing deeper into neurosis, she becomes obsessed with Buddhism after her boss sends her to deliver a mandala to Kit. Suffering a severely debilitating brain injury when a disgruntled autograph hunter hits him in the head with a bottle, rich Kit is, poetically, nursed back to health by his grasping father. Ambitious Becca is hired as a cameo corpse on HBO's Six Feet Under and winds up girl Friday to TV sitcom queen Viv, Kit's fiance, who is shacking up with Kit's best pal. The irony verges on the farcical as Kit struggles to get his life back and the identity of his attacker is revealed. Though Wagner packs his twists too tight, leaving the reader gasping for air, this convoluted chiaroscuro offers probing insights into the human condition.
Copyright 2003 Reed Business Information, Inc.
From Booklist
It's all here: the sleaze and the smut, the gossip and the glamour, the hype and the hypocrisy that is Hollywood. In the final installment of his cell-phone-phrase titled entertainment-industry trilogy [I'll Let You Go (2001) and I'm Losing You (1996)], Wagner continues to viciously satirize life in "la la land," equally deriding the hangers-on and the heavy hitters with biting scorn and gritty cynicism. Megastar, sex symbol, and penitent Buddhist poster-boy Kit Lightfoot is attacked by a delusional fan, suffering brain damage that threatens to either derail or jump-start his languishing career. Weaving a circuitous storyline befitting a multi-installment miniseries, Wagner connects Lightfoot's illness and recovery with the desperate ambition of celebrity look-alikes and the pathetic devotion of die-hard fans, thus fully lambasting Hollywood's vulgar excesses and egregious vacuity. In a scathingly caustic, salaciously crude, and sardonically campy morality tale depicting the emotional bankruptcy inherent in a self-absorbed and fame-obsessed Hollywood subculture, Wagner limns an over-the-top expose of that shallow society's most exploitative bottom-feeders. Carol Haggas
Copyright © American Library Association. All rights reserved
Review
"...is Bruce Wagner's masterpiece. It's a Hollywood novel that embraces everyone who has ever wanted to be someone else." -- James Ellroy
"Imagine Dickens without London, Dostoevsky without St. Petersburg. It’s like that for Bruce Wagner and Hollywood. He owns this...town." -- The Los Angeles Times Book Review
"In blazing, high-speed prose he tears into his subject with a taboo-breaking savage rage disguised as wild comedy." -- Salman Rushdie
"It’s a gorgeous freak show, and part of the pleasure is that Wagner seems to be having so much fun." -- New York Magazine
"Still Holding is Bruce Wagner's greatest novel. It is an uncompromising, hilarious, achingly sad, flat-out brilliant book." -- Jonathan Carroll
"With STILL HOLDING, Bruce Wagner surpasses everything he's done before. This is the great Hollywood novel." -- Bret Easton Ellis
"You finish Still Holding with one regret... you’re not ready for Wagner to quit phoning it in." -- The New York Times Book Review
Jonathan Carroll Still Holding is Bruce Wagner's greatest novel. It is as if Louis-Ferdinand Céline were retelling the Arabian Nights. Only Wagner's Arabia is Hollywood and the nights never end. It is an uncompromising, hilarious, achingly sad, flat-out brilliant book. -- Review
Most helpful customer reviews
6 of 7 people found the following review helpful.
It All Comes Together in This Book
By A Customer
This book is wildly energetic, hilarious, disarmingly harsh, but above all heartbreaking and beautiful. For those who loved "I'm Losing You," Bruge Wagner once again delivers everything great about that book, this time with a much stronger, more satisfying story. "Still Holding" is a fantastic read. As with all great novels, I found myself torn reading this book-- I wanted to race through it and devour the crazy story, but at the same time slow down and re-read the gorgeous writing. Nobody does cruelty with a light touch better than Wagner. I highly recommend this book to anyone who not only wants to learn about the inner workings of Hollywood but also wants to see one of our great writers working at his peak.
3 of 3 people found the following review helpful.
Great reading
By A Customer
What a performance! What a performer! The performance is Bruce Wagner's latest in his trilogy, and it's called STILL HOLDING; the performer is Bruce Wagner, a writer who at times seems to write with a chainsaw--as biting a satire of Hollywood, from stars to hangers on, look-alikes, delirious fans, as any other written; and yet also touching, in a tough way--Wagner is always tough and sweet at the same time; he clearly likes some of his wacky characters, including the Drew Barrymore look-alike, and--get this, Drew Barrymore herself, a neat trick Wagner pulls off. He also understands the fading star Kit, who turns to Yoga, whose fate it is to share it with a character he plays. The prose is furious--at times fragments, as if Wagner can't wait to move on--and neither can the reader, held captive from the first page. Comparison's? Cross the sharp-eyed but more delicate Waugh with Nathaniel West's even harsher visiton and you got it. Which is not to say that Wagner is not in a class by himself, an original writer who turns the Hollywood he clearly knows so well into his own canvas. Terrific novel, terrific writer.
10 of 11 people found the following review helpful.
Worth sticking with
By lissonifan
Like other reviewers here, I too felt disappointed by what I saw as the incongruity between the "hype" around this book and what it was delivering to me when I opened it. But then, some time around page 75 or so, the novel really began to coalesce and take off to a different level. It stopped sounding like Bret Easton Ellis and started to read like James Ellroy crossed with Gary Indiana by way of Joan Didion (how's that for a pedigree?). The flippant style and throwaway cast of celebrity walkons were hard to stomach until I caught on to what I think Wagner is doing here (i.e. demonstrating that in Los Angeles--or "Hollywood," rather--stars function sort of like geographic markers and place-holders, material coordinates providing the semblance of an orientation in a basically unstable, highly distorted, and unnatural social ecology). The book's major themes--hyperreality, celebrity obsession, mirroring and look-a-likes, the flawed pursuit of meaning or power through New Age mysticism and Eastern spirituality--resonated a great deal with Wagner's brilliant Wild Palms, a pop-cult phenomenon that still haunts me many years after its release. While this narrative may feel cynical and while some of its pages (particularly the sex scenes) are downright repulsive, the book is, quite simply, gripping and substantive even when it is hardest to take.
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