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At the center of West of Then is Karen Morgan -- island flower, fifth-generation haole (white) Hawaiian, Mayflower descendant -- now living on the streets of downtown Honolulu. Despite her recklessness, Karen inspires fierce loyalty and love in her three daughters. When she goes missing in the spring of 2002, Tara, the eldest, sets out to find and hopefully save her mother. Her journey is about what you give up when you try to renounce your past, whether personal, familial, or historical, and what you gain when you confront it.
By turns tough and touching, Smith's modern detective story unravels the rich history of the fiftieth state and the realities of contemporary Hawaii -- its sizable homeless population, its drug subculture -- as well as its generous, diverse humanity and astonishing beauty. In this land of so many ghosts, the author's search for her mother becomes a reckoning with herself, her family, and with the meaning of home.
- Sales Rank: #1899120 in Books
- Brand: Brand: Simon n Schuster
- Published on: 2005-10-10
- Released on: 2005-10-10
- Original language: English
- Number of items: 1
- Dimensions: 8.44" h x .80" w x 5.50" l, .97 pounds
- Binding: Paperback
- 336 pages
- Used Book in Good Condition
From Publishers Weekly
First-time memoirist Smith has spent most of her adult life on the East Coast, swapping the palm trees and leis of her Hawaiian childhood for subways and argyle sweaters. Not that she can be blamed for trying to distance herself from her roots. A descendant of an upper-class, white family, Smith's drug-addicted mother abandoned Smith when she was seven. Their family's saga resembles "a Faulkner sketch that had stumbled off to Honolulu. Plumeria instead of magnolia, but the setpieces were the same...." Although geographically separated from her wandering mother, Smith maintains a fierce attachment to her that ultimately brings her back to Hawaii. She draws on memories to tell of the search for her mother, who, homeless and using, disappears in 2002. The narrative dips back into turning points of Smith's upbringing to illustrate the experience of adoring a mother who often abandons her child, sometimes willfully, and sometimes because she's simply become distracted by a new lover or an old drug habit. Smith masterfully recounts Hawaii's history; the rise and fall of her family's fortunes parallel Hawaii's development. And Smith's Hawaiian experience differs from that of most nonwhite Hawaiians, resulting in an intriguing read.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From The New Yorker
When Smith was a child in Honolulu, her drug-prone mother, Karen, would vanish for hours at a time; when Smith was thirty-two, Karen, now homeless and a hopeless addict, went missing for several months. In this memoir, Smith combs the parks, rehab clinics, and red-light district of Honolulu for her mother, examining not only Karen's descent into prostitution and heroin but also her family's genteel past on Hawaii's sugarcane plantations. Her sense of place and of history amplifies the narrative, though at times she relies too heavily on the well-worn trope of corrupted paradise. She has a sharp descriptive eye—a housing subdivision consists of "concrete-block ranch houses xeroxed onto freshly paved streets"—and a strong voice, which, though it occasionally shades into portentousness, honestly plumbs the guilt, rage, love, and pity that she feels toward her mother.
Copyright © 2005 The New Yorker
From Bookmarks Magazine
Smith’s first memoir intertwines different stories that pit her memories and experiences against the larger backdrop of Hawaii’s history. Smith offers evocative descriptions of the state, from its sugarcane history and cultural clashes to its unparalleled beauty. A thin line separates this beauty from Smith’s painful attempts to reconnect with her mother. Critics agree that her account is in turns intelligent, sad, and dazzling. Yet for all its merits, a few critics thought Smith somewhat naïve in her fierce, nonjudgmental loyalty to her mother, and her mother—for all her problems—somewhat dull. Even with its charm, See of the Washington Post called the memoir a "sorry fable of how futile it is to ask for love from a person who has none to give."
Copyright © 2004 Phillips & Nelson Media, Inc.
Most helpful customer reviews
0 of 1 people found the following review helpful.
BOOK REVIEW
By J. N. Childs
EXTRAORDINARILY TRAGIC AND SAD BOOK ABOUT ONGOING AND PERSISTENT LOSS OF A FAMILY MEMBER TO DRUGS. MAKES YOU WANT TO CRY AND AT THE SAME TIME PRAY FOR PEACE FOR THE DAUGHTER.
23 of 25 people found the following review helpful.
a supremely enchanting debut....
By Felicia Sullivan
While I'm not privy to use the overused term "unflinching" but for some reason, that fits here for Tara Bray Smith's rather impressive debut. And unlike many memoirs, the concept of "place" plays a very important role in the story - Hawaii, in its rich 150 year history of drugs, sugar cane trade, fables, stories and a tradition of language and societal rules, is a character in and of itself. Bray deftly weaves the stories of her ancestors and Hawaiian traditions to the current day narrative - Bray's determined search for her heroin-addicted mother, Karen, through the gritty streets of Chinatown and downtown Hawaii. Because of a sustaining drug habit (Karen has an affinity for heroin but will sample others), the author's mother abandons Bray and her two sisters but manages to drop in and out of their lives, evoking pain and complex love from the daughters. I marveled at Tara's cadence, her language, her "old way" of telling a story and I was taken in, immediately. An absolute recommend!
12 of 14 people found the following review helpful.
A book set in the "real" Hawai'i!
By Puamohala
This book is one of the very best books set in Hawai'i that I have read.
As a long-time resident of Kaua'i, I read this book with recognition of just about everything described. There were no false notes of someone trying to write about "paradise" like a tourist brochure. Just the true life that most of us who live here, especially haole (caucasian) have experienced.
This author in her first book writes with such sensitivity about life in the islands, and in her family in particular,
that you feel yourself in whatever space she creates, whether it is a forbidden trip to the island of Ni'ihau, or a visit to her Gamma's Kahala beach cottage on O'ahu.
I highly recommend this book to anyone who loves the real Hawai'i. Such an enjoyable read I never wanted it to end!
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