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From the narcotic allure of the bebop and Beat generations to the psychedelic 1960s, Vietnam, the cocaine-fueled disco era, the crack epidemic, and the ecstasy-induced rave culture, illegal drugs have profoundly shaped America's cultural landscape. In Can't Find My Way Home, journalist and filmmaker Martin Torgoff chronicles what a long strange trip it's been as the American Century became the Great Stoned Age.
Weaving together first-person accounts and historical background, Can't Find My Way Home is a narrative vast in scope yet rich in intimate detail. Torgoff tells the stories of those whose lives became synonymous with the drug culture, from Charlie Parker, Allen Ginsberg, Timothy Leary, and John Belushi to ordinary people who felt their consciousness "expanded" or who plumbed the depths of addiction. He also examines the broader impact of drugs on society and politics, from the war on drugs to the recovery movement, and the continuing debate over drug policy. A vivid work of cultural history that neither demonizes nor romanticizes its subject, Can't Find My Way Home is a provocative and fascinating look at how drugs have entered the American mainstream.
- Sales Rank: #521184 in Books
- Brand: Brand: Simon n Schuster
- Published on: 2005-05-09
- Released on: 2005-05-09
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.40" w x 6.12" l, 1.34 pounds
- Binding: Paperback
- 560 pages
- Used Book in Good Condition
Amazon.com Review
Martin Torgoff came of age just about the same time as the drug boom, a circumstance that informs his overview of America's "Great Stoned Age." Chronicling the irrepressible onslaught of mind-altering substances from the end of World War II through the close of the century, Torgoff (whose previous publishing efforts have centered around rockers Elvis Presley and John Cougar Mellencamp) intersperses the personal with the historical. Laying the groundwork with his own recollections of indulgence beginning in the late 1960s, the author flashes back to the Beat era, which he asserts opened the door for all that followed. Interviews with the obscure and celebrated add color and detail to the chronicle. Here's Herbert Huncke, the unapologetic hustler and heroin addict who lurked on the periphery of '50s bohemian scene and turned up as a character in William Burroughs' pulp memoir Junkie. Into the 1960s, there's acid guru Timothy Leary, poet Allan Ginsburg, record producer Paul Rothchild, Woodstock MC Wavy Gravy, and others caught up in a wave of revolutionary experimentation and excess. The '70s leads to the cocaine craze (embodied here by party girl Suzie Ryan), which begets drug wars (with plenty of casualties on both sides), Just Say No, the crack epidemic, and rave culture. While Torgoff's tome is too capricious to serve as the final word on America's drug obsession, it's eminently readable and entertaining, thanks to its expansive, pop-culture-informed tone. There's an almost insane momentum to this tale, with dozens of astonishing twists and turns. Imagine Jimmy Carter's drug czar, Dr. Peter Bourne, snorting cocaine at a party thrown the by pot legalization group NORML. Then picture George H.W. Bush's point man on drugs, William Bennett, remarking in an interview that it would be "morally plausible" to behead drug dealers. So much for moderation. --Steven Stolder
From Publishers Weekly
Torgoff challenges what he calls America's "cultural amnesia" about recreational drug use during the last half-century, staking out a rhetorical middle ground that acknowledges both the pervasive cultural influence and the costs of overindulgence. The problem with his panoramic account is its focus on celebrities, especially among the creative classes, whose stories have already been told. That makes for a series of often stunning imagesâ€"Charlie Parker in the grip of heroin addiction, Wavy Gravy confronting Charles Manson, John Belushi snorting cocaine on live TVâ€"especially given Torgoff's skills as an interviewer (and the good fortune of getting to talk with key figures like Herbert Huncke and Timothy Leary before their deaths), but at the expense of discovering what happened once various drugs made their way to ordinary folks in the suburbs. Torgoff (who won an ASCAP Deems Taylor Award for American Fool, about John Cougar Mellencamp) does touch on that by opening with his own early drug use on '60s Long Island and closing with a poignant encounter with an aged homeless junkie, and the book could have used more stories like that. The discussion of the government's "war on drugs" is somewhat scattershot; though detailed on President Carter's flirtation with relaxing the laws and the militancy of the "Just Say No" era, there's nothing about Nixon's policiesâ€"a particularly stunning omission since the DEA was created during his administration. Torgoff creates compelling juxtapositions, and he's not afraid to ask difficult questions, but he hasn't truly broken new ground.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Twelve years in the writing, Torgoff's magnum opus is an anecdotal history of the movement of the DEA's schedule-one drugs (narcotics, amphetamines, cocaine, psychedelics, MDMA, and marijuana) from the underground toward the mainstream. From the 1940s to the present, from jazz musicians hooked on heroin to ravers rolling on ecstasy, this lively inquiry often gets the straight dope from the users themselves. (Torgoff was one, too; though he writes only fleetingly about himself, he's in his fourteenth year of sobriety.) Most of this has been examined elsewhere, and his criteria force him to leave out the schedule-two methamphetamine that is ravaging small-town America, but this is nonetheless useful and absorbing reading. Witholding judgment, he quotes those who use drugs to expand their consciousness, or those who see inequalities in the prosecution of drug use, with a respect equal to those who've become addicted and sought recovery. There may still be little consensus in public opinion regarding drugs, but Torgoff's belief in straight talk and informed decision making is a tonic. Keir Graff
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
2 of 2 people found the following review helpful.
