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The Master: A Novel, by Colm Toibin
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“Colm Tóibín’s beautiful, subtle illumination of Henry James’s inner life” (The New York Times) captures the loneliness and hope of a master of psychological subtlety whose forays into intimacy inevitably fail those he tried to love.
Beautiful and profoundly moving, The Master tells the story of Henry James, a man born into one of America’s first intellectual families who leaves his country in the late nineteenth century to live in Paris, Rome, Venice, and London among privileged artists and writers. With stunningly resonant prose, “The Master is unquestionably the work of a first-rate novelist: artful, moving, and very beautiful” (The New York Times Book Review). The emotional intensity of this portrait is riveting.
- Sales Rank: #35538 in Books
- Brand: Toibin, Colm
- Model: 1667082
- Published on: 2005-05-03
- Released on: 2005-05-03
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .90" w x 5.25" l, .63 pounds
- Binding: Paperback
- 338 pages
From Publishers Weekly
It's a bold writer indeed who dares to put himself inside the mind of novelist Henry James, but that is what Tóibín, highly talented Irish author of The Heather Blazing and The Blackwater Lightship, has ventured here, with a remarkable degree of success. The book is a fictionalized study, based on many biographical materials and family accounts, of the novelist's interior life from the moment in London in 1895 when James's hope to succeed in the theater rather than on the printed page was eclipsed by the towering success of his younger contemporary Oscar Wilde. Thereafter the book ranges seamlessly back and forth over James's life, from his memories of his prominent Brahmin family in the States-including the suicide of his father and the tragic early death of his troubled sister Alice-to his settling in England, in a cherished house of his own choosing in Rye. Along the way it offers hints, no more, of James's troubled sexual identity, including his fascination with a young English manservant, his (apparently platonic) night in bed with Oliver Wendell Holmes and his curious obsession with a dashing Scandinavian sculptor of little talent but huge charisma. Another recurrent motif is James's absorption in the lives of spirited, highly intelligent but unhappy young women who die prematurely, which helped to inform some of his strongest fiction. The subtlety and empathy with which Tóibín inhabits James's psyche and captures the fleeting emotional nuances of his world are beyond praise, and even the echoes of the master's style ring true. Far more than a stunt, this is a riveting, if inevitably somewhat evasive, portrait of the creative life.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
The Master may not elevate James to the status achieved by Virginia Woolf in Michael Cunningham’s The Hours, but it’s a remarkable accomplishment. Most readers, regardless of their familiarity with James’s work, will appreciate its timeless themes, including war, family, character, and ambition, and graceful, evocative prose. Tóibín (Blackwater Lightship) offers a humane portrait of the writer in middle age, ambitious and mentally energetic but emotionally aloof. Though focused on five years, he captures all stages of James’s life, from his Yankee childhood and European young adulthood to middle-aged angst. Sometimes Tóibín veers too much into fantasy, mixing up his and James’s voices; at other points, more imagination could have animated the text. Yet, there’s no doubt that The Master is the work of—well, another kind of master.
Copyright © 2004 Phillips & Nelson Media, Inc.
From Booklist
*Starred Review* This distinguished Irish novelist boldly offers a fictional depiction of the last two decades of the life of the great god of American letters, Henry James. We come in on James at a low point in his career, the 1895 failure on the London stage of his play Guy Domville. This setback ignites "months of lethargy and pain and disappointment." What Toibin has so boldly done--and done so brilliantly and successfully--is forge a sympathetic but not mushy imagining of James' interior life at this crossroads, a picture that renders "the Master" astonishingly lifelike. Toibin gives him ordinary human qualities, such as fear and loneliness and longing, in a shaping and shading process that has not been an easy task, even in the most thoughtful, scrupulously researched biography. Obviously, by Toibin's illustration, fiction is the best way to achieve such a result, the best approach to infusing this somewhat cold, distant, and removed-from-real-life literary icon with an embracing degree of warmth and humanity. Even the reader who knows little about Henry James or his work can enjoy this marvelously intelligent and engaging novel, which presents not on a silver platter but in tender, opened hands a beautifully nuanced psychological portrait. Brad Hooper
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
11 of 12 people found the following review helpful.
The Master
By -_Tim_-
_The Master_, by Colm Toibin, is a quiet book and a good companion. It is a fictional account of the life of Henry James, an exceptional artist and observer of life in the late nineteenth century. The tone of the book - it's reserve and calm - are appropriate to its subject, a man who relied heavily on his own company and inner life.
The book relates a number of significant incidents in James' life, and through them we gain an understanding of his character and motivations. As a boy and young man, he is entirely focused on reading and writing. As he becomes a man, the Civil War is raging and two of his brothers fight for the North. James stands apart from the conflict, uncomfortably, aware that physical courage is not a part of his nature. Several incidents in his adult life - an encounter with Oliver Wendell Holmes, Jr., his enduring relationship with Hendrik Andersen, and the trial and imprisonment of Oscar Wilde for sodomy - illuminate James' unconsummated homosexuality and the attitudes of his contemporaries toward what was regarded as a dangerous perversion.
A major theme in the book is James' alienation. At the death of his sister, James reflects that "Both he and his sister would die childless; what they owned was theirs only while they lived. There would be no direct heirs. They had both recoiled from engagements, deep companionship, the warmth of love." James, of course, was compensated by his inner life and by the creative process he engaged in as a writer, which required some observational distance from the rest of humanity. Another theme involves cultural differences and how James, the expatriate American, enjoyed them. Another theme, and an extremely important one, concerns the compromises that James made in his life, and how they did not diminish him.
A major feature of the book, and one of its greatest attractions, is the depiction of domestic scenes at Lamb House, James' residence in Rye, England, his adopted home. An excellent passage in the book describes the attraction that a comfortable home can have for a sensitive and solitary soul: "He imagined himself each evening seated in the rich glow of a lamp in an old paneled room, the floorboards darkly varnished and covered in rugs, the fire lighting, the burning wood oozing and crackling, the heavy curtains drawn, a long day's work completed and no social duties looming." This was the best part of life for a solitary man like James.
0 of 0 people found the following review helpful.
A moving and beautifully written fictional treatment of Henry James' life both public ...
By gary r. ljungquist
A moving and beautifully written fictional treatment of Henry James' life both public and private. Based on history and on his writings, this book kept me entranced--I didn't want it to end.
1 of 1 people found the following review helpful.
Most highly recommended
By M. J. Newhouse
I most hightly recommend this book to anyone who, like this reader, adores the work of Henry James but has found the many (often very good, even excellent) biographies of him curiously lacking in nuance. Toibin supplies this through the use of his creative imagination--we have a picture of James that finally seems really true, precisely becuase it has been re-imagined by a very sensitive and intelligent artist. Indeed, it would be hard to overstate the intelligence, as well as the artistry, of this work. Reading it only now, after actually owning it for some time, I have found it to be something of a revelation. I thank the author deeply for this magnificent work.
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