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The Queen's Fool, by Philippa Gregory
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#1 New York Times bestselling author and “queen of royal fiction” (USA TODAY) Philippa Gregory weaves a spellbinding tale of a young woman with the ability to see the future in an era when destiny was anything but clear.
Winter, 1553. Pursued by the Inquisition, Hannah Green, a fourteen-year-old Jewish girl, is forced to flee with her father from their home in Spain. But Hannah is no ordinary refugee; she has the gift of “Sight,” the ability to foresee the future, priceless in the troubled times of the Tudor court. Hannah is adopted by the glamorous Robert Dudley, the charismatic son of King Edward’s protector, who brings her to court as a “holy fool” for Queen Mary and, ultimately, Queen Elizabeth. Hired as a fool but working as a spy; promised in wedlock but in love with her master; endangered by the laws against heresy, treason, and witchcraft, Hannah must choose between the safe life of a commoner and the dangerous intrigues of the royal family that are inextricably bound up with her own yearnings and desires.
Teeming with vibrant period detail and peopled by characters seamlessly woven into the sweeping tapestry of history, The Queen’s Fool is a rich and emotionally resonant gem from a masterful storyteller.
- Sales Rank: #29166 in Books
- Brand: Touchstone
- Published on: 2004-02-04
- Released on: 2004-02-04
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.10" w x 5.25" l, .95 pounds
- Binding: Paperback
- 512 pages
- Great product!
Review
'Philippa Gregory! is a mesmerizing storyteller.' SUNDAY TELEGRAPH 'An atmospheric read for anyone who loves to wallow in Tudor intrigue.' DAILY TELEGRAPH 'After serving up the highly delicious The Other Boleyn Girl!Gregory has concocted yet another treat from the Tudor court!.I loved The Other Boleyn Girl and The Queen's Fool is even better!.The pleasure to be found in this kind of historical fiction!.is a chair-by-the-fireside-on-a-cold-winter's-night kind of pleasure!it is the kind of pleasure only a born storyteller can offer.' INDEPENDENT ON SUNDAY 'A rich brew of passion and intrigue.' DAILY MAIL 'Potent historical romance!a thrilling plot.' MAIL ON SUNDAY 'Fascinating!engrossing!.memerising!riveting!.compelling!.a pacey narrative that is just begging to be read in one sitting. Most impressively of all, she has taken a story in which we all know the protagonists and the hand history dealt them and has infused it with an extraordinary sense of suspense, drama and surprise.' SUNDAY EXPRESS 'A splendid tale of passionate liaisons. Gregory exuberantly depicts the struggle between Mary and Elizabeth' WOMAN & HOME 'A hugely satisfying plot-twist-a-page story.' TIME OUT 'Burns with passion.' INDEPENDENT 'A gripping page-turner; this follow-up to The Other Boleyn Girl confirms Gregory as our best writer of historical fiction.' CHOICE Praise for THE OTHER BOLEYN GIRL: 'It is a credit to Gregory that she is able to sustain interest in an epic-length tale when the ending is one of the most well-known moments in English history. The very believable dialogue and detail take you all the way into the claustrophobic privy chambers of the royal palaces!Gregory has launched herself into a popular period and produced something with that most underrated of virtues: readability.' THE TIMES 'This is an intelligent variation on a familiar tale [with] witty use of metaphor' TLS 'This compulsively readable novel is a wonderful account of the tudor court!This is the finest historical novel of this year' DAILY MAIL Further acclaim for THE QUEEN'S FOOL: 'With her excellent eye for detail, [Gregory] moves The Queen's Fool along at a great pace' MARIE CLAIRE AUSTRALIA 'Totally absorbing!This is a triumphant piece of storytelling, not least because Gregory manages to make familiar events fresh and unloved people fascinating' GAY TIMES 'Gregory offers a subtle examination of the tension between profound personal faith and the dangers of imposing that faith on others.' JEWISH QUARTERLY 'It combines history and invention in gripping and memorable style.' RED 'Gregory weaves a brilliant and complex fictional web around historical fact. Hugely enjoyable' SAINSBURY'S MAGAZINE 'Historical fiction at its most masterly. Meticulously researched and realised and with an engaging and totally convincing heroine, The Queen's Fool invites readers to rethink their opinions of both 'Bloody' Mary and the 'Virgin' Queen. Superbly plotted, exquisitely written with the enviable capacity to simultaneously thrill and provoke thought, this novel is even more 'unputdownable' than The Other Boleyn Girl' HISTORICAL NOVELS REVIEW 'Gregory serves up some more deliciously sombre moments from a factious Tudor court' INDEPENDENT 'Gregory's dramatic, plot-driven novel is thoroughly readable' SUNDAY HERALD
