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The Creative Habit: Learn It and Use It for Life, by Twyla Tharp
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One of the world’s leading creative artists, choreographers, and creator of the smash-hit Broadway show, Movin’ Out, shares her secrets for developing and honing your creative talents—at once prescriptive and inspirational, a book to stand alongside The Artist’s Way and Bird by Bird.
All it takes to make creativity a part of your life is the willingness to make it a habit. It is the product of preparation and effort, and is within reach of everyone. Whether you are a painter, musician, businessperson, or simply an individual yearning to put your creativity to use, The Creative Habit provides you with thirty-two practical exercises based on the lessons Twyla Tharp has learned in her remarkable thirty-five-year career.
In "Where's Your Pencil?" Tharp reminds you to observe the world -- and get it down on paper. In "Coins and Chaos," she gives you an easy way to restore order and peace. In "Do a Verb," she turns your mind and body into coworkers. In "Build a Bridge to the Next Day," she shows you how to clean the clutter from your mind overnight.
Tharp leads you through the painful first steps of scratching for ideas, finding the spine of your work, and getting out of ruts and into productive grooves. The wide-open realm of possibilities can be energizing, and Twyla Tharp explains how to take a deep breath and begin...
- Sales Rank: #10586 in Books
- Brand: Unknown
- Published on: 2006-01-06
- Released on: 2006-01-06
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .70" w x 7.00" l, 1.04 pounds
- Binding: Paperback
- 256 pages
- The Creative Habit: Learn It And Use It For Life
From Publishers Weekly
Perhaps the leading choreographer of her generation, Tharp offers a thesis on creativity that is more complex than its self-help title suggests. To be sure, an array of prescriptions and exercises should do much to help those who feel some pent-up inventiveness to find a system for turning idea into product, whether that be a story, a painting or a song. This free-wheeling interest across various creative forms is one of the main points that sets this book apart and leads to its success. The approach may have been born of the need to reach an audience greater than choreographer hopefuls, and the diversity of examples (from Maurice Sendak to Beethoven on one page) frees the student to develop his or her own patterns and habits, rather than imposing some regimen that works for Tharp. The greatest number of illustrations, however, come from her experiences. As a result, this deeply personal book, while not a memoir, reveals much about her own struggles, goals and achievements. Finally, the book is also a rumination on the nature of creativity itself, exploring themes of process versus product, the influences of inspiration and rigorous study, and much more. It deserves a wide audience among general readers and should not be relegated to the self-help section of bookstores.
Copyright 2003 Reed Business Information, Inc.
From School Library Journal
Adult/High School--Tharp shows how and why artists must actively seek and nurture inspiration. The dancer/choreographer draws heavily on her personal experiences to guide readers into cultivating habits that give birth to success. In addition, she recounts the experiences of artists from other disciplines, including painting and cinematography. Vignettes from the lives of people such as Mozart underline the fact that even geniuses work hard to realize the fruits of their labor. A personable tone is carried throughout the book, and within the text is a gold mine of advice. Tharp not only promotes tried-and-true habits, but also encourages readers to dig deep within themselves and come up with their own answers. Most sections conclude with exercises; they are fun and almost seamlessly bring home the author's main points. The black-and-white illustrations and photos are few in number. Students from all manner of creative arts who wish to make their dreams come true would benefit from reading this book.--Sheila Shoup, Fairfax County Public Library, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Library Journal
If this guide to creativity is as insouciant and quirky as Tharp's dances, it should be really fun reading.
Copyright 2002 Reed Business Information, Inc.
Most helpful customer reviews
62 of 67 people found the following review helpful.
Great to hear about the process, not so great as a practical guide
By Michelle Ward
"Venturing out of your comfort zone may be dangerous, yet you do it anyway because our ability to grow is directly proportional to an ability to entertain the uncomfortable." -Twyla Tharp
When I decided to read The Creative Habit right after The War of Art, I have to admit I gave myself a great big pat on the back. The War of Art was great in helping artists recognize & identify where & why Resistance stops you from doing That Creative Thing You Do, but the phrase "A Practical Guide" at the bottom of the cover of The Creative Habit made me think that it would address the "how." Sure, The War of Art really hit home with that beloved phrase, "Just do it (Every day. No matter what)," & while that's simplistic & powerful in so many ways, the artist & life coach in me wanted more. I was hoping The Creative Habit would deliver it, and it did - to a point.
