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Mr. Clemens and Mark Twain: A Biography, by Justin Kaplan
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Mark Twain, the American comic genius who portrayed, named, and in part exemplified America’s “Gilded Age,” comes alive in Justin Kaplan’s extraordinary biography.
With brilliant immediacy, Mr. Clemens and Mark Twain brings to life a towering literary figure whose dual persona symbolized the emerging American conflict between down-to-earth morality and freewheeling ambition. As Mark Twain, he was the Mississippi riverboat pilot, the satirist with a fiery hatred of pretension, and the author of such classics as Tom Sawyer andHuckleberry Finn. As Mr. Clemens, he was the star who married an heiress, built a palatial estate, threw away fortunes on harebrained financial schemes, and lived the extravagant life that Mark Twain despised. Kaplan effectively portrays the triumphant-tragic man whose achievements and failures, laughter and anger, reflect a crucial generation in our past as well as his own dark, divided, and remarkably contemporary spirit.
Mr. Clemens and Mark Twain brilliantly conveys this towering literary figure who was himself a symbol of the peculiarly American conflict between moral scrutiny and the drive to succeed. Mr. Clemens lived the Gilded Life that Mark Twain despised. The merging and fragmenting of these and other identities, as the biography unfolds, results in a magnificent projection of the whole man; the great comic spirit; and the exuberant, tragic human being, who, his friend William Dean Howells said, was “sole, incomparable, the Lincoln of our literature.”
- Sales Rank: #1878095 in Books
- Published on: 2003-04-01
- Original language: English
- Number of items: 1
- Binding: Hardcover
- 424 pages
Review
Henry Nash Smith Mr. Clemens and Mark Twain is sure to remain for a long time the standard book about an extraordinary, complex personality and a career that touched almost every aspect of American culture in the later nineteenth century.
John Kenneth Galbraith Even the best scholars, reading this book, will find themselves dangerously close to unqualified praise....Not only does Kaplan write economically and lucidly but he has a beautiful ear for Mark Twain's language, invention, and comedy.
Arthur Schlesinger, Jr. Kaplan's book will undoubtedly be the portrait of Mark Twain for this generation.
Howard Mumford Jones The richest, most subtle, and best-sustained analysis of Mark Twain anywhere to be found....This is a great book, one of the greatest analyses of an American personality.
Maxwell Geismar Mr. Clemens and Mark Twain is bold and discerning in its treatment of the central conflicts of that primitive genius, Mark Twain. It is illuminating to me in the discussion of complex and puzzling aspects of a dark and doubled personality.
About the Author
Justin Kaplan is the author of Mr. Clemens and Mark Twain, which was awarded a Pulitzer Prize and a National Book Award, and of Walt Whitman: A Life, which won the American Book Award. He is a member of the American Academy and Institute of Arts and Letters. He lives in Cambridge, Massachusetts, with his wife, novelist Anne Bernays.
Most helpful customer reviews
38 of 38 people found the following review helpful.
Never a Better Twain Shall Meet
By Bookreader
This scholarly and readable life of Twain begins with his thirties and carries the master humorist through the glorious successes and bitter tragedies that would haunt him. Well written and full of insightful analysis into his real character this book brings to life a persoanlity so large that it took a new era (Gilded Age) and two centuries to contain it! For his boyhood try Deep Waters- an equally good review of his wit and life.
10 of 11 people found the following review helpful.
Samuel Clemens Unveiled
By RS
It's no wonder this book won the Pulitzer Prize and the National Book Award. This is a serious, entertaining and informative treatment of one of the greatest American writers, and, in terms of his life and attitude, one of the best representations of 19th century America. In detail that becomes adornment to its subject, the author proceeds to map out the course of Samuel Clemens, aka Mark Twain, as he progresses as a writer and as a person. Great insights are revealed of his social behavior and, inasmuch as possible and believable, his thoughts. This is a great book; a must for any serious reader.
11 of 11 people found the following review helpful.
Uncovering The Pain Of Twain
By Bill Slocum
Mark Twain was an easy author to admire but a hard man to love. Justin Kaplan gets at both sides of this singular figure of American letters in this fast-moving if often hyper-analytical and maudlin biography.
To get the negative out of the way early, there's a lot more psychobabble here than I expected. Kaplan's book won a Pulitzer and a National Book Award after its 1966 publication, and maybe I approached it too much with that acclaim in mind. His wife Livy is described when we first meet her as Twain's "superego", and much of the rest of the man's life story is similarly fed through a Freudian prism. There's also a good deal more information about Twain's various failed business ventures and invention gambits than you'd expect, or I think, really need.
Another choice Kaplan made was one I came around to in time, which was to start the book in the middle of Twain's life. When we meet him, Samuel Clemens is coming off his first success, the short story "The Celebrated Jumping Frog Of Calaveras County," and seeking his fortune on the East Coast, where writing talents had their best shot at fame and fortune. Ironically, Clemens found his by leaving the Coast, on a boat with a group of religious pilgrims which would form the basis of his breakthrough first book, "The Innocents Abroad." In the process, he formed the alter ego by which Clemens became famous, Mark Twain.
"He was, at the very least, already a double creature," Kaplan writes. "He wanted to belong, but he also wanted to laugh from the outside."
On the boat, for example, he coddled blue-nosed ladies and made shows of piety while jotting down notes for the book that would send them up for national ridicule. "The pleasure ship was a synagogue, and the pleasure trip was a funeral excursion without a corpse," he wrote. Even so, one of his fellow passengers would become a lifelong confidante and authority figure to Twain, while another would prove Twain's entrée to meeting Livy.
For Kaplan, Twain is all about the conflict between those two halves. Kaplan even makes strained note of the similarity between the words "twain" and "twin," as if it helps explain Clemens' choice of nom de plume. He railed at plutocrats, but craved money more than most. He doted on his children, but was seen by them as remote and foreboding. He was a humanist who cherished enemies more than friends.
The best part of Kaplan's book showcases Twain at his literary peak, high atop his "gingerbread Gothic" manse in Hartford, Connecticut, writing "Life On The Mississippi" and "The Adventures Of Huckleberry Finn" in an attic room Kaplan memorably likens to a steamship pilothouse where Twain's connection to America's heartland was formed.
One problem Kaplan seems to have, with which I humbly concur, is that while unbeatable at one-liners ("nubs and snappers," he called them), Twain didn't always produce first-class books. Kaplan doesn't even think much of that celebrated swansong, "The Mysterious Stranger." He spends a great deal more time analyzing the faults of his first, co-written novel, "The Gilded Age" than the merits of "Huckleberry Finn," which seems consigned in this account to being a commercial disappointment banned in Concord, Massachusetts for lack of morals. Even when the sun is shining, Kaplan seems at pains to find the clouds.
Perhaps researching Twain so vigorously caused such a condition. "The secret source of humor itself is not joy but sorrow," Kaplan quotes Clemens saying. "There is no humor in heaven."
If there were indeed two halves to Twain, it's the darker side that gets the most attention here. Kaplan's book will alternately fascinate and repel Twain lovers, but left me feeling a bit too much in the cold.
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