About the Author
Philippa Gregory is the author of several bestselling novels, including The Other Boleyn Girl, and is a recognized authority on women’s history. Her Cousins’ War novels are the basis for the critically acclaimed Starz miniseries The White Queen. Her most recent novel is Three Sisters, Three Queens. She graduated from the University of Sussex and received a PhD from the University of Edinburgh, where she is a Regent. She holds an honorary degree from Teesside University, and is a fellow of the Universities of Sussex and Cardiff. She welcomes visitors to her website, PhilippaGregory.com.
Excerpt. © Reprinted by permission. All rights reserved.
Summer 1548
The girl, giggling and overexcited, was running in the sunlit garden, running away from her stepfather, but not so fast that he could not catch her. Her stepmother, seated in an arbor with Rosamund roses in bud all around her, caught sight of the fourteen-year-old girl and the handsome man chasing around the broad tree trunks on the smooth turf and smiled, determined to see only the best in both of them: the girl she was bringing up and the man she had adored for years.
He snatched at the hem of the girl's swinging gown and caught her up to him for a moment. "A forfeit!" he said, his dark face close to her flushed cheeks.
They both knew what the forfeit would be. Like quicksilver she slid from his grasp and dodged away, to the far side of an ornamental fountain with a broad circular bowl. Fat carp were swimming slowly in the water; Elizabeth's excited face was reflected in the surface as she leaned forward to taunt him.
"Can't catch me!"
" 'Course I can."
She leaned low so that he could see her small breasts at the top of the square-cut green gown. She felt his eyes on her and the color in her cheeks deepened. He watched, amused and aroused, as her neck flushed rosy pink.
"I can catch you any time I want to," he said, thinking of the chase of sex that ends in bed.
"Come on then!" she said, not knowing exactly what she was inviting, but knowing that she wanted to hear his feet pounding the grass behind her, sense his hands outstretched to grab at her; and, more than anything else, to feel his arms around her, pulling her against the fascinating contours of his body, the scratchy embroidery of his doublet against her cheek, the press of his thigh against her legs.
She gave a little scream and dashed away again down an allée of yew trees, where the Chelsea garden ran down to the river. The queen, smiling, looked up from her sewing and saw her beloved stepdaughter racing between the trees, her handsome husband a few easy strides behind. She looked down again at her sewing and did not see him catch Elizabeth, whirl her around, put her back to the red papery bark of the yew tree and clamp his hand over her half-open mouth.
Elizabeth's eyes blazed black with excitement, but she did not struggle. When he realized that she would not scream, he took his hand away and bent his dark head.
Elizabeth felt the smooth sweep of his moustache against her lips, smelled the heady scent of his hair, his skin. She closed her eyes and tipped back her head to offer her lips, her neck, her breasts to his mouth. When she felt his sharp teeth graze her skin, she was no longer a giggling child, she was a young woman in the heat of first desire.
Gently he loosened his grip on her waist, and his hand stole up the firmly boned stomacher to the neck of her gown, where he could slide a finger down inside her linen to touch her breasts. Her nipple was hard and aroused; when he rubbed it she gave a little mew of pleasure that made him laugh at the predictability of female desire, a deep chuckle in the back of his throat.