The Creative Habit is divided into chapters that formulate a foundation for Tharp (Spine, Memory, Accidents, etc). She delves into personal anecdotes & advice, always followed by a suggestion of different exercises to further you along in your discovery & personal interpretation of that idea. For example, Twyla speaks often of "scratching", or the process of "digging through everything to find something" - an idea, an image, anything that'll turn into a tangible idea that'll spark your creative endeavor. One of the most memorable exercises comes at the end of the chapter, where she encourages the reader to take a handful of coins in any number & denomination & toss them onto a table to see how they fall, & then rearrange them into a pattern again & again & again, like "a musical chord resolving." I can see how it helps her, a world-renowed choreographer, come up with new configurations for her dancers. I can see, also, how it helps me, a creative person looking for a new perspective, to see infinite possibilities in something that I usually wouldn't look twice at.
Tharp lays it out on the table (i.e. "Somebody's done this before!") & then knocks it down (i.e. "Honey, it's all been done before. Get over yourself"). She also speaks of the joy of planning (not overplanning!) & imperfection, how to determine if you're in a rut, how to keep your groove going & how to deal with failure. Her advice is comforting & inspiring, all the while giving me new perspective & allowing me to feel that I wasn't alone. It's no mistake that rarely do 2 pages flip by that aren't marked by my highlighter.
I mentioned to someone (I forget who, & it's bothering me!) a while ago that I was reading the book, & she mentioned that it's tough to get through it as someone who is more of a Renaissance Soul, & is unable and/or unwilling to just throw themselves into their work. Tharp talks often about how she'll rid herself of all distractions (no music! no clocks! no numbers (yes, really - numbers)! no speaking!) & just live, breathe, think, talk & think the gym & the rehearsal studio - for weeks. She also encourages artists to "pick" a talent if they excel at more than one, as it's a curse to have a 50% chance of being wrong about their true calling. The life coach & Renaissance Soul in me super dislikes this sentiment, but I understand her stance if you're someone that wants to Master & Excel in their field - & is willing & able to chuck the rest of Life.
That said, here are my favorite exercises from the book, just waiting for journaling!:
Tharp poses 33 questions for you to answer in Your Creative Autobiography. Get out your journal & answer some of my faves (seriously - you'll totally want to):
What is the first creative moment you remember? Was anyone there to witness or appreciate it?
What is the best idea you've ever had? What made it great in your mind?
What is your creative ambition? What are the obstacles to this ambition? What are the vital steps to this ambition?
What are your habits? What patters do you repeat?
What do you & your role models have in common?
At what moments do you feel your reach exceed your grasp?
When you work, do you love the process or the result?
Pick a new name. What would you want it to say about you? What would it be? Why?
Take a field trip. Give a walk into purpose by saying that you won't return home until you have something inspiring in your hand, whether it's visual, intellectual or tangible.
For one day, be completely contrary. Pick a fight with everything you do - your wake-up routine, your rituals, your habits, your first creative impulse.
Figure out Your Perfect World. What are the rules & conditions? What's essential & what can be compromised on? Who is with you & what's surrounding you?
Bottom Line? The Creative Habit is a great book from a world-renowned artist who divulges her secrets in creating a new piece, building on it, sticking with it (both the piece as a singular unit & the career as a whole), & climbing the artistic ladder. But if you're looking for an interactive program of sorts, or something that's really gonna kick your ass into gear, I'd take a pass.
1 of 1 people found the following review helpful.
Highly recommend. In fact require most of you to read.
By BostonArtistDad
I very much enjoy and appreciate this book. Ms Tharp's experiences and thoughtful advice are important to artists of every medium. I teach art and recommend this book to all my students, young and old.
6 of 6 people found the following review helpful.
More complex than the title and worth your time
By Andy Orrock
The amazon-supplied blurb in this space opines that Twyla Tharp's "Creative Habit" is "more complex" than its self-help title suggests.
Exactly. This is America's foremost choreographer digging deep to dissect her life and her work practices, trying to distill what it is that has kept her productive and relevant throughout a professional career now at the 40-year mark. [Hint: Hard work. Ritual. Discipline. Hard work. Practice. Hard work...getting the picture?]
In addition, there are two other threads in the book well worth your while. The first is the invention of Twyla Tharp, a self-made, up-from-the-bootstraps talent from the foothills of San Bernadino, CA. Curious about the unique Twyla Tharp name? So was I. Tharp explains it here, and credits her Mom with wanting to pick out something striking for her daughter. Clearly, Mom had big plans for young Twyla, who did not disappoint.
The second in the invention of "Movin' Out," the dance story Tharp conceived and directed to the music of Billy Joel. This is briliant, spine-tingling stuff. In fact, I'd gladly pay $25 to read a book dedicated solely to the creation of "Movin' Out." It's fascinating to read how Tharp created the idea from scratch, presented it to the singer to get his approval and then drove it forward from there. You even get blow-by-blow details on how Tharp overhauled the Act One as the play worked out its off-Broadway preview kinks in Chicago. [And, as a Billy Joel fan, it's nice to see that he comes across as Tharp's perfect partner.]
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