What Did It All Mean--You Decide
By The Czar of Arkansas
Can't Find My Way Home: America in the Great Stoned Age, 1945-2000 by Martin Torgoff, is a history of drug use and abuse in America during the second half of the twentieth century. If you've ever seen the VH-1 documentary "The Drug Years," then you'll be familiar with the author--he's interviewed several times, and CFMWH really forms the structure of the documentary series.
CFMWH starts with the drug scene in the 1950s Beat Generation, where Bird Parker slowly destroys himself with heroin and Jack Kerouac and Allen Ginsberg delve deep into marijuana. From there the Torgoff takes us into the 60's, hippies, and the Summer of Love. The 1970's discuss the club scene and the emergent drug smuggling from South America. The 80's and 90's see the rise of gangs, and the emergence of Ecstasy.
Torgoff's prose is highly readable, and CFMWH is a page turner in an odd sort of way. Torgoff's greatest achievement is one that's hard to gain when writing on a topic like illegal drug use: being evenhanded but not necessarily neutral. He's got his own story of addiction to tell, but it doesn't bleed into the narrative. Some of his characters make it; some don't. All are changed. CFMWH is an attempt to answer "what did it all mean?" We may never know, but Torgoff's book tries to guide us through the experiences of those who took the long, strange trip.
35 of 36 people found the following review helpful.
GREAT BOOK FOR UNIVERSITY COURSES!!!
By A Customer
I'm reading this book a bit at a time. Each part is like a little history lesson - full of specific people, places and things that I've heard a lot of stories about - usually from folks who didn't have a great deal of clarity when they were either living through them OR speaking about them.
Torgoff has that clarity and there's humor in his prose that gives it a certain kind of bop. Yes, it's a long book. Most people who write long books these days write them as if they are "afraid of going to hell" for having done so - there's no ease, things get really claustrophobic in such books. Torgoff sails through this material not so much like a man who's afraid of going to hell...but as a man who's been there.
There's a kind of ease, a kind of compassion and a sense of spaciousness to Torgoff's style in this work. The length of the book doesn't seem that long. Maybe it would SEEM LONGER if Torgoff attempted to adapt his style to the demands of the market...some kind of a weekly reader version of the lifes, legends, loves (and drugs) of the times he's telling us about. Thank GOD he didn't cave into that.
Can't Find My Way Home makes me want to listen to a hell of a lot of music, see some movies again and read more books about the myriad folks who inhabit this book.
I see this book as a definite college text for classes focusing on the the history of jazz, rock and roll, film and literature in the last sixty years of American culture.
The fact that Torgoff weaves his own story into this piece communicates to me that he's not of those people who goes around chanting phrases like "If you remember the 60's you weren't there". Torgoff indicates to the reader that he was "there" and that he managed to extricate himself from the oblivion of those times through either the grace of God, or his own luck, karma or whatever.
Thus, Torgoff's writing in this book is infused with a kind of all pervasive sharpness, like the razor edge of a hatchet, that only comes from the words of those who have lived...and survived. I have a sense that Torgoff has been swinging this blade for some time...I suspect he's cut through a great deal of his own personal reference points in order to find the patience and perseverance to not only deliver this work...but to have the humility to title the work as he has.
Bravo!!
1 of 1 people found the following review helpful.
As seen on The Drug Years series on VH1...
By GwP
If you're a fan of "The Drug Years" series then you've seen the author, he is quoted extensively throughout all parts of the series, esp. the segments on the idealistic 60's and the use of hallucinigenics ---and the segment on the 70s and how kids weren't trying to change the world, they were just trying to change their heads by getting as wasted as possible. The title comes from a rather poignant song that bridges the gap between those two periods in time, with the lyrics bemoaning the fact: "well I'm wasted and I can't find my way home..." Martin Tortgoff's book, "Can't Find My Way Home," is subtitled: "America in the great stoned age, 1945-2000."
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