Elizabeth pressed herself against the length of his body, feeling his thigh push forward between her legs in reply. She had a sensation like an overwhelming curiosity. She longed to know what might happen next.
When he made a movement away from her, as if to release her, she wound her arms around his back and pulled him into her again. She felt rather than saw Tom Seymour's smile of pleasure at her culpability, as his mouth came down on hers again and his tongue licked, as delicate as a cat, against the side of her mouth. Torn between disgust and desire at the extraordinary sensation, she slid her own tongue to meet his and felt the terrible intimacy of a grown man's intrusive kiss.
All at once it was too much for her, and she shrank back from him, but he knew the rhythm of this dance which she had so lightheartedly invoked, and which would now beat through her very veins. He caught at the hem of her brocade skirt and pulled it up and up until he could get at her, sliding his practiced hand up her thighs, underneath her linen shift. Instinctively she clamped her legs together against his touch until he brushed, with calculated gentleness, the back of his hand on her hidden sex. At the teasing touch of his knuckles, she melted; he could feel her almost dissolve beneath him. She would have fallen if he had not had a firm arm around her waist, and he knew at that moment that he could have the king's own daughter, Princess Elizabeth, against a tree in the queen's garden. The girl was a virgin in name alone. In reality, she was little more than a whore.
A light step on the path made him quickly turn, dropping Elizabeth's gown and putting her behind him, out of sight. Anyone could read the tranced willingness on the girl's face; she was lost in her desire. He was afraid it was the queen, his wife, whose love for him was insulted every day that he seduced her ward under her very nose: the queen, who had been entrusted with the care of her stepdaughter the princess, Queen Katherine who had sat at Henry VIII's deathbed but dreamed of this man.
But it was not the queen who stood before him on the path. It was only a girl, a little girl of about nine years old, with big solemn dark eyes and a white Spanish cap tied under her chin. She carried two books strapped with bookseller's tape in her hand, and she regarded him with a cool objective interest, as if she had seen and understood everything.
"How now, sweetheart!" he exclaimed, falsely cheerful. "You gave me a start. I might have thought you a fairy, appearing so suddenly."
She frowned at his rapid, overloud speech, and then she replied, very slowly with a strong Spanish accent, "Forgive me, sir. My father told me to bring these books to Sir Thomas Seymour and they said you were in the garden."
She proffered the package of books, and Tom Seymour was forced to step forward and take them from her hands. "You're the bookseller's daughter," he said cheerfully. "The bookseller from Spain."
She bowed her head in assent, not taking her dark scrutiny from his face.
"What are you staring at, child?" he asked, conscious of Elizabeth, hastily rearranging her gown behind him.
"I was looking at you, sir, but I saw something most dreadful."
"What?" he demanded. For a moment he was afraid she would say that she had seen him with the Princess of England backed up against a tree like a common doxy, her skirt pulled up out of the way and his fingers dabbling at her purse.
"I saw a scaffold behind you," said the surprising child, and then turned and walked away as if she had completed her errand and there was nothing more for her to do in the sunlit garden.
Tom Seymour whirled back to Elizabeth, who was trying to comb her disordered hair with fingers that were still shaking with desire. At once she stretched out her arms to him, wanting more.
"Did you hear that?"
Elizabeth's eyes were slits of black. "No," she said silkily. "Did she say something?"
"She only said that she saw the scaffold behind me!" He was more shaken than he wanted to reveal. He tried for a bluff laugh, but it came out with a quaver of fear.
At the mention of the scaffold Elizabeth was suddenly alert. "Why?" she snapped. "Why should she say such a thing?"
"God knows," he said. "Stupid little witch. Probably mistook the word, she's foreign. Probably meant throne! Probably saw the throne behind me!"
But this joke was no more successful than his bluster, since in Elizabeth's imagination the throne and the scaffold were always close neighbors. The color drained from her face, leaving her sallow with fear.
"Who is she?" Her voice was sharp with nervousness. "Who is she working for?"
He turned to look for the child but the allée was empty. At the distant end of it he could see his wife walking slowly toward them, her back arched to carry the pregnant curve of her belly.
"Not a word," he said quickly to the girl at his side. "Not a word of this, sweetheart. You don't want to upset your stepmother."
He hardly needed to warn her. At the first hint of danger the girl was wary, smoothing her dress, conscious always that she must play a part, that she must survive. He could always rely on Elizabeth's duplicity. She might be only fourteen but she had been trained in deceit every day since the death of her mother, she had been an apprentice cheat for twelve long years. And she was the daughter of a liar -- two liars, he thought spitefully. She might feel desire; but she was always more alert to danger or ambition than to lust. He took her cold hand and led her up the allée toward his wife Katherine. He tried for a merry smile. "I caught her at last!" he called out.
He glanced around, he could not see the child anywhere. "We had such a race!" he cried.
I was that child, and that was the first sight I ever had of the Princess Elizabeth: damp with desire, panting with lust, rubbing herself like a cat against another woman's husband. But it was the first and last time I saw Tom Seymour. Within a year, he was dead on the scaffold charged with treason, and Elizabeth had denied three times having anything more than the most common acquaintance with him.
Copyright © 2004 by Philippa Gregory Limited
Most helpful customer reviews
0 of 0 people found the following review helpful.
Life in the court of Queen Mary during the 1550s. Wow!
By Monelle
Very long and wordy, but also fascinating, informative of the the time in the 1550s, great character development. The second half of the book moves faster than the first half and then I couldn't put it down. I've read many Phillipa Gregory books and I really admire her attention to detail and the descriptive narrative that makes you feel like you are part of the story.
0 of 0 people found the following review helpful.
A Spy Who is a Fool in the Queen's Household
By R. Crane
Caught in the political turmoil of the sixteenth century, when England was bitterly divided by religious differences, and "heretics" and traitors to the "cause" were liberally burned or beheaded, a young girl witnesses court life up close. Living in fear as a secret Jew converted to Christianity, Hannah is blackmailed into becoming a spy for the powerful Dudley family. Blessed with the gift of foretelling, she becomes young King Edward's Holy Fool, and, after his death, is passed into the household of his sister, Queen Mary, to continue her spying as the Queen's Fool. She is engaged to her cousin, an attractive and clever physician, while simultaneously falling for her blackmailer, Lord Dudley. To make matters even more complicated, she becomes an ardent fan of both Royal women, Queen Mary and Princess Elizabeth, both of whom she is spying upon: Queen Mary for Robert Dudley and Princess Elizabeth for Queen Mary.
I loved Gregory's "The Other Boleyn Girl", but cannot rate this book in the same category. While the author writes well, this story gets bogged down in minutiae and too much liberty is taken with the actual historical characters. The words that come out of Queen Mary, Robert Dudley, or Princess Elizabeth just do not ring true. They sound like the author's imaginary projections, not the actual words. The dialogue lacks the authenticity of the historical details plastered all over the text and often interfering in the flow of the real story.
Hannah's relationship with her cousin and betrothed is well done. You can feel the passion slowly developing. In some way perhaps this book would have been better giving that relationship more attention rather than occasional updates. If you enjoy historical novels during this era, I recommend figures in Silkby Vanora Bennett, a story set during the reign of Charles II that focuses on the growth of the Silk trade and court life. Like Hannah, the main character is a fictional woman, a doctor, and like Hannah, striving to create a place for herself in this male-dominated society. The story is faster-paced, yet the historical events well portrayed.
0 of 0 people found the following review helpful.
interesting and well written
By Amazon Customer
Very well written perspective from a young girl who doesn't really know what love is yet and the very real turmoil that often accompanies that war inside us. Very interesting to read of a unique perspective in that she was Jewish during that time period. Not something you come across every day. I love Phillipa Gregory's books and this was no exception